Guillermo Salas Suarez Archives - Cleveland Classical

CityMusic Cleveland:
“Baroque Reflections” (Dec. 6)

December 14, 2020 by Jarrett Hoffman

by Jarrett Hoffman

On December 6, CityMusic Cleveland continued its season-long chamber series celebrating 100 years of the 19th amendment with “Baroque Reflections,” streamed live from the Maltz Performing Arts Center.

Here are the numbers: seven masked performers (including several period-instrumentalists and, notably for these times, a soprano) alternated through multiple configurations from duo to sextet as they explored music by eight composers of the 17th and 18th centuries.

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Boston trombones join Case early music ensembles for Venetian concertos (Feb. 17)

February 21, 2018 by Daniel Hathaway

by Daniel Hathaway

If you grew up before the late 20th-century early music enlightenment took hold, you might have thought from the available recordings that Venetian congregations visiting the Basilica of San Marco regularly heard music by the Gabrielis and their colleagues played by big, loud brass ensembles. Not so. [Read more…]

VOCES8’s Oberlin debut: a delightful 20th anniversary program (Oct. 28)

by Stephanie Manning

VOCES8’s 20th anniversary called for plenty of celebration and plenty of humor.

When the British a cappella group visited the Oberlin Artist Recital Series on October 28, they brought a program of audience favorites that delighted the sold-out crowd in Finney Chapel. Known for their ethereal voices and crystal clear harmonies, the octet demonstrated all that and more as they bridged the sacred and secular in “Songs From 20 Years.”

This two-decade milestone gave good reason to celebrate not only the singers, but also their longtime arranger-in-residence, Jim Clements. Responsible for some of the group’s most requested pieces, Clements is like “the secret burger sauce in the Big Mac,” joked tenor Blake Morgan.

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Guitarist Leonela Alejandro makes engaging Cleveland debut at CCGS (Oct. 25)

by Stephanie Manning

When an artist is on tour for months at a time, it can be hard not to feel homesick. Leonela Alejandro knows that experience well. Her current cross-country tour — celebrating her win at the 2024 Guitar Foundation of America International Concert Artist Competition — began in September and continues through next May.

That’s a lot of time away from Puerto Rico, where the 25-year-old guitarist grew up and began her musical education. So, as she explained to the audience at the Maltz Performing Arts Center on October 25, her Cleveland program brought a little bit of her home country with her. Presented by the Cleveland Classical Guitar Society, Alejandro’s local debut brought out her most engaging abilities as a performer, making the case that she is a young artist to watch. [Read on…]

No Exit opens season with “American Descent” at Praxis Fiber Workshop (Oct. 25)

by Mike Telin

There was not an open seat to be had at Praxis Fiber Workshop on Saturday, October 25 when the adventurous new music ensemble No Exit began their 17th season with a program of four thoroughly engaging works.

As a prelude to the program, James Rhodes presented two movements from Garth Knox’s Viola Spaces, a collection of eight etudes each of which focus on an extended technique.

No. 2, “Ghosts,” examines the technique of sul tasto — on the fingerboard. Beginning with a pitchless bowing on the strings, Rhodes brilliantly produced spooky, breathy, brushing sounds. In No. 6, “Harmonic Horizons,” Rhodes took listeners on a tour of the instrument’s harmonic series. Here he produced an interesting mix of straight-tones, double-stops, trills, and slides in every register of the viola.

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