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No Exit New Music Ensemble: Laura King gets to the bottom of three world premieres

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by Daniel Hathaway

No Exit New Music Ensemble has scheduled three world premieres for its December concert cycle that begins at Praxis Fiber Gallery on Thursday, December 1, and continues on Saturday the 3rd at 8 pm (SPACES) and Friday the 9th at 7:30 pm (Kent State University).

Guest pianist Shuai Wang will join the ensemble — violinist Cara Tweed, violist James Rhodes, cellist Nicholas Diodore, pianist and composer Nicholas Underhill, flutist Sean Gabriel, clarinetist Gunnar Owen Hirthe, percussionist Luke Rinderknecht, artistic director and composer Timothy Beyer, and composer, conductor, and pianist James Praznik — in a program that includes music by Henry Cowell and world premieres by Max Friedman (Butter-lider), David Glaser (Aurora II), and Frank Wiley (The Dream of Sisyphus).

Taking a novel approach to introducing the program, the ensemble sent Laura King to interview the three composers, revealing interesting insights into their individual personalities, sources of inspiration, and creative processes. [Read more…]

Les Délices: Rejoice! Bach Cantatas for Advent

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by Emmy Hensley

“Bach is a goldmine in terms of repertory. It’s really the golden age of the oboe and the apogee of its repertoire. But it’s so rich for everyone and anyone,” oboist Debra Nagy said about Les Délices’ upcoming program, Rejoice! Bach Cantatas for Advent.

The ensemble will perform Bach’s Schwingt freudig euch empor and Nun komm der Heiden Heiland, along with Handel’s Concerto Grosso, Op. 3 no. 4 in F on December 2 through 4 around the Cleveland area. “All of the spaces will be beautiful for this program,” Nagy said. “The one-on-a-part texture will be really gorgeous and present in these spaces.”

The productions of Rejoice perfectly coincide with the first week of Advent, which began on November 27. Nagy also hinted that these performances are special in a multitude of ways. “I’m excited about the program because Les Délices has never produced Bach Cantatas. Plus, they are rarely heard in Cleveland in general. We have a unique opportunity to present these extraordinary pieces.” Click here for more information and to purchase tickets.

[Read more…]

The Cleveland Orchestra: a conversation with Vasily Petrenko   

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  by Mike Telin

“I’ve been looking forward to this visit to Cleveland for quite a while,” an enthusiastic Vasily Petrenko said during a recent conversation. “I had a visit planned but it couldn’t happen because of COVID. So I am excited to see the Orchestra — it’s one of my favorites in the world.”

Tonight, Thursday, December 1 at 7:30 pm at Severance Music Center, Petrenko will return to the Cleveland Orchestra podium to lead Elgar’s Cockaigne (“In London Town”), Prokofiev’s Piano Concerto No. 2 with Behzod Abduraimov as soloist, and Walton’s Symphony No. 1. The program will be repeated on Friday at 11:00 am and on Saturday at 8:00 pm. Tickets are available online.

Petrenko, who made his Cleveland Orchestra debut at Blossom in 2017 and returned the following summer, currently serves as music director of the Royal Philharmonic Orchestra, chief conductor of the European Union Youth Orchestra, conductor laureate of the Royal Liverpool Philharmonic Orchestra and associate conductor of the Orquesta Sinfónica de Castilla y León.

I caught up with him via Zoom at his home in London — he had just returned from leading  concerts in Germany with Radio Symphony Berlin and the SWR (The Southwest German Radio Orchestra). I began by reminding him that the last time we spoke he was in Wyoming at the Grand Teton Music Festival Orchestra. [Read more…]

Quire Cleveland — Carols for Quire XII: Angels and Shepherds

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by Mike Telin

For the past eleven years, Quire Cleveland’s Carols for Quire concerts have become a holiday tradition. Over the years, the program — which began with pairing old and new carols — has explored numerous facets of the festive songs that are sung around the world during the Christmas season.

“Carols for Quire VI” featured French Noëls while “Carols VIII” presented a multitude of languages including Finnish, Abenaki, Afro-Portuguese, Mohawk, and Wendat, as well as English, Latin, and Spanish. The ninth edition was titled “Carols of Yore,” and the tenth highlighted the “O Antiphons.” This year the program will examine the Christmas story from the point of view of the angels and shepherds.

