by Jarrett Hoffman
In the music business, we’ve all heard and rolled our eyes at music jokes. Mime jokes might be the breath of fresh air we need.
“I can tell you my favorite one,” Douglas MacIntyre, co-founder of Magic Circle Mime Co., said over the phone. “It was a cartoon in The New Yorker — a drawing of a very high-end suite in a high-rise looking out over Central Park. Right in the center of it is a mime sitting in an imaginary chair. And it just says, ‘Executive Mime.’”
Maybe that kind of thing is common mime banter that makes them roll their eyes (very theatrically, of course). But here’s something that should be fresh for all the mimes, musicians, and fans on either side: mime + orchestra.
That’s what Magic Circle and The Cleveland Orchestra have in store this Friday, February 8 at 7:30 pm at Severance Hall. Vinay Parameswaran will lead the Orchestra in a Family Concert titled “The Mozart Experience,” which brings together the visual theater of Magic Circle with excerpts from Eine kleine Nachtmusik, The Magic Flute, Don Giovanni, the “Jupiter” Symphony, and other famous works by Mozart.
On Friday, November 23, the audience in a packed Severance Hall heard violinist Peter Otto in beautiful performances of Vivaldi’s 
In some cases, a compelling background or story is at least half the appeal of a piece of music — and John Adams’ 
Whether it’s the sounds of birds, whales, or summer storms, for centuries humans have turned to the natural world for musical inspiration. While there is a seemingly endless list of nature-inspired works, one that stands out as a perennial favorite is Antonio Vivaldi’s set of violin concertos — 
When Czech conductor Jakub Hrůša makes his annual visit to Cleveland, audiences have come to expect that the concert will include a gem that is rarely, if ever, performed at Severance Hall. His past programs have included Martinů’s 
Last week, the conductor Matthias Pintscher led The Cleveland Orchestra in works by Rachmaninoff and Bartók. This week, music by the 
“I’ve been looking forward to this concert,” pianist Kirill Gerstein said by telephone from his home in Berlin. “This was the piece with which I met The Cleveland Orchestra for the first time at Blossom, and it’s very nice to return with this wonderful concerto and to play it in Severance Hall.”
As autumn finally slammed Northeast Ohio with colder temperatures, the Toronto Symphony’s new music director- designate Gustavo Gimeno led The Cleveland Orchestra in a stimulating and shining program for his Severance Hall debut on Friday, October 18. This concert featured an early, ecstatic overture by Samuel Barber, an Alberto Ginastera concerto starring principal cello Mark Kosower, and a melody-drenched warhorse by Nikolai Rimsky-Korsakov.
Good things come to those who wait. And when German conductor 
The American political landscape has broadened over the past few years to include socialist and fascist ideas previously unthinkable in the public sphere. Programming works from the 1930s, another time of torrent, The Cleveland Orchestra and guest conductor Adrien Perruchon gave their August 25 concert at Blossom Music Center an unusual political saliency. The performance of Orff’s