ClevelandClassical.com Header
Ad
Ad
Ad

Pre•Views

BW Vocal Performance Capstone Project takes Hansel and Gretel online

by

by Mike Telin

When the 2020 Vocal Performance Program class at Baldwin Wallace Conservatory got together this past August to discuss what their Capstone Project would look like, they decided to create something that would combine their voice studies with their entrepreneurship classes, and involve a community partner.

The seven seniors began laying the groundwork by meeting with Cleveland Opera Theater’s director of education and outreach Megan Thompson, who helped them figure out what they wanted the project to entail and how to structure it. They also discussed what it means to be a teaching artist.

The group ultimately decided that they would design an opera outreach project for elementary school children and produce a thirty-minute adaptation of Engelbert Humperdinck’s Hansel and Gretel.

During a class interview via Zoom, Kailyn Martino, who created that adaptation, said the goal was to make sure that their version would be engaging for elementary school students. “We’ve included the most memorable music from the opera like the Prayer and the Sandman and Dew Fairy arias, and the scene where Gretel teaches Hansel to dance. The plot is driven forward through the narration, so we get to share the entire opera with the kids without keeping them there for hours.” [Read more…]

Oberlin Students partner with UH Elyria for “Gratitude Showers Challenge”

by

Back in January, a group of Oberlin students began a collaboration with a nearby hospital. Now those students and others have begun a new initiative to support that hospital’s staff.

The Gratitude Showers Challenge honors the dedication and sacrifice of healthcare professionals at University Hospitals Elyria Medical Center. In recent weeks, the project has been further reenvisioned to involve the creativity of area children and to support a key fundraising initiative at the hospital.

Read Erich Burnett’s article here. [Read more…]

New app brings acoustics of Oberlin’s concert halls to your computer

by

by Jarrett Hoffman

It’s uncomfortable to be inside a small space. What about being in a large space that’s often full of happy people, except it’s the middle of a pandemic, and you’re there alone?

“It was kind of spooky,” Andrew Tripp said during a recent conversation. Tripp is co-director of the Recording Arts and Production program at Oberlin Conservatory, as well as the associate director of Audio Services.

In early April, he made his way from one performance venue to the next on the mostly vacant campus. Armed with a two-way speaker, omnidirectional microphones, and a portable recorder, his goal was to “sonically document” each space, which involved the playing and recording of both music and a 30-second frequency sweep.

It was an idea Tripp had been cultivating for a few years, but one that was now more relevant than ever: with students unable to visit Oberlin’s halls, the halls could come to the students.

[Read more…]

Cuyahoga Arts & Culture: Apply Now for 2021 Project Funding 

by

Cuyahoga Arts & Culture invites nonprofit organizations presenting arts and cultural programs in Cuyahoga County to apply for funding in 2021. CAC is pleased to offer the following grant opportunities:

2021 Project Support I: Grants up to $25,000 for 501(c)(3) nonprofit organizations presenting arts and cultural projects in Cuyahoga County in 2021. Project Support I is available to organizations that have previously received CAC funding. Learn more.

2021 Project Support II: Grants up to $5,000 for 501(c)(3) nonprofit organizations presenting arts and cultural projects in Cuyahoga County in 2021. Learn more.

[Read more…]

Revisiting a persistent Beethoven myth: was the composer really stone deaf?

by

by Daniel Hathaway

By 2020, the 250th anniversary year of Beethoven’s birth in 1770, you’d think that every aspect of the composer’s life would already have been minutely examined by multiple scholars. Not quite so. There’s the issue of the composer’s hearing problems, which began to affect him as early as 1798 and progressed to the point in May of 1824 that some eyewitnesses at the debut of the Ninth Symphony reported that Beethoven was oblivious to the ardent applause that greeted the performance.

Kent State University musicology professor Theodore Albrecht, who is deep into translating relatively unexplored Beethoven documents, has turned up some surprises. Among them is the suggestion that Beethoven could still hear — if not well — at the premiere of the Ninth. “All the stone-deaf Beethoven stories go out the window,” the scholar said in a recent telephone interview.

That and other discoveries have come to light in the course of Albrecht’s current research project: translating Beethoven’s 139 “Conversation Books” for the first-ever English edition. [Read more…]

Violinist Andrew Sords launches Green Point Editions

by

by Mike Telin 

“I’ve always been fascinated with works that are on the fringe of the repertoire,” violinist Andrew Sords said by telephone. The problem with learning and ultimately performing works that are off the beaten track is that even with published works, the editions are often riddled with mistakes, if not illegible. “I’m a little OCD when it comes to the score that’s in front of me. I want it to be legible, correct, and have it provide some historical context.”

