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Cellist Alisa Weilerstein to give Cleveland premiere 
of Joan Tower’s A New Day

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by Mike Telin

There are a few reasons why this week’s program from Franz Welser-Möst and The Cleveland Orchestra is particularly special. One, it marks the first time that the ensemble will return in full force to Severance Music Center since March 2020.

Two, the concerts will mark the final performances of Joela Jones as the Orchestra’s principal keyboard, finishing up a 54-season tenure. Click here to read an interview.

And three, the program will feature Alisa Weilerstein in the Cleveland premiere of Joan Tower’s A New Day for cello and orchestra.

The concerts, titled “New Beginnings,” take place on Thursday, October 14 at 7:30 pm and Sunday, October 17 at 3:00 pm, and will also include Richard Strauss’ Macbeth and Sergei Prokofiev’s Symphony No. 5. Click here for ticket information.

[Read more…]

Joela Jones reflects on 54 years with The Cleveland Orchestra

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by Mike Telin 

With a program titled “New Beginnings,” Franz Welser-Möst and The Cleveland Orchestra will return in full force to Severance Music Center on Thursday, October 14 at 7:30 pm, for the first time since March 2020. The evening will feature Richard Strauss’ Macbeth, Joan Tower’s A New Day (for cello and orchestra) with Alisa Weilerstein, and Sergei Prokofiev’s Symphony No. 5. The program will be repeated on Sunday, October 17 at 3:00 pm. Click here for ticket information.

The concerts will also be bittersweet as they mark the final performances of Joela Jones as the Orchestra’s principal keyboard. Jones, whose tenure has spanned 54 seasons, will be presented with the Orchestra’s 25th Distinguished Service Award on Thursday evening. Click here to watch a special video about Jones and listen to a playlist of her most memorable performances.

Joela Jones made her first appearance with The Cleveland Orchestra as a concerto soloist for a Summer Pops concert in 1966. The following year she gave the world premiere of a new concerto under the direction of George Szell, who asked her to join the ensemble soon after. Her name first appeared on the printed roster with the opening season of Blossom Music Center in 1968, and in 1972 she was officially designated as the Orchestra’s principal keyboard player. She has held the Rudolf Serkin Endowed Chair since its creation in 1977.

I spoke to Jones via Zoom and began by asking her about being tapped as a prodigy by Ernst von Dohnányi.

[Read more…]

VOCES8 returns to Northeast Ohio for Akron performance on October 19

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by Daniel Hathaway

Last heard in a brilliant concert at Old Brooklyn’s Mary Queen of Peace Church in 2016, the British a cappella double quartet VOCES8 will return to our area on Tuesday, October 19 for a concert in Akron’s E.J. Thomas Hall co-sponsored by Tuesday Musical and the University of Akron.

Their appearance is part of an eleven-performance tour, the first the ensemble has been able to organize since the novel coronavirus called a halt to nearly everyone’s travel plans a year and a half ago.

“We were on tour in the U.S. just before the lockdown,” founder, artistic director, and countertenor Barnaby Smith told me in a recent Zoom conversation from his studio in London. “I was on one of the last planes bound for Europe after taking a small holiday in Vancouver — I can think of worse places to be marooned!”

After weathering the forced sabbatical of the pandemic, during which VOCES8 launched a series of intriguing online events, things are gradually returning to something approaching normal for the ensemble. “We’re about twenty live concerts into the season now, with a smattering of performances this summer in the U.K. Of course, we’re taking all the extra precautions and testing like crazy, but it’s a joy to be back,” Smith said. [Read more…]

Les Délices to premiere Jonathan Woody’s Much Love Betray’d on Orpheus program

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by Mike Telin

No mythological character has inspired musicians more than Orpheus. Legend has it that his music was so powerful that trees and mountains bowed in his presence — his song so beautiful that he convinced the ruler of the underworld to allow him to bring his love Eurydice back from the underworld.  

The legend will be brought to life on Thursday, October 7, when Les Délices debuts “Song of Orpheus” on Marquee TV. The program features rarely-heard cantatas by Jean-Philippe Rameau and Philippe Courbois performed by Hannah De Priest, soprano, Jonathan Woody, baritone, Shelby Yamin, violin, Debra Nagy, oboe, Rebecca Reed, gamba and cello, and Mark Edwards, harpsichord. The program will also include the premiere of Woody’s cantata Much Love Betray’d. The online-only event will remain available on demand through November 6. Click here for tickets.

Woody’s performance resumé includes two national tours with Apollo’s Fire, and appearances as soloist with period groups including the Boston Early Music Festival, Tafelmusik, Trinity Wall Street, New York Polyphony, Bach Collegium San Diego, and New York Baroque Incorporated. But he is also a leader in the historical performance performer/composer movement.

During a recent telephone conversation, Woody said that his dedication to keeping the early music canon alive can be traced back to when he was a student of musicologist and historical performance pioneer Bruce Haynes. “I was lucky enough to have him as a professor at McGill University, and he definitely engendered the mentality that the canon of early music could remain alive, and that we had the power to continue to add to it and make it something that wasn’t just stuck in the past.”

[Read more…]

Dana Ensemble launches second season with 20th-century theatrical works

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by Daniel Hathaway

On Sunday, October 3 at Youngstown’s DeYor Performing Arts Center, the Dana School of Music’s Dana Ensemble will return for its second season to perform two brilliant 20th-century pieces that straddle the worlds of chamber and theater music. The 3:00 program will feature Igor Stravinsky’s The Soldier’s Tale (L’Histoire du Soldat) and William Walton’s Façade: An Entertainment.

