by Stephanie Manning

For this Valentine’s Day program, guest flutist Ellen Sauer Tanyeri joined violinist Guillermo Salas-Suárez, violist Jonathan Goya, and cellist Jane Leggiero in a collection of music featuring the flute, with a Wit’s Folly twist. The group decided to combine movements from two of Beethoven’s Serenades (Op. 8 and Op. 25), to make a serenade of their own.





Perhaps the afternoon of Super Bowl Sunday is not the best time to schedule a concert. So when only a small group of people showed up at Rocky River Presbyterian Church on February 8 to hear the Thorpe Ensemble, scheduling conflicts could be assumed to be the culprit.

With more than 65 years as an ensemble under their belt and a commitment to commissioning new works, the American Brass Quintet has a lot of repertoire to choose from. “We’ve got such an extraordinary wealth of music,” bass trombonist John Rojak said. For at least the past 15 years, “every piece that has been coming in is one we want to keep playing.”
Asked at the post-concert talkback about her musical influences, composer Kamala Sankaram described an eclectic hodgepodge — Kaija Saariaho, Radiohead, and the Cameroonian electronic musician Francis Bebey, to name a few. “For the most part, things that I write sound very different from each other,” she said. “So it’s interesting that these two pieces sound kind of similar.”

Despite the frigid Wednesday weather dumping snow outside the Cleveland Museum of Art, January 14 almost felt like a pleasant spring day inside Gartner Auditorium. That phenomenon had nothing to do with temperature and everything to do with Trio Seoul, whose warm camaraderie and excellent musicianship brightened the venue considerably.