by Daniel Hathaway

by Daniel Hathaway

by Timothy Robson

The concert was unusual in a couple of ways. First, the pairing of soprano and viola is not commonly heard, but proved to be felicitous. Second, Ms. Phillips and friends performed a program of mostly “light” music – songs of an earlier era, intended to please and entertain and not stress the listener. Only one of the numbers was originally written for voice, viola and piano (more on that later). Most of the viola obbligati were found or devised by Mr. Neubauer, who is acclaimed in his own right as an orchestral musician and soloist. Mr. Neubauer and Ms. McDermott both had their opportunities to shine as soloists during the course of the evening. [Read more…]
by Daniel Hathaway

New York Times critic Anthony Tommasini wrote that Phillips “had what could be a breakthrough night at the Met as Fiordiligi…She has the purity and bloom of a Mozart lyric soprano. Yet her voice can lift phrases with penetrating sound and deep richness.” Asked in a telephone conversation about that night, Susanna Phillips told us that Levine’s return was “an incredible experience — he’s an incredible guy. It was a night I won’t soon forget. It was great to see him back so full of joy and focus. Everybody was thrilled.”
Though Phillips is an international opera star, her feet are planted firmly on the ground, and she maintains a close relationship with Huntsville, the Alabama town where she grew up. When she made her Metropolitan Opera debut in La bohème in 2008, four hundred and fifty local fans flew up to New York to hear her sing. “It’s very rewarding to have the community rally behind you — and they keep showing up and sending me emails and notes,” she said. [Read more…]