by Stephanie Manning
“A lot of people have preconceived ideas about what free improv is, and that it means everything is totally random,” violinist Leah Asher said in a recent interview, speaking from her home in New York City. “But there is a total spectrum of the amount of determinacy in music, and I like to think about where I am on that spectrum.” Also a violist, composer, and visual artist, Asher recently recorded a series of improvisations for the Cleveland Uncommon Sound Project’s 2021 Re:Sound Festival.
As for where Asher sees herself on the spectrum of determinacy, she said the answer is somewhere in the middle. “I have a practice of developing ideas, either with certain techniques or certain sound worlds, and then picking a few of those to ruminate on during improvisation.” This approach makes for a mixture of planned and spontaneous elements, allowing her to both make decisions beforehand and create form in the moment.
Both considered young musical prodigies, composers Edvard Grieg and Erich Wolfgang Korngold enjoyed great successes in their careers. But while works by Grieg have long been part of the standard orchestral repertoire, Korngold’s film scores have overshadowed his classical compositions until more recently. The 13th episode of The Cleveland Orchestra’s digital series In Focus, “Dance & Drama,” presents works for string orchestra from each composer to highlight their shared Romantic sensibilities and influences from other art forms.
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At more than 200 schools across Ohio, students from pre-K to twelfth grade can start their day feeling calm and relaxed thanks to three minutes of classical music. Developed by local non-profit organization The Well, the Mindful Music Moments program pairs audio prompts with performances by local orchestras to increase student focus and reduce anxiety. This year, the program partnered with The Cleveland Orchestra, Cincinnati Symphony Orchestra, and the Columbus Symphony to create a piece directly inspired by the kids of Mindful Music Moments and the cities they call home.
For Matthew Jones, the best part about performing is doing it with your longtime friends. Luckily, the vocalist was recently able to do just that when he recorded a concert in person with hornist Van Parker, percussionist Mell Csicsila, and composer/pianist Buck McDaniel. The four are frequent collaborators who know each other well both on- and off-stage.
While living halfway across the country from each other due to the pandemic, vocalist Nina Dante and flutist Dalia Chin of the Dante + Chin Duo began sharing their dreams as a way to stay connected. “My dreams mean a lot to me — they feel like dialogues that our top-side self gets to have with our subconscious self, and I take them really seriously,” Dante said in a recent interview. That intersection of dreams and reality inspired Which of my forms, the Duo’s new work composed for the Cleveland Uncommon Sound Project’s 2021 Re:Sound Festival.
Though this past year took a lot from musicians, it also gave many the rare gift of time. Jinjoo Cho, artistic director of ENCORE Chamber Music Institute, decided to use that time to bring a long-held idea of hers to fruition — but first, it would require a lot of research. Starting June 6, ENCORE will present its 2021 Music & Ideas Festival, a reimagined format that makes the organization’s sixth season its most ambitious yet.
On the second concert of the Cleveland International Classical Guitar Festival, lutenist Nigel North and guitarist Robert Gruca proved to be a pleasantly balanced combination. The two recorded performances, which premiered on YouTube the evening of May 21, were presented back-to-back in a single video. At just over an hour long, the wide-ranging program showcased the distinct styles of the British and American pair of musicians with repertoire that spanned from the 17th century to the present day.
After taking a year off, the Cleveland Uncommon Sound Project (CUSP) is gearing up for its return with Re:Sound 2021, an innovative, online music festival that will premiere on June 3. Faced with an influx of pandemic-fueled virtual concerts, “we decided to take a season to reconnect and think about what we wanted to do,” artistic director Sophie Benn said in a recent interview. She added that finally putting on an event again “feels amazing.”