Following years of frustration, Sords has taken matters into his own hands. Joining forces with music engraver Daniel Singer, the violinist’s new venture, Green Point Editions, sheds light on musical gems that are often neglected on concert stages. Currently available are works by Franz Joseph Haydn, Jenö Hubay, Wolfgang Amadeus Mozart, Jean Sibelius, Claudio Brindis de Salas, and Eugène Ysaÿe/Frederic Chopin.

Misprints in published editions have existed for centuries. Sords noted that Dvořák’s Violin Concerto has a famously wrong note in the final arpeggio. “You can’t blame the performer simply because they are playing from prints that their teachers said had the correct notes. But have some curiosity. Look at the Urtext, or prints from the 19th century that might be a little more accurate.”

[Read more…]

Cleveland Film Festival to stream Allan Miller’s Jeannette Sorrell documentary

by

by Daniel Hathaway

Playing With Fire, Allan Miller’s 70-minute documentary about Apollo’s Fire artistic director Jeannette Sorrell that made its debut in New York last October, will be streamed through April 28 by the Cleveland International Film Festival — which has now moved online. Click here to watch a trailer.

The film follows Sorrell as she rehearses and performs with her Baroque orchestra in Cleveland and at Tanglewood, as she works with the conducting class at the Aspen Festival, and as she prepares for a Messiah performance with the St. Paul Chamber Orchestra in Minnesota. Testaments to her leadership by a number of her musicians are seeded through the narrative.

Miller, who has received Academy Awards for his documentaries about Isaac Stern (From Mao to Mozart) and Zubin Mehta (The Bolero), and has filmed the musical activities of Kurt Masur and Valery Gergiev, was inspired to follow Sorrell around after hearing a New York performance by Apollo’s Fire. The conductor and harpsichordist told me about that encounter in a recent Skype conversation. [Read more…]

Downtime, anxiety, hope: checking in with five area musicians

by

by Jarrett Hoffman

How are you? That question feels more meaningful than usual right now, not just a greeting but a real entry point into each other’s changed lives.

I reached out to five area musicians to see how they’re steering themselves through the Coronavirus crisis, and how they’re spending their time when the slate of performance work has been wiped clean.

Their replies by email — a mix of serious, thoughtful, and lighthearted — touched on a variety of topics: their downtime, their feelings about social media, what they miss about live music, their anxiety, and their hopes for the future.

[Read more…]

Cuyahoga Arts & Culture to Accelerate Grant Payments 

by

Cuyahoga Arts & Culture (CAC) will accelerate payment of $5.1 million in operating support grants to 65 arts and culture organizations impacted by the COVID-19 pandemic.

At their annual meeting on April 15, the CAC Board of Trustees approved a plan to expedite the payment of 2020 grant funds to General Operating Support grantees. Typically, the grants are paid out in three installments; under this approved plan, grantees can request all or part of their remaining grant funds now. 

Additionally, the Trustees approved changes to the current Project Support grant agreements, which will eliminate the requirement to have matching funds; allow for reimbursements for projects that incurred expenses but had to be canceled; and provide grantees the opportunity to move their project to a date in 2021.

[Read more…]

Cleveland Orchestra to introduce weekly podcast, “On a Personal Note”

by

A new weekly podcast series from Severance Hall will feature personal perspectives and illuminating views about Cleveland Orchestra recordings. Available beginning on Thursday, April 16, the first season of “On a Personal Note” will comprise ten episodes.

In the first program, “The Sound of Crisis,” Music Director Franz Welser-Möst recalls the conflicting emotions he experienced leading the last performance before Severance Hall was shuttered due to the pandemic. On Friday morning, March 13, under the first phase of restrictions ordered by the governor, he conducted Schubert’s “Great” Symphony in C for an audience of a few staff members who heard what was originally supposed to be a public concert. Further limitations on the number of people allowed to gather mandated the cancellation of the rest of the Orchestra’s season.

Welser-Möst described that morning as a surreal experience. “We played in that moment, very aware of the music’s meaning and with the beginning of our understanding about what was happening around us. The ability to share this story in the ‘On a Personal Note’ podcast is a moving opportunity, and a rare time to verbalize the emotions we feel as artists every time we perform.” [Read more…]

Follow ClevelandClassical.com

Contact us