by Jarrett Hoffman
On December 6, CityMusic Cleveland continued its season-long chamber series celebrating 100 years of the 19th amendment with “Baroque Reflections,” streamed live from the Maltz Performing Arts Center.
Here are the numbers: seven masked performers (including several period-instrumentalists and, notably for these times, a soprano) alternated through multiple configurations from duo to sextet as they explored music by eight composers of the 17th and 18th centuries.
by Mike Telin
A long-overdue collaboration between two of the area’s eminent chamber ensembles yielded divine results when Les Délices and Quire Cleveland came together on Saturday, April 28 at Lakewood Congregational Church for “Let the Heavens Rejoice!” The program showcased celebratory French Baroque psalms for 22 voices, 14 instruments, and a quartet of vocal soloists, all under the direction of guest conductor Scott Metcalfe.
by Mike Telin
“In many ways we’re long overdue for a collaboration, and I wanted to do something that neither group could do on their own,” Les Délices founder and artistic director Debra Nagy said by telephone. Quire Cleveland co-founder and artistic director Ross Duffin agrees. “This is a great opportunity for us to perform repertoire that otherwise would be very difficult to pull off,” he said during a separate interview.
On Friday, April 27 at 7:30 pm at St. Noel Church in Willoughby Hills, the two groups will come together for the first performance of “Let the Heavens Rejoice,” a showcase of celebratory psalms for 22 voices and 14 instruments conducted by Scott Metcalfe and featuring tenor Owen McIntosh, baritone Jeffrey Strauss, and sopranos Elena Mullins and Sarah Coffman. The program will be repeated on Saturday, April 28 at 8:00 pm at Lakewood Congregational Church, and on Sunday, April 29 at 4:00 pm at Plymouth Church in Shaker Heights. Tickets are available online. A free open rehearsal will be held on Wednesday, April 25 from 7:00 pm until 10:00 pm at Plymouth Church.
by Nicholas Stevens
The story of Jesus of Nazareth’s final hours is necessarily an unpleasant one, concluding hints of optimism aside. But the Passion can be beautiful in its own way, as Trinity Cathedral’s Good Friday Concert demonstrated. Suffering and salvation, grit and grace, horror broken by a spark of hope: under director Todd Wilson on March 30, Trinity’s Choir and Chamber Orchestra incorporated all of these into a program built around Arvo Pärt’s monumental Passio. [Read more…]
by Daniel Hathaway
If you grew up before the late 20th-century early music enlightenment took hold, you might have thought from the available recordings that Venetian congregations visiting the Basilica of San Marco regularly heard music by the Gabrielis and their colleagues played by big, loud brass ensembles. Not so. [Read more…]