by Stephanie Manning
On a recent chilly Sunday in Cleveland Heights, waves of sleet skittered down from the heavens, ricocheting off anything that stood in their way. But the real storm was brewing inside St. Paul’s Episcopal Church, where Apollo’s Fire and director Jeannette Sorrell took the stage for their latest program. “Storms and Tempests” entertained a packed house on November 13, as the Baroque orchestra played up the drama of both nature and love.
The passionate mood of the afternoon was equally matched by its soloists, both familiar faces to the ensemble. The first was Alan Choo, concertmaster and Assistant Artistic Director, who brought a crackling intensity to Vivaldi’s Violin Concerto in E-flat, Op. 8, No. 5. The whirling arpeggios and devilish technical passages lived up to the piece’s name: “Tempesta di Mare,” or “Storm at Sea.”
When it comes to Handel’s oratorios, another repeat isn’t always a welcome thing. But Apollo’s Fire knows how to make an evening exciting, and the group’s reprise performances of the composer’s 
Ars Organi II, a multi-week series of organ recitals and lectures at St Paul’s Episcopal Church in Cleveland Heights, came to an end last weekend. Audiences had been treated to new music for saxophone and organ with Noa Even and St. Paul’s organ mastermind Karel Paukert, followed by a weekend tribute to the great Austrian organist and pedagogue Anton Heiller, including brilliant recitals by two of his former students, Jay Peterson and Christa Rakich. 
Atonal music holds a certain fascination, although it may make listeners recoil in horror. More than 100 years after inspiring a revolution in music, atonality remains unresolved in classical music culture. But the open-eared willing to forswear their fear can gain a foothold on a treacherous musical mountain.
Dean Buck grew up on the West Side of Cleveland, then headed to New York City for four years of school and five years of work. Now he’s back, pursuing a master’s in conducting at the Cleveland Institute of Music and digging into the city’s freelance scene.
Earth and Air: String Orchestra opened their fourth season this past Friday evening at St. Paul’s Episcopal Church in Cleveland Heights with a charming continuation of their Mendelssohn String Symphonies project. Music Director David Ellis curated this Part Two in the pleasant spirit of a potpourri concert: the movements of the featured symphony were divided up, with other works by the composer played in between.
