by Jarrett Hoffman
If you had to pick one thing that symbolizes Mahani Teave — pianist, cultural ambassador, and environmental activist — an easy choice would be the Rapa Nui School of Music and the Arts, the first music school on that remote island 2,000 miles off the coast of mainland Chile, with a population of 8,000.
Co-founded by Teave, the school brings together the studies of classical music and of the traditional music of Rapa Nui, also known as Easter Island. It’s also a symbol of conservationism, built out of recycled tires, bottles, and cans, and made self-sustainable thanks to rainwater collectors and solar panels.
It says a lot that when Teave received the attention of just about the entire classical music world in 2021 with her debut album, Rapa Nui Odyssey, she found herself not so much overwhelmed by the attention, or basking in the glow of fame, but rather grateful for the opportunity to spread the word about her school and help keep it going — not an easy endeavor.
Now she is in the midst of a North American tour in which she is largely playing selections from that album — and the tour is bringing her back to Northeast Ohio, where she studied at the Cleveland Institute of Music.
On Thursday, February 23 at 7pm, the Tri-C Classical Piano Series will deviate from its usual pattern of presenting solo pianists to welcome the National Symphony Orchestra of Ukraine to the stage of its Metropolitan Campus.
It is the composer George Walker’s centennial this year, and on October 9, pianist Alexandre Dossin — performing in Cleveland for the first time — gave a concert featuring the composer’s work through six decades at the Cleveland Museum of Art’s Gartner Auditorium. The performance was part of the Tri-C Classical Piano series.
It wasn’t unexpected that Bach and jazz improvisation went back and forth. After all, Dan Tepfer is known for not only playing the Goldbergs, but also using the work’s thirty variations as a jumping-off point into his own spontaneity. In this case, for a pre-recorded recital that debuted on April 18 on the Tri-C Classical Piano Series, he limited himself to the aria and the nine canons.
J.S. Bach’s 
When my colleagues and I have the opportunity to both interview and review an artist, it becomes interesting to see whether the ideas behind their program translate to the actual performance. Sometimes, from my perspective, they don’t, but the concert might still flourish in some other, unforeseen way.
If there was a day and time made for piano recitals, it might be Sunday afternoon. “I like Horowitz’s idea of 4:00 pm Sunday recitals,” pianist Caroline Oltmanns said during a telephone conversation. “3:00 is great, 2:00 is great — those are like the golden hours.”
Aaron Diehl is a magnificent pianist. He possesses an innate sense of rhythm and musical line. Everything he plays has purpose. Every note he plays sparkles. 
