Semyon Bychkov Archives - Cleveland Classical

The Cleveland Orchestra: a conversation with Katia Labèque

May 6, 2019 by Mike Telin

by Mike Telin

When the duo piano team of sisters Katia and Marielle Labèque return to Severance Hall this week, they will be bringing with them a rarity of the two-piano literature. “The Bruch is really the only Romantic concerto we have in our repertoire,” Katia Labèque said during an interview. “The Romantic composers didn’t write a lot for two pianos, so we are very happy to have this one. It is a wonderful piece and we look forward to bringing it to Cleveland.”

On Thursday, May 9 at 7:30 pm, guest conductor Semyon Bychkov will lead The Cleveland Orchestra in a concert that includes Bruch’s Concerto for Two Pianos, Detlev Glanert’s Distant Land: Music with Brahms, and Smetana’s Three Selections from Má Vlast: “Vyšehrad,” “The Moldau,” and “Sárka.” The program will be repeated on Friday at 11:00 am (without the Glanert) and Saturday at 8:00 pm. Tickets are available online.

Interestingly enough, Bruch composed the concerto for the American duo-pianist sisters Rose and Ottilie Sutr in 1912. However, without the composer’s permission, the sisters rewrote the concerto to accommodate their technical abilities. [Read more…]

Cleveland Orchestra: Xian Zhang to replace Semyon Bychkov — who talks about Tchaikovsky

February 15, 2017 by Mike Telin

by Mike Telin

Being ready to perform on short notice is part of what makes life interesting for both conductors and soloists. On Thursday, February 16 at 7:30 pm, conductor Xian Zhang will make her Cleveland Orchestra debut when she steps in for Semyon Bychkov, who was forced to withdraw from this week’s performances on the advice of his physician.

Xian Zhang serves as Music Director of the New Jersey Symphony Orchestra as well as Principal Guest Conductor of the BBC National Orchestra and Chorus of Wales — the first female conductor to hold a titled role with a BBC orchestra.

Ms. Zhang has agreed to lead the originally-scheduled program, featuring Tchaikovsky’s Manfred Symphony and Mozart’s Concerto in E-flat major for Two Pianos with soloists Katia Labèque and Marielle Labèque. The program will be repeated on Friday and Saturday at 8:00 pm.

Last week, before he withdrew, we spoke with Semyon Bychkov from New York to learn more about Tchaikovsky’s rarely-performed Manfred Symphony. [Read more…]

Apollo’s Fire at Lakewood Methodist — “Fire & Joy: from Bach & Vivaldi” (Nov. 17)

by Daniel Hathaway

Baroque music reaches some of its loftiest heights in concertos, and those by Antonio Vivaldi (who left us some 500) and Johann Sebastian Bach (who seeded his cantatas with concerto-like movements, wrote a collection of six famous concertos, and rearranged — or lost — goodness knows how many others) are among the most popular with ensembles like Apollo’s Fire.

On Friday, November 17, the ensemble brought its program “Fire & Joy: from Bach & Vivaldi” to Lakewood Methodist Church as a stop on its local tour that included performances in Akron, Cleveland Heights, and University Circle. Artistic Director Jeannette Sorrell chose concertos by Vivaldi and Bach, pairing them with brief Bach cantata sinfonias.

The concert began with Vivaldi’s D-minor Double Violin Concerto — which Bach arranged for organ during his time at Weimar, when Italian orchestra concertos were all the rage. [Read on…]

Cleveland Orchestra offers up Tchaikovsky, Dvořák as it continues holiday concert tradition

by Daniel Hathaway
Originally published on Cleveland.com. Photo by Roger Mastroianni from an earlier Cleveland Orchestra concert

While other organizations are taking time off, The Cleveland Orchestra has continued its admirable tradition of playing concerts on the Friday and Saturday evenings and Sunday afternoon of Thanksgiving weekend at Severance Music Center.

Those Fridays in particular have seen some memorable performances, and the concert on November 24 was no exception. Played to a capacity, multi-generational crowd enlivened by an enthusiastic influx of families and young listeners, led by the insightful Finnish conductor Pietari Inkinen making his debut with the orchestra, and featuring a defining performance of a beloved concerto by one of the most thrilling violin soloists on the international circuit, the experience was simply overwhelming.

From the ovation they gave when Augustin Hadelich merely appeared onstage, Friday’s audience suggested that he was a major factor that drew them to Severance Music Center. [Read on…]

BlueWater Chamber Orchestra: Jinjoo Cho soars in Barber Concerto (Nov. 17)

by Kevin McLaughlin

In a pre-holiday offering, Bluewater Chamber Orchestra’s audience received gifts simple and somber, with intermittent thrills, on Friday evening, November 17. In an all-American program, the pleasures were many: Cindy McTee’s moving Adagio for strings, Barber’s firework of a Violin Concerto, and Copland’s wise portrait of rural America, Appalachian Spring.

[Read on…]

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