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CityMusic Cleveland: three concerts with clarinetist Daniel Gilbert

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by Jarrett Hoffman

In three concerts over the next three months from CityMusic Cleveland, one particular instrument, and one particular player, crop up several times.

Clarinetist Daniel Gilbert will be featured in “Explorations for Clarinet, Strings and Piano” (February 25), “The Visionary Clarinet” (March 16-19), and “Clarinet Dialogues” (May 13) — the outer two programs being chamber music collaborations, the middle one a solo appearance with the CityMusic Orchestra. Details of times and locations can be found here.

As is often the case with the best chamber music gatherings, family and friends play an important role here. The February program was put together by Gilbert and his wife, pianist Donna Lee, and it features a commissioned work titled Recitations and Dedications by a longtime friend of his: Gregg August (pictured below).
 [Read more…]

Trail Blazing Musician Wu Man in Residence at Oberlin

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by Cathy Partlow Strauss

This article is posted with the permission of the author and Oberlin Conservatory

The pipa is not an instrument on which students at Oberlin Conservatory perform, but the lute-like instrument developed in China more than 2000 years ago is influencing increasingly more concert music found on stages throughout the world.

This is due in large part to the artist Wu Man, recognized as the world’s premier pipa virtuoso and a leading ambassador of Chinese music. She’ll be in residence at Oberlin February 24-25 and take part in three events across campus that culminate in a concert with Oberlin College quartet-in-residence, the Verona Quartet. All events are free and open to the public.

Wu Man has carved out a career as a soloist, educator, and composer, giving the pipa a new role in both traditional and contemporary music. The creative projects she has initiated have resulted in the instrument finding a place in numerous musical settings and genres, as well as in collaborations in theater productions, film, dance, and with visual artists.

Born in Hangzhou, China, Wu Man was an early trailblazer. She was hailed as a child prodigy at age 13 and went on to earn the first master’s degree in pipa the Central Conservatory of Music in Beijing. She moved to the U.S. in 1990 and was awarded a Bunting Fellowship at Harvard Radcliffe in 1998.

Since then, she has performed as a soloist with many of the world’s major orchestras and is the leading interpreter of contemporary pipa music written by composers including Philip Glass, Terry Riley, Tan Dun, and Bright Sheng.

Her notable career has also been marked by several “firsts.” She was the first Chinese traditional musician to receive the United States Artist Fellowship and the first artist from China to perform at the White House. In 2013, she was named Musical America’s Instrumentalist of the Year.

She is a founding member of the Silkroad Ensemble and is a frequent collaborator with ensembles such as the Kronos and Shanghai Quartets.

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Daniel Reith to lead the 
Cleveland Orchestra Youth Orchestra 
and Youth Chorus on Friday

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by Mike Telin

What are the duties of an assistant conductor of a major orchestra? “Every day is an experience,” Daniel Reith said during a recent telephone conversation. Since assuming that position with The Cleveland Orchestra this season, Reith has had a lot on his plate. In addition to his involvement with numerous educational activities, he has led the Orchestra’s family concerts and the annual Martin Luther King Jr. Celebration Concert. Earlier this month he stepped in on very short notice for an ailing Klaus Mäkelä to lead three subscription concert performances.

“It’s a great pleasure to work with The Cleveland Orchestra,” the German-born conductor said. “During my first few weeks I would think about all the great conductors who had walked through these halls. I would just stare at the walls and ceiling in Mandel Hall imagining all the amazing musical interpretations those walls had heard over the years. It is one of the best halls in the world. After a tour, everybody is happy to come back to Severance — it’s great to have such a hall as your musical home.”

On Friday, February 24 at 8:00 pm at Severance Music Center, Reith will wear another hat when he leads the Cleveland Orchestra Youth Orchestra and Youth Chorus in works by Wagner, Schubert, and Brahms. Tickets are available online.

[Read more…]

Cleveland Chamber Choir: a conversation with Gregory Ristow

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by Daniel Hathaway

The next pair of concerts by Cleveland Chamber Choir this weekend will be led by Gregory Ristow, associate professor of conducting and director of vocal ensembles at Oberlin Conservatory, who has been appointed acting artistic director of the ensemble following the mid-season announcement of founding director Scott MacPherson’s retirement.