On Thursday, December 1 at 7:30 pm at Our Lady of Peace Church in Cleveland, Jay White will conduct the ensemble in “Carols for Quire XII: Angels and Shepherds.” The program will be repeated on December 2 at 8:00 pm at St. John Cantius Church in Tremont, and on December 3 at 8:00 pm at St. Paschal Baylon Church in Highland Heights. The concerts are free. Click here to view the program booklet.

“Last year we focused on Mary,” White said during a telephone conversation. “We haven’t left Joseph out of the story — he’s been there every so often. But when I was looking at possible topics for this year, I started thinking about who received the message” — the news of the birth of Jesus — “after Mary had figured it out and she and Joseph went to Bethlehem. And it was the shepherds who received it from the angels. I was also thinking of how amazing it must have been for the shepherds to have witnessed this celestial event, with the angels telling them it was happening and they should go see it.” [Read more…]

The Cleveland Orchestra: a conversation with Thomas Søndergård    

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by Mike Telin

Upon congratulating conductor Thomas Søndergård on making his Cleveland Orchestra debut, he had a quick and enthusiastic response — “Amazing isn’t it. Growing up, if you were interested in classical music you knew about Cleveland. It’s an orchestra with a rich history, and has made so many amazing recordings, and you feel that history in the walls. So it’s an institution with incredible pride for very good reasons.”

Tonight, November 25 at 7:30 pm, Danish conductor Thomas Søndergård will make his Cleveland Orchestra debut at Severance Music Center. The concert will feature Benjamin Britten’s Violin Concerto with Stefan Jackiw as soloist, and Igor Stravinsky’s The Firebird (complete ballet). The program will be repeated on Saturday at 8:00 pm and Sunday at 3:00 pm. Tickets are available online.

Speaking with the conductor by phone in Cleveland this past Wednesday, I began our conversation by telling him that I had a wonderful conversation with Stefan Jackiw, who was singing his praises (read the article here). Especially how sensitive the conductor’s ear is with regards to color, which Jackiw noted is quite important in the concerto’s passacaglia. [Read more…]

The Cleveland Orchestra: a conversation with violinist Stefan Jackiw

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by Mike Telin

“I’m so excited about coming back to Cleveland,” violinist Stefan Jackiw said by phone from his home in New York. “I can’t wait to play the Britten with The Cleveland Orchestra in Severance Hall. It doesn’t get more luxurious than that.”

On Friday, November 25 at 7:30 pm, Jackiw will perform Benjamin Britten’s Violin Concerto with The Cleveland Orchestra under the direction of Thomas Søndergård. The concert also includes Stravinsky’s The Firebird (complete ballet). The program will be repeated on Saturday at 8:00 pm and Sunday at 3:00 pm. Tickets are available online.

I began our conversation by bringing up Jackiw’s last visit to Cleveland, in the summer of 2021 at Blossom, when he played Prokofiev’s Violin Concerto No. 2.

Mike Telin: This time you’re bringing the Britten, which is quite different from the Prokofiev. 

Stefan Jackiw: Oddly there are some similarities. They are both Spanish-influenced. Prokofiev partially wrote the 2nd while he was living in Spain. And Britten was a pacifist and had strong feelings about the violence that happened during the Spanish Civil War and the looming WWII.

MT: And Britten wrote the concerto in 1938 and 1939.

SJ: He did, and it’s a piece that is reflective of its time. It’s at times mournful and almost violently virtuosic. Sometimes hopeful, but guardedly so and sometimes whaling. And you hear its Spanish influences both in some of the rhythmic elements — there’s a moment that always reminds me of castanets — and there’s a seductive Spanish-tinged second theme in the Scherzo [Read more…]

CityMusic chamber series:
composer Akua Dixon on 
Justice, Equality & Freedom

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by Emmy Hensley

“I’ve been composing things, in a sense, all my life,” cellist and composer Akua Dixon said during a recent interview. “As an African American musician growing up studying classical music, I feel that I can offer a specific view that not many people have thought about.” 

Commissioned by CityMusic Cleveland, her string quartet We the People will be premiered on Friday, November 18 at 7:00 pm at Praxis Fiber Workshop by violinists Susan Britton and Eunho Kim, violist Yael Senamaud-Cohen, and cellist Trevor Kazarian.