In a press release, faculty cellist Kivie Cahn-Lipman writes, “This is a pair of incredibly fun pieces, both of them early experiments in classical music with spoken-word theatrical elements. The Walton is a rarity, and the Stravinsky has come to be considered one of the great works of the early 20th century. It’s a program not to be missed.”

The Walton piece is the result of a 1921 collaboration between the 19-year-old composer and the eccentric British poet Edith Sitwell, who had been writing nonsense verse since 1918. [Read more…]

Trinity Cathedral resumes Wednesday Brownbag Concerts & Choral Evensongs

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by Daniel Hathaway

Trinity Cathedral will resume its Wednesday programming on October 6, including the Noontime Brownbag Concerts and 6:00 pm Choral Evensong services, with some modifications that reflect the current state of the pandemic.

“It’s a different chapter of unusualness,” music director Todd Wilson said in a telephone conversation. Rather than offering the popular lunchtime concerts every week, Trinity will host the performances twice a month.

“We settled into the every-other-week Brownbag Concert format last year, and I’m guessing that live audiences are going to be coming back rather slowly. It seemed to make sense to continue that pattern for the foreseeable future. My hope is that a year from now we’ll be in a much more normal and easy-to-predict place,” Wilson said.

Patrons who attend the Wednesday noon programs in person will find some new protocols in place. “We’ll be doing low-key check-ins with proof of vaccination, and no lunches will be permitted. Sad stuff, but we’re not even allowed to serve coffee after church right now.” The alternative is to attend online, and all of Trinity’s programs will be live streamed. [Read more…]

MusiCLE Yours to present social justice-themed “Porchestra Concert” at Cozad-Bates House

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by Jarrett Hoffman

Last summer, according to Cleveland Orchestra violinist Isabel Trautwein, musicians from the Orchestra played 90-100 outdoor events. “These were driveway concerts and porch concerts with friends and students,” Trautwein said by telephone from her farm in Geneva (where she recently put on a program called Barnegie Hall.) “We thought, why don’t we give that a name, so that it has more of an impact, and so we all know we’re part of something larger.”

That something larger has become MusiCLE Yours, an initiative by a group of Orchestra members to share solo and chamber music — particularly but not exclusively by under-represented composers — with a range of communities throughout the area.

They started with recordings posted on YouTube, including a few that were filmed at the Crawford Auto Aviation Museum at the Cleveland History Center, with vintage cars visible in the background.

The next undertaking from MusiCLE Yours takes place at another venue off the beaten path, this time live, outdoors, and themed around social justice. “I can’t help with all the woes in our world, but I think we musicians — we must tackle the social justice issues surrounding our art form, especially classical music,” Trautwein said.

[Read more…]

Imani Winds embrace modernity in season opener for the Cleveland Chamber Music Society

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by Stephanie Manning

This season, even more than usual, Imani Winds is booked and busy. Rescheduled concerts from last year, combined with new additions to their schedule, promise a season full of travel and performances. “It’s a lot of making up for lost time,” bassoonist Monica Ellis said in a recent interview. “We’re just grateful that we’re able to be back and have live performances again, in one way or another.”

One performance relocated from 2020 is the Imani’s visit to the Cleveland Chamber Music Society on Tuesday, October 5 in CIM’s Mixon Hall. The 7:30 pm performance will be preceded by a 6:30 lecture by Chris Jenkins. Click here for tickets.

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Rocky River Chamber Music Society:
after 40 years, the Auryn did what they wished

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by Jarrett Hoffman

It bears explaining when headlines have announced the disbanding of a storied ensemble, their Wikipedia entry reads in the past tense, and yet the group appears on the calendar for an important upcoming occasion.

That event in this case is the opening of the Rocky River Chamber Music Society’s 63rd season on Monday, October 4 at 7:30 pm at Lakewood Congregational Church, with an audience both in-person (masks required) and remote, in both cases with free admission.

And that ensemble, performing in Cleveland for the first time, is the German-based Auryn Quartet — founded in 1981, winners of both the London International Competition and ARD Munich Competition a year later — who after four decades have not undergone a single change of personnel.

So, are the Auryn back from the dead? Not exactly. “Corona changed everything,” violist Stewart Eaton explained in a telephone conversation. “We had to delay the final implementation of the ending of the quartet.”

[Read more…]

Cleveland Classical Guitar Society: the Showcase Concert and into the fall

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by Jarrett Hoffman

As per tradition, the Cleveland Classical Guitar Society will kick off its 2021-22 series with the free Showcase Concert highlighting musicians from around the region. This year’s event, which you can attend in person at the Maltz Performing Arts Center on Saturday, September 18 at 7:30 pm, or via livestream, might aptly be described as a Cincinnati sandwich on Cleveland bread.

There will be three sets, with Cleveland-based musicians on either end. Guitar Society educator Andy Poxon will open the concert with Mauro Giuliani’s Grande Ouverture before moving to his own arrangement of Handel’s D-Major Violin Sonata, where he’ll be joined by violinist Jeanelle Brierley.

Occupying the middle portion of the program is guitarist and composer Jeremy Collins, representing his hometown and homebase of Cincinnati, though he also studied at the Cleveland Institute of Music as an undergraduate (Cleveland-bred in addition to the Cleveland bread). He’ll perform two of his own pieces, The Starry Night and Reverie, followed by José Luis Merlin’s Suite del Recuerdo.

At the finish, bringing an impressive variety of flavors to the table is the guitar-and-flute Gruca White Ensemble. They’ll open with three miniatures by Stephen Goss (part of his From Honey to Ashes) influenced by music from around the world. They’ll continue with Masamitsu Takahashi’s Homage to the Harvest Moon, in which they’ll imitate the Japanese traditional instruments shinobue and koto. And they’ll finish with two movements from Marshall Griffith’s Jazz Impressions of Cleveland.

[Read more…]

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