The program, “Of Sound Mind: From Darkness into Light,” explores the universality of grief and sorrow, helping us to embrace our common humanity in the struggles we individually and collectively experience. Free performances will take place on Saturday, February 18 at 7:30 pm at St. Noel Church in Willoughby Hills and on Sunday, February 19 at 3:00 pm at the Maltz Performing Arts Center in Cleveland. A pre-concert talk with Oberlin musicologist Charles Edward McGuire will begin 30 minutes prior to each performance.

After their Cleveland concerts, the Choir will perform at the 2023 National Conference of the American Choral Directors Association in Cincinnati later this month. Of the hundreds of choirs from across the country that auditioned, CCC was one of 28 choirs invited to perform, and will send 32 singers to perform two 25-minute performances to thousands of attendees.

I reached Gregory Ristow by telephone to chat about the repertoire for this weekend, and began by asking how much input he had into the program. [Read more…]

A Romantic German Valentine

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by Mike Telin

What is it about the central German city of Weimar that has inspired so many important artists, musicians, poets and philosophers?

In 2019 composer Margi Griebling-Haigh had the good fortune to visit the picturesque city twice — she too was inspired. “The apartment I was staying in was on the top floor of an old building on the Herderplatz. My window overlooked the bell tower of the church in which Bach wrote most of his organ concertos,” she recalled during a recent conversation. “It snowed most of the week I was there — it was beautiful. But looking out at the bell tower and hearing them ring, I realized that this is what Bach would have heard. I actually recorded them on my phone, and I knew that somehow I would use them in a piece.”

On Tuesday, February 14 at 7:30 pm at Fairmount Presbyterian Church Chapel, Griebling-Haigh’s Weimarer Winterszenen and Lufthaltenlieder will receive their world premieres during a program titled “A Romantic German Valentine.” The program will also include Schubert’s Auf dem Strom, Der Hirt auf dem Felsen and Schumann’s Drei Romanzen & Drei Fantasiestücke  performed by Gabrielle Haigh (soprano), Robert Woolfrey (clarinet), Jesse McCormick (horn), Margi Griebling-Haigh (English horn), and Randall Fusco (piano). Suggested freewill donation: $20 at the door. [Read more…]

CIM Hosts Music for Food Benefit in Mixon Hall on February 13

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by Daniel  Hathaway

How do musicians — who spend their lives giving concerts — go about raising funds for worthy causes? They give concerts, of course, as seventeen faculty members and students at the Cleveland Institute of Music will do on February 13 at 7:30 pm in CIM’s Mixon Hall to benefit the Cleveland Kosher Food Pantry.

The performance, co-sponsored by Music for Food and the CIM Student Government Association, will feature violin professor Jaime Laredo, cello professor Sharon Robinson, pianist Pin-Hsuan Huang, and student artists Minji Lee & Karisa Chiu, violin, Paolo Dara & Steven Song, viola, Cecelia Swanson, cello, Trey Floyd, tenor, and the Aeronaut Woodwind Quintet (Daniel Lopez, flute, Grayson Eichmeier, oboe, Shihao Hugh Zhu, clarinet, Brittney Delpey, bassoon & Liam McConlogue, horn).

The program will include Ernest Bloch’s “Nigun” from Baal Shem (1923), Valerie Coleman’s Tzigane for Wind Quintet (2011), Johannes Brahms’ String Sextet No. 2 in G, and a traditional spiritual arranged by Hall Johnson. [Read more…]

Week 2: Klaus Mäkelä returns to The Cleveland Orchestra podium

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by Mike Telin

After an illness forced Klaus Mäkelä to withdraw from three of the four scheduled performances last week, the Finnish conductor will return to The Cleveland Orchestra podium on Thursday, February 9 at 7:30 pm at Severance Music Center.  The program will include Unsuk Chin’s SPIRA – Concerto for Orchestra and Gustav Mahler’s Symphony No. 5, and it will be repeated on Saturday at 8:00 pm. Tickets are available online.