The free concert, titled “Perspectives for String Quartet,” reflects on the theme of Justice, Equality, and Freedom. The program also includes Arvo Pärt’s Psalom, Jerod Impichchaachaaha’ Tate’s Pisachi (Reveal): Six Epitomes for String Quartet, and Maurice Ravel’s String Quartet in F.

Writing We the People has served as an opportunity for Dixon to reevaluate what justice, equality, and freedom have meant throughout history. “Everything is a matter of opinion, and there are two sides to each coin,” she said. “When I started thinking about the theme, I looked into the Constitution’s Preamble. I read about the intent of setting up this particular democracy, as well as the interpretation of it by the people who founded it — and those who were not included in it. I feel that it’s a great time to have dialogue and to listen to the side of so many people of color and women — all the people that haven’t had a chance — and what they have to say about these topics.”

[Read more…]

N.E. Ohio-born Jupiter Quartet & ACRONYM return to CCMS & Oberlin Series November 15

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by Daniel Hathaway

The Intergalactic Scheduling Office that normally takes care of bringing planets and other heavenly bodies into conjunction without causing head-on collisions has messed up big time.

On Tuesday, November 15 at 7:30  pm, the Jupiter Quartet, formed in Northeast Ohio, will celebrate its 20th anniversary with a return to the Cleveland Chamber Music Society series at Plymouth Church where it last appeared in 2015. On the same date at the same hour, the Oberlin Artist Recital Series will bring ACRONYM, the Baroque string band formed by Oberlin Conservatory alumni, back to campus for the first time since its founding a decade ago in 2012.

What is a conflicted audience member to do? In order to encourage a bit more scientific solution than flipping a coin, ClevelandClassical.com has spoken with Jupiter Quartet cellist Daniel McDonough and ACRONYM cellist Kivie Cahn-Lipman, both founding members of their ensembles, to find out what’s in store at Plymouth Church and Warner Concert Hall on Tuesday.

I caught up with Daniel McDonough in Champaign-Urbana, Illinois, who was walking his sons to a park where his 5-year-old would meet up with a friend and Daniel and his older son were going to kick a soccer ball around in celebration of the great fall weather. [Read more…]

CIM Opera Theater:
Cendrillon with Cara Consilvio

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by Mike Telin 

For centuries the tale of Cinderella has been told and retold around the world. This week the magical fairytale will be brought to life when CIM Opera Theater presents Jules Massenet’s charming Cendrillon on Friday, November 11 at 7:30 pm and Sunday afternoon at 3:00 pm in Kulas Hall. Cara Consilvio is the guest director and Harry Davidson conducts the Cleveland Institute of Music Orchestra. Click here to read a synopsis and to purchase tickets.

Cara Consilvio leads a multifaceted career as a director and producer of opera, theater, and film as well as dance and choreography. She has produced and directed numerous tribute videos, promotional videos, and behind the scenes mini-docs for the NEA Opera Honors, the NEA Jazz Masters videos, OPERA America, and the American Composers Orchestra.

I caught up with the director by phone and began our conversation by asking her about the opera.

Cara Consilvio: This is my first Cendrillon and it’s always exciting to direct a piece for the first time. It’s a new world that will unfold as you begin researching, but you don’t really understand how the piece works until you’re in the rehearsal room putting it up on its feet.

[Read more…]

Oberlin Opera Theater:
a double bill of Offenbach & Rossini 

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by Mike Telin 

If you’re looking for some extra laughter in your life, Oberlin Opera Theater has the perfect ticket when they present the Oberlin premieres of a pair of one-act comedies. 

Romance and deception will take center stage in Offenbach’s Le mariage aux lanternes (“The Wedding by Lantern Light”) and Rossini’s L’occasione fa il ladro (“Opportunity Makes the Thief”), both sung in the original languages with English supertitles. Jonathon Field directs and Joseph Mechavich conducts the Oberlin Orchestra. Performances take place on November 10, 11, and 12 at 8:00 pm and November 13 at 2:00 pm at Hall Auditorium. Click here for tickets.

Simply put, the Offenbach is a love story with songs that everyone will enjoy, and the Rossini is a comedic farce during which identities and affections are swapped between two pairs of would-be lovers. 

[Read more…]

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