ClevelandClassical.com Header
Ad
Ad
Ad

Archives for September 2025

Akron Symphony plays Mahler 1 (Sept. 20)

by

by Kevin McLaughlin

The Akron Symphony opened its season Saturday night, September 20 at E.J. Thomas Hall, with a program that combined geniality, youthful cheek, and grand ambition. Under the direction of Christopher Wilkins the orchestra sounded happy to be back and playing before an excited house.

Brahms’s Academic Festival Overture is a thank-you note written to honor a university that gave him an honorary degree. As Wilkins reminded us, Brahms never went to college, but here he donned the cap and gown like a puckish undergrad, weaving together student songs more often heard in beer halls than lecture halls. Under Wilkins, the piece carried both dignity and delight. The opening had the sincerity of ceremony, then the tunes tumbled in like students fresh from hijinks on the quad. The orchestra answered with warmth, rhythmic lift, and good humor. When the final tune arrived, it rose like an alma mater — or a sudsy cheer — echoing fondly across the years. [Read more…]

Folk quartet adds Oberlin to the fabric of their American Patchwork (Sept. 13)

by

by Stephanie Manning

Once you’ve listened to the American Patchwork Quartet, you might not hear your favorite folk songs the same way. Take the group’s September 13 version of “Shenandoah,” which began with an introduction that held the Oberlin audience spellbound.

Accompanied only by a drone, Harini (“Rini”) Raghavan’s voice spun out a searching melody in the South Indian Carnatic style, an improvisation of pure sound and syllable. But before long, she took a breath and seamlessly began the words to “Shenandoah,” the rest of the group then picking up the familiar, bittersweet song.

Interactions like that are at the heart of the American Patchwork Quartet — a group that combines different cultural and musical traditions to perform folk music in a distinct and dynamic way. Their Saturday night performance in Finney Chapel marked the group’s debut on the Oberlin Artist Recital Series.

[Read more…]

M.U.S.i.C. – Stars in the Classics at Praxis Fiber Workshop & Gallery

by

by Mike Telin

Since presenting its first concert in 2005, providing performance opportunities for emerging musicians in Northeast Ohio is the driving principle behind M.U.S.i.C. (Musical Upcoming Stars in the Classics).

That tradition will continue on Saturday, September 27 at 4:00 pm when eleven young musicians present “A Classical Cabaret in Collinwood” at Praxis Fiber Workshop and Gallery in the Collinwood Arts District. The concert is free.

“There’s so much great music out there,” M.U.S.i.C’s founder and Artistic Director Jodi Kanter, said during a telephone conversation. “This program will feature music by American and Latin composers.” [Read more…]

DIARY: Tuesday, September 23, 2025

by

by Daniel Hathaway 

HAPPENING TODAY:

12 Noon – Tuesdays at The Covenant:  Organist Christa Rakich, faculty, Oberlin Conservatory, plays music by Lübeck, Rakich, Talma, and J.S. Bach. Church of the Covenant, University Circle. Freewill offering.

5:30 pm – Fairmount Presbyterian Church Rush Hour Concerts: Tyler Young, saxophone, Irwin Shung, piano, and Elora Karras, cello, will dive into seminal saxophone works by composer David Maslanka at Fairmount Presbyterian Church in Cleveland Heights.

TODAY’S ALMANAC:

by Jarrett Hoffman

Several big names share anniversaries on September 23. Those who died on this date include Italian composer Vincenzo Bellini (1801-35) and English composer Malcolm Arnold (1921-2006). On the less grim end of the spectrum, pioneering jazz saxophonist John Coltrane (1926-67) shares a birthday with a giant of the flute, Julius Baker (1915-2003), who was born in Cleveland. [Read more…]

Cleveland Uncommon Sound Project (CUSP) begins new season

by

by Max Newman

For lovers of Cleveland’s contemporary music scene, there is perhaps no group more acutely on the cutting edge than the Cleveland Uncommon Sound Project. The genre-blending organization, founded in 2017 and under the stewardship of Stephan Haluska (pictured, left) since 2021, has provided ample space for Cleveland’s new music artists to strut their stuff for the better part of a decade.

Now, as part of their 2025-26 run, they are continuing these groundbreaking traditions. On September 26 at 8pm, the project will play host to synthesist and composer Matthew Ryals, as well as the local piano, harp, and electronic trio of Harper/Haluska/Oicherman (featuring CUSP’s own director), for an evening of sonic mobility and spontaneity. I spoke with Haluska about the upcoming performance, as well as the past, present, and future of CUSP.

“I’ve known him for a long time,” said Haluska of headliner Matthew Ryals, whose fully improvised recording “Exalge” was released earlier this month. When Haluska learned that his friend’s tour would be stopping in Northeast Ohio, the lightbulb went off in his head. “Matthew studied classical guitar at CIM and has since moved to New York, but we’ve always kept in touch. He reached out to me about coming through Ohio, and of course I jumped at this opportunity. He’s someone who I’ve wanted to work with before, but we haven’t really had the opportunity until now.” [Read more…]

DIARY: Monday, September 22, 2025

by

by Stephanie Manning

LOOKING AHEAD:

This rainy start to the week has no concerts in store, but there’s plenty to look forward to coming up. Here are some highlights.

The Cleveland Orchestra opens their 2025–26 season on Thursday with Ravel’s Bolero. Franz Welser-Möst takes the podium, marking the beginning of his penultimate year as music director. (Photo credit: Extraordinaire Photos)

University concerts abound, with free offerings from Oberlin, CIM, and Baldwin Wallace. Plus, the Cleveland Silent Film Festival presents F.W. Murnau’s Faust, reimagined with a live heavy metal score. For more information, visit our Concert Listings.

TODAY’S ALMANAC:

Since it’s Monday, most Broadway theaters are dark today, observing the traditional day off given to cast and crew. But in 1964, September 22 was a Tuesday — show day along the Great White Way. That evening, the lights went up on the premiere of a new musical: Fiddler on the Roof, the now-classic adaptation of Sholem Aleichem’s Yiddish stories about “Tevye the Dairyman.” [Read more…]

DIARY: Weekend, Friday-Sunday, September 19-21, 2025

by

by Stephanie Manning

HAPPENING THIS WEEKEND:

The fall concert calendar is officially in full swing. Kicking off their seasons on Saturday night: the Cleveland Classical Guitar Society, with their 2025 Showcase Concert (pictured), and the Akron Symphony, with Mahler’s “Titan.”

Also in the orchestral realm, the Oberlin Orchestra presents a Saturday night program anchored by Beethoven’s Sixth. And on Sunday afternoon, the Cleveland Chamber Symphony presents works for small ensembles, as does the Cleveland Chamber Collective.

Meanwhile, the Cleveland Silent Film Festival continues with Friday evening’s showing of Lady Windermere’s Fan (1925), a Saturday afternoon double bill of avant-garde films by René Clair, and a Sunday afternoon showing of Go West (1925). All concerts are accompanied by live music and take place at the Cleveland Museum of Art.

In the mood for new music? On Friday night, the Oberlin Contemporary Music Ensemble presents works by Samuel Adams (world premiere) and Olly Wilson. Then, the CIM New Music Ensemble celebrates the 100th birthday of Luciano Berio (pictured) on Sunday afternoon.

Also on Sunday, pianist Jeffrey Siegel presents a program all about Beethoven, and Rocky River Presbyterian Church presents chamber music by Vivaldi. And rounding out Saturday’s schedule is an organ recital at Pilgrim Christian Church, a one-night-only presentation of Faust at Opera Western Reserve, and Suburban Symphony’s “epic” outdoor concert. [Read more…]

DIARY: Thursday, September 18, 2025

by

by Stephanie Manning

INTERESTING READS:

Jane Austen Loved Music. What Was on Her Playlist?

“The novelist’s sheet music collection reveals new perspectives on her life and work.” Read Eleanor Stanford’s New York Times preview about this year’s Jane Austen Festival here.

He Left the Prejudice of America. But His Music Came Home.

“The centennial of Robert Owens, a composer who worked abroad and assimilated into German culture, is being celebrated with a festival in Nebraska.” Read Hannah Edgar’s New York Times article here.

TODAY’S ALMANAC:

by Daniel Hathaway

On this date in 1818 (or perhaps on September 17), French composer Charles Gounod was born in Paris. Known today principally because of two of his twelve operas (Faust and Romeo et Juliette remain solidly in the repertory), he also wrote much religious music (he thought about becoming a priest). One of his most charming works is the Petite Symphonie for winds, viewable here in a 2017 performance by Camerata Pacifica at the Music Academy of the West in Santa Barbara, California. [Read more…]

DIARY: Wednesday, September 17, 2025

by

by Daniel Hathaway 

HAPPENING TODAY:

Tonight at 7 pm, the Cleveland Chapter of the American Guild of Organists presents its annual members’ recital and installs its new officers. The free event includes music by J.S. Bach, Florence Price, Charles Tournemire, and William T. Allen played by seven chapter members on the new Schantz organ in Our Lady of Peace Roman Catholic Church. It’s free, and the public is welcome.

TODAY’S ALMANAC:

On September 17, 1803, Franz Xaver Süssmayr, student of Mozart and Salieri who was entrusted by Mozart’s widow with the unenviable task of completing his teacher’s Requiem, died in Vienna. That’s how we remember Süssmayr today, but in his own era, he was a well-regarded composer who wrote church music and opera, as well as a concerto for Mozart’s favorite clarinetist, Anton Stadler, left unfinished but later completed by Michael Freyhan. Give Süssmayr’s piece a listen here in a performance by Dieter Klökker and the English Chamber Orchestra.

American composer, pedagogue, and pianist Charles Tomlinson Griffes was born on this date in 1884 in Elmira, New York, and died of influenza in New York City during the 1918 pandemic. [Read more…]

Omar Sosa Trio at CMA (Sept. 10)

by

by Kevin McLaughlin

Omar Sosa has a way of turning concerts into ceremonies. Before sitting down to play on Wednesday, September 10 at the Cleveland Museum of Art, he invoked Elegguá, the Afro-Cuban deity of the crossroads, snapping the irukére — a Yoruba horsetail whisk — to clear the space, invite protection, and “open the way.” The gesture set a ritual tone, reminding listeners they were at a spiritual gathering as much as at a musical performance.

Sosa brought his new trio, Outside the Box, to Gartner Auditorium for its Cleveland debut. The group includes his longtime collaborator Yosvany Terry on saxophones and young drummer Julian Miltenberger, whom Sosa introduced as “a 25-year-old from Philly — the next generation.”

Terry’s early contributions on soprano saxophone were so compelling that he temporarily shifted the group’s center of gravity. [Read more…]

Follow ClevelandClassical.com

Contact us