ClevelandClassical.com Header
Ad
Ad

CD Review —
Ronn McFarlane: The Celtic Lute

by

by Hannah Schoepe

Existence can be filled with emotional weather of various kinds. Perhaps it’s a touch of rain inspired by to-do lists, appointments, and squabbles, or it may be a storm of vehement feelings. Everyone has moments where we long for a calming presence that tells us everything will be okay, and reminds us of the big picture. If clouds are descending upon you, the Christmas tree is crooked, the turkey is too big, or the Hanukkah candles simply won’t stand up straight, there is one thing you can do — sit down with a cup of tea and listen to Grammy-nominated lutenist Ronn McFarlane in his new album The Celtic Lute. [Read more…]

Baltimore Consort: “Adew Dundee” at Holy Trinity, Akron (Oct. 28)

by

by Nicholas Stevens

In recent years, Northeast Ohioans have had many opportunities to explore the overlaps between early music and certain folk traditions. In the “crossover” program Sugarloaf Mountain, Apollo’s Fire zeroed in on Appalachia as a region where British music of centuries past seemed to reappear transfigured, thanks to oral traditions of Scots-Irish migrants. In its touring program “Adew Dundee,” the Baltimore Consort traces a similar path, with emphasis on the Scots part of the lineage. At Holy Trinity Lutheran Church in Akron last weekend, they treated music from the Scottish Renaissance with charm and virtuosity —  and melded the repertoire with grooves and tunes from later folk idioms. [Read more…]

CD Review
Ayreheart: Barley Moon

by

by Jeremy Reynolds

ayreheart_-_barley_moonFar from being an outdated or even obsolete instrument, the lute makes a stirring pitch for its continued relevance in the hands of the ensemble Ayreheart, which released Barley Moon in June 2016 on the Sono Luminus label. In this album, four modern day troubadours with lutes and drum and sweet, sweet voices harken for an hour to a simpler musical era. [Read more…]

Renaissance band Ayreheart at the Bop Stop (April 7)

by

by Mike Telin

AyreheartOn Thursday, April 7 at the Bop Stop, the Renaissance band Ayreheart presented a  concert titled “Will You Walk the Woods so Wild.” The captivating program — performed by Ronn McFarlane, lute, Brian Kay, vocals and lute, Will Morris, colascione, and Mattias Rucht, percussion — explored the intersection between folk music and art music in 16th- and 17th- century England, Scotland, and Wales. It also highlighted the intersections of Renaissance folk music and classic rock. [Read more…]

Ayreheart to play two area performances this weekend

by

by Mike Telin

AyreheartOn Thursday, April 7 at 8:00 pm at the Bop Stop, the band Ayreheart (Ronn McFarlane, lute, Brian Kay, vocals and lute, Will Morris, colascione, and  Mattias Rucht, percussion) will present a concert titled “Will You Walk the Woods so Wild.” The concert will be repeated on Friday, April 8 at Kent Unitarian Universalist Church in Kent, also at 8:00 pm.

“We do call ourselves a band, but we’re hard-pressed to figure out what kind of band we are,” Ronn McFarlane joked during a recent telephone conversation while en route to Michigan to start Ayreheart’s ten-day, nine-concert tour. “We formed to play original music that I was writing for lute, and songs with lute and other instruments like percussion and bass. But we also love the old music, so even when we have concerts focused on the new we always play a good bit of old.”   [Read more…]

Review: Apollo’s Fire Fireside Concert at Rocky River Presbyterian (January 26)

by

by Daniel Hathaway

McFarlane-HallDuring the first of her amusing asides to an audience who had just slogged through snowdrifts on Sunday afternoon, soprano Meredith Hall noted that the subtitle of this year’s Apollo’s Fire’s Fireside Concerts was “Drive the Cold Winter Away.” “We have failed!” she added, ruefully.

Well, maybe the Polar Vortex and its aftermath had chilled patrons to the bone on the way to Rocky River Presbyterian Church, but the English music from the 16th and 17th centuries that awaited them inside warmed the cockles of the soul, even with no fireplace in sight.

Hall was joined by lutenists Ronn McFarlane and William Sims (who doubled on theorbo) and flutist Kathie Stewart (who also played recorder) in an engaging, two-hour journey through the ballad repertory which supplied house music for the well-to-do and lyrics for Everyman to sing to familiar tunes during the flowering of poetry and music in Renaissance England. [Read more…]

Preview: Apollo’s Fire — Fireside Concerts to feature lutenist Ronn McFarlane and soprano Meredith Hall

by

by Daniel Hathaway and Mike Telin

McFarlane-Hall“Now winter nights enlarge / The number of their hours; / And clouds their storms discharge / Upon the airy towers. / Let now the chimneys blaze / And cups o’erflow with wine, / Let well-tuned words amaze / With harmony divine.”

Soprano Meredith Hall will begin this week’s Apollo’s Fire Fireside Concerts, “Drive the Cold Winter Away,” with those sentiments by sixteenth-century poet, composer and lutenist Thomas Campion from his song of the same name. “Given the way the winter has been — power outages and such — this theme is a fairly easy one to latch onto,” Hall said in a phone conversation. “What we’re doing is banding together and having an evening celebrating something warm!”

“Campion’s song inspired the program,” said Grammy-nominated lutenist and guest music director Ronn McFarlane, also in a phone conversation. “It’s an Elizabethan and post-Elizabethan show focusing on the English ballad repertoire featuring works by Dowland, Purcell and my favorite composer, Anonymous. Billy [William] Sims will join us on lute and theorbo and Kathie Stewart will play flute and recorder.”

Ballads were the popular music of the Elizabethan period, often circulated as “broadsides” or printed sheets of lyrics that could be fitted to tunes — or families of tunes — that everybody knew and which may have originated as improvisations over bass patterns like the Romanesca. [Read more…]

Preview: Apollo’s Fire celebrates its twenty-second season with seven home programs and national and European tours

by

by Daniel Hathaway

SORRELL-JeannetteAfter I congratulated her on launching her ensemble’s twenty-second season, Apollo’s Fire founder and artistic director Jeannette Sorrell said, “We’re into adulthood now, and we’re in a really fantastic place regarding our artistic reputation.” Cleveland patrons don’t need to be reminded of the high quality of playing their resident baroque orchestra turns in on a regular basis, but a wider audience is now sitting up and paying attention.

One indication of Apollo’s Fire’s “grown-up” status: the ensemble has recently been picked up by Columbia Artists Management Inc. (CAMI), “a big stamp of approval”, Sorrell said. “We’re the first period instrument orchestra to appear on their roster, and after twenty-one years of honing our craft and trying to perfect our art, it’s great to be getting global attention.”

We reached Jeannette Sorrell via Skype last weekend to chat about the multiple performances of seven programs that local audiences will enjoy in area church venues this season. It all begins with “Virtuoso Orchestra”, which opens on Thursday, October 10 at First Methodist in Akron and will be repeated on October 11 and 12 at Fairmount Presbyterian in Cleveland Heights and on October 13 at Rocky River Presbyterian.

Sorrell promises that the program will live up to its name with dazzling performances including Vivaldi’s concerto for four violins, Bach’s fourth Brandenburg Concerto and a novelty for local audiences, a concerto by J.D. Heinichen. [Read more…]

Preview: Apollo’s Fire: Intimate Vivaldi— a conversation with lutenist Ronn McFarlane

by

by Mike Telin

Apollo’sMcFarlane-Ronn Fire has cozy “fireside” events planned for its next two sets of concerts, “Intimate Vivaldi” from January 31-February 3 and “Intimate Bach, Part II” from March 14-17. The Vivaldi set will feature lutenist Ronn McFarlane in the “Red Priest’s” lute concertos and violinists Olivier Brault and Johanna Novom will join McFarlane in chamber music by Vivaldi’s musical forebears and colleagues Giovanni Zamboni, Dario Castello, Biagio Marini and Giovanni Legrenzi, assisted by violist Kristen Linfante, cellist René Schiffer and William Simms on theorbo and guitar.

McFarlane began his career as a blues and rock guitarist, but went on to study classical guitar at the Peabody Conservatory under Paul O’Dette, Roger Harmon and Pat O’Brien. By the late 1970s, McFarlane had switched his musical attention to the lute and helped found the Baltimore Consort.

[Read more…]

Follow ClevelandClassical.com

Contact us