Last week I caught up with the friendly conductor by phone for a brief chat while he was backstage at Severance.

Mike Telin: How did you come to pair the Unsuk Chin with the Mahler?

Klaus Mäkelä: The Mahler is a tough piece to program with because it is a bipolar symphony. It’s tragic and then dramatic and has some of the most beautiful music ever written. And it ends in contrapuntal joy. It’s a symphony where everybody has an opportunity to shine. And Unsuk Chin’s piece is a beautiful concerto for orchestra. She was a student of Ligeti, and she has an extremely detailed and careful way of writing for the orchestra. In a way she reminds me of Mahler in that she is precise down to the very last detail.

Of course the piece is a showcase for the orchestra but in a virtuosic way. The strings play fast and very high and the horn has a big solo. But everything blends together. It takes a group mentality to play, which is something about The Cleveland Orchestra that is very special for me. [Read more…]

“The joy of singing” with 
The Cleveland Consort of Voices

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by Mike Telin 

Forming a small vocal ensemble was something that Steven Plank had wanted to do for a long time. And when a surge in COVID cases forced him to reduce the number of singers in the choir at St. Paul’s Episcopal Church, the opportunity arose. “We began doing the liturgy with just eight singers,” Plank said during a telephone conversation. “We were having such a good time that one Thursday evening I asked if they would like to do some concerts. And they all said yes.”

On Sunday, February 12 at 4:00 pm at Church of the Saviour in Cleveland Heights,  Plank will lead The Cleveland Consort of Voices — Sandra Simon and Emily Stauch (sopranos), Elizabeth Frey and Madelyn Hasebein (altos), Brian Skoog and Joel Kincannon (tenors), and Luca Cantone and Brian Wacker (basses) — in a program that celebrates the joy of singing. The concert is free. Click here for details.

Plank said that in addition to being personally fond of all the music on the program, choosing the works allowed him to do a little experimenting.

[Read more…]

Klaus Mäkelä returns to The Cleveland Orchestra podium

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by Mike Telin

Since making his Cleveland Orchestra debut in July of 2019, visits by Finnish conductor Klaus Mäkelä have become highly anticipated events. Tonight at 8:00 pm Mäkelä returns to Severance Music Center to lead the Orchestra in Andrew Norman’s Sustain (replacing Truls Mørk’s Cello Concerto), Debussy’s Images and Ravel’s Boléro. The program will be repeated on Friday at 7:30, Saturday at 8, and Sunday at 3. Tickets are available online

I caught up with the friendly conductor by phone backstage at Severance for a brief chat.

Mike Telin: You just finished a rehearsal — I trust it went well.

Klaus Mäkelä: It did. I can say that I am absolutely delighted to be here. The way they play all of these pieces, especially Images, which is one of the most complicated. There’s so much detail, but that should never be the point, it needs to become part of the piece. But this orchestra is so wonderful, that is not a problem. [Read more…]

Apollo’s Fire: early Baroque treasures feature the bow of violinist Alan Choo

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by Daniel Hathaway

Most people who work multiple jobs have to factor commuting time into their schedules, but Apollo’s Fire concertmaster Alan Choo, recently also appointed assistant artistic director of the ensemble, doesn’t reckon his travel in hours. Home is in Singapore, where Choo founded Red Dot Baroque in 2018, and that’s 9,465 air miles from Cleveland.

Choo is in town for a few weeks this time to be featured in Apollo’s Fire’s “Muse of Fire” programs that begin on Thursday, February 2, in Akron and end on Sunday, February 5 in Rocky River, with two nights at St. Paul’s in Cleveland Heights in between.

His main assignment is the solo violin role in two of 17th-century Bohemian composer Heinrich Ignaz Franz Biber’s Rosary Sonatas — musical meditations on the five Joyful Mysteries, the five Sorrowful Mysteries, and the five Glorious Mysteries of the life of Christ.

Probably written in the 1670s, but unknown to modern ears until first published in 1905, the devotional work is preserved in a beautiful manuscript held in the Bavarian State Library. [Read more…]

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