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The Kings Brass at Federated Church (Dec. 22)

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by Kevin McLaughlin

The King’s Brass celebrated Christmas in bright and merry fashion with their trademark —  pop-tinged arrangements of Christmas carols, hymns, and sing-alongs — on Sunday, December 22, as part of the Federated Church Performing Arts Series in Chagrin Falls.

The ensemble has been led for 47 years by Tim Zimmerman, who was a genial host and fine trumpeter. The well-blended group of nine musicians — Tim Zimmerman, Gregory Alley, Anthony Sanders (trumpet), Kyle Davidson, Kolbe Schnoebelen (trombone), Nate Petersen (bass trombone), Jacob Fulkerson (tuba), Colton Morris (percussion), and Rebecca Edmiston (piano/organ) — acquitted themselves well under Zimmerman’s leadership.

The arrangements, most of them by Zimmerman himself, suffered a little from sameness, but nevertheless supplied plenty of Holiday zip and opportunities for the brass to shine. [Read more…]

Northwest Ohio Vocal Arts Ensemble at Cleveland Heights’ Church of the Savior (Dec. 15)

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by Kevin McLaughlin

The fifteen singers of the Northwest Ohio Vocal Arts Ensemble (NOVA) gladdened the heart at Cleveland Heights’ Church of the Saviour on Saturday, December 15, in a program drawing from Medieval chant, early Renaissance, and 20th-century settings.

Artistic director Kevin S. Foster and his Toledo-based choir presented a comforting and relatable version of the Nativity story in a sequence of hymns, motets, and carols collectively called “Songs of Wonder: The Nativity Through the Ages.”

Even for the non-religious, the antiquity of the repertoire, the grandeur of the building,  and the winsomeness of the singing all worked in combination to evoke a collective sentiment, a shared sense of seasonal memories, and a timeless message of peace and good will. [Read more…]

Canadian Brass dazzles Severance with holiday magic and musical mastery (Dec. 23)

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by Kevin McLaughlin

This article was originally published on Cleveland.com

CLEVELAND, Ohio — The Canadian Brass brought its customary brilliance and easy rapport to Severance Music Center on Monday night, in their holiday program “Make Spirits Bright.”

There was plenty of fun to be had for sure, but unlike the frivolity of Canadian Brass concerts of the 1970s and ‘80s, this was a more disciplined product.

Playing their trademark tune, “Just a Closer Walk,” they marched in New Orleans-style from the back of the hall, dressed in black suits and white Nikes. Then a Christmas carol quickly followed. But that light music — maybe the lightest on the program — was soon unmasked as being not an opening number, but an encore. “You can never take those for granted,” explained tubist Chuck Daellenbach, the group’s only remaining original member.

[Read more…]

Pianist Garrick Ohlsson, conductor Daniel Reith lead Cleveland Orchestra in Beethoven concert (Nov. 9)

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by Kevin McLaughlin

This article was originally published on Cleveland.com.

CLEVELAND, Ohio — A relaxed understanding born of a long career helped pianist Garrick Ohlsson bring easy grace and Proto-Romantic sensibility to Beethoven’s Second and Fourth Piano Concertos with the Cleveland Orchestra.

The program on Saturday at Severance Music Center featured early and middle works, the second set of concerts in the Orchestra’s cycle of Beethoven piano concertos.

Despite its number, the Second Concerto is actually the composer’s first, begun in 1790. Ohlsson treated this early Beethoven work expressively, with sinuous rubato, keeping his rhythms precise, his touch light, and his rhetoric clear. Nothing, not even Beethoven’s many technical snares, seemed to faze him.

[Read more…]

“Meditations and Mysticism” opens Cleveland Chamber Choir season (Oct. 26)

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by Kevin McLaughlin

It somehow seemed wrong to clap and cheer at the end of Cleveland Chamber Choir’s “Meditations and Mysticism” program on October 26. Less a concert than an administering of musical healing, the event left us feeling more like sitting quietly and sipping measured breaths to prolong our newfound tranquil state.

