by Daniel Hathaway

by Daniel Hathaway

by Daniel Hathaway

by Daniel Hathaway

by Nicholas Jones
Pianist Lura Johnson returned to her hometown of Oberlin Sunday to play an intriguing and delightful program of the “first pieces” of four composers. Titled “Opus One: Something to Prove,” the program included first published piano works by Alexander Zemlinsky, Alban Berg, Dmitri Shostakovich, and Johannes Brahms. The concert was presented in the meeting house of First Church in Oberlin (1834), part of an initiative by the church to revitalize the historic use of the facility as a community space.
by Nicholas Jones
Robert Vernon, the longtime principal viola of The Cleveland Orchestra, played chamber music Monday night at West Shore Unitarian Universalist Church with six of his friends for the season finale of the Rocky River Chamber Music Society series. It was an evening of gorgeous chamber music by players who clearly enjoyed performing together.
by Daniel Hathaway
For those who advanced to the semifinal round, the performance order remained the same as in the original draw.
ZIAOXUAN LI
First to play was Ziaoxuan Li (13, China), with a portfolio of pieces by J.S. Bach (Prelude & Fugue in B-flat from WTC I), Robert Schumann (Kinderszenen) and Rodion Shchedrin (“Invention in Two Parts” and “Basso Ostinato” from Polyphonic Notebook).
by Daniel Hathaway
On Friday, May 15 at 7:00 pm Round Two of CIPC’s Young Artists Competition got underway at Baldwin Wallace University’s Gamble Auditorium. The evening featured five talented pianists ranging in ages from 12 to 15.
Yerin Yang (12, South Korea) started things off with impressive technique — and graceful, fluttery runs during the first movement, “Allegro,” of Mozart’s Sonata No. 18 in D Major, K. 576. She exhibited these same musical qualities during the second movement, “La Leggierezza,” of Liszt’s Trois études de concert. Yang showed a nice sense of pace in Shostakovich’s Prelude and Fugue in A Minor, Op. 87, No. 2 and displayed some fine hand-crossing in Schumann’s Abegg Variations, Op. 1.
by Jarrett Hoffman
A good party doesn’t sit. It moves — from room to room, topic to topic, different people getting to tell their good joke.
Now imagine a party like that, but in a palace. Think golden handrails, spacious rooms, drinks poured and legs dancing, and good music. Think Gatsby.
Or think Severance Hall on Friday night, May 15th. The Cleveland Orchestra’s last Fridays@7 concert of the season featured four musical acts in four rooms, including one last party in the gilded Grand Foyer.
by Mike Telin

First up was Nima Mirkhoshhal (17, Germany) who brought to life the creatures who come out at night in Bartók’s “The Night’s Music,” from Out of Doors. Next, during Scriabin’s Etude, Op. 42, No. 5 Mirkhoshhal played with a rich, dark sound, never losing track of the musical line. His interpretation of Chopin’s Scherzo No. 2 in B-flat Minor, Op. 31 was explosive in the best way possible.
by Mike Telin

Nina Yifang Hu (14, USA) kicked things off with an engaging performance of Liszt’s “La campanella” from his Grandes études de Paganini, which she followed with a nicely-shaped and well-voiced rendition of Chopin’s Nocturne No. 8 in D-flat Major, Op. 27, No. 2. Hu was in her element during Liebermann’s Gargoyles, Op. 29, playing with sensitivity and wonderful technