by Robert Rollin

by Robert Rollin

by Daniel Hathaway

by Daniel Hathaway

by Jarrett Hoffman

by Mike Telin

“We’re very excited about this concert,” said CCS’s conductor and Festival music director Steven Smith. “For the first time we will join forces with CYO for a side-by-side performance. This will be one of the highlights of the Festival, because Bernard wrote his London Serenade for the Chamber Symphony. We’ve played it several times over the years, and, I think there’s something poignant about bringing the piece back to life alongside a new generation of players.” [Read more…]
by Mike Telin

On Saturday, March 28 at 7:30 pm at Transformer Station, the CMA Performing Arts Series will present the Mivos Quartet, Olivia de Prato and Joshua Modney, violins, Victor Lowrie, viola and Mariel Roberts, cello. The program will feature works by Alex Mincek, Martin Stauning and Helmut Lachenmann. The concert is the first in an eight-concert tour of the Midwest. [Read more…]
by Mike Telin

“We wanted to play someplace downtown for the Festival, and when I checked out Zygote Press I was completely captivated by some of the equipment that they have,” 51XO’s artistic director John HC Thompson explained during a telephone conversation. “They have a lot of antiquated printing equipment and other toys we can play with like hoses, vacuum cleaners and giant pieces of metal. We’ve been having fun figuring out how to incorporate all these things into the show.”
The first half of the evening will take place in Zygote’s intimate gallery space with the orchestra set up in the center. The audience will be invited to sit or stand in a circle around the musicians. [Read more…]
by Daniel Hathaway

“It looks like the Poulenc may be a Cleveland premiere,” Friscioni told us in a telephone conversation. “The orchestra checked everywhere and there’s no record of another performance.” Underscoring the work’s relative obscurity, the soloist herself wasn’t familiar with it before McCoy suggested it to her. “He saw that my husband Antonio Pompa-Baldi and I had played the two-piano concerto, and Mark and I both love Poulenc. It’s good to learn something new and fresh.” [Read more…]
by Timothy Robson

by Jane Berkner