In a program of ten carefully conceived and sequenced musical episodes, artistic director Gregory Ristow brought a politically weary crowd some much-needed spiritual succor and peace through music. [Read more…]

New works for organ take center stage at Lake Erie College (Oct. 20)

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by Kevin McLaughlin

On a sun-drenched fall afternoon, Sunday, October 20, a lucky few got to hear five new organ pieces masterfully brought to life by five remarkable organists at Lake Erie College. If the music wasn’t conceived for this particular organ — the Skinner opus 647 — it surely benefited from it, not to mention from the architecturally splendid setting of Helen Rockwell Morley Hall.

“New Music for Organ,” a co-presentation of the Cleveland Composers Guild and the American Guild of Organists, Cleveland Chapter, showcased works by Stephen Stanziano, James Wilding, Larry Baker, Matthew Saunders, and Lorenzo Salvagni. [Read more…]

Cleveland Chamber Music Society: Imani Winds go all out with Michelle Cann (Oct. 15)

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by Kevin McLaughlin

Imani Winds has mastered the art of extemporized risk-taking. If most of the notes on Tuesday, October 15, were predetermined, the specialness was in what was not on the page. It’s what one aspires to hear from the best chamber music performances and in jazz: aligned individual and group invention, conversational interplay, courage of dynamics, tempos, and timbres edging on extremes — music-making never again to be heard in exactly the same way.

Flutist Brandon Patrick George, oboist Toyin Spellman-Diaz, clarinetist Mark Dover, horn player Kevin Newton, and bassoonist Monica Ellis were joined by pianist Michelle Cann — a potent spark of invention in her own right — in a program of varied, but logically grouped works by Paquito D’Rivera, Lalo Shifrin, Francis Poulenc, and Valerie Coleman. Ellis described the evening’s sequence as “concentric circles” coinciding in Paris, or at least in a French aesthetic.

[Read more…]

BlueWater Chamber Orchestra meditates on the passage of time (Oct. 5)

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by Kevin McLaughlin

On October 5 at the Church of the Covenant, artistic director Daniel Meyer led the BlueWater Chamber Orchestra in an engaging program of new and familiar works, including David Biedenbender’s River of Time, with former BlueWater principal trumpet and co-artistic director Neil Mueller as soloist.

As a glorious opener, the Cleveland School of the Arts R. Nathaniel Dett Concert Choir (Robert McCorvey, director) and the BlueWater Orchestra combined forces during four spiritual and gospel arrangements. CSA also supplied select string players from the school to sit alongside the professionals, adding tonal depth and youthful energy. [Read more…]

Chanticleer opens CCMS season with an ode to nature (Sept. 24)

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by Kevin McLaughlin

Chanticleer’s widely-varied program “Music of a Silent World” opened the Cleveland Chamber Music Society’s 75th season on Tuesday, September 24 at The Cultural Arts Center at Disciples Church in Cleveland Heights.

Throughout the two-hour performance, Chanticleer brought a lovely and well-blended group sound, faultless intonation, and an extraordinary stylistic range — from German romantic to Sondheim. Tim Keeler is the group’s Music Director, and Chanticleer performs without a conductor. Their remarkable group sound is a tribute to the lovely mixture of predominantly lighter male voices — six countertenors, three tenors, and three baritones/basses.

This program centered around selections from Majel Connery’s song cycle The Rivers Are Our Brothers, whose declamatory lyrics readily identified the messengers (“I am the air,” “I am a cloud,” “I am a river”). [Read more…]

Cleveland Classical Guitar Society: Showcase Concert (Sept. 14)

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by Kevin McLaughlin

The Cleveland Classical Guitar Society kicked off its new season at the Maltz Performing Arts Center on Saturday, September 14 with its “2024 Showcase,” highlighting outstanding Cleveland talent and a rising star.

As is customary, an alumnus of CCGS’ Citizens Leadership Academy began the evening. Damien Goggans gave a superb and poised performance, evidence of his own talent and bestowing reflected glory on the educational arm of CCGS.

Goggans, who is a classical guitar performance major at Oberlin Conservatory, has already enjoyed triumphs at Severance Music Center and on national television and radio. Selecting three of Thomas Flippin’s 14 Études on the Music of Black Americans to play (III. “Don’t Let Nobody Turn You ’Round,” XIII. “Wake Up, Jacob,” and XII. “Don’t Be Weary, Traveler”), he sang the three spiritual melodies with an easy and clear voice before playing the etudes on guitar alone. Goggans’ guitar playing was an extension of his singing voice: sensitive, technically secure, and dignified. [Read more…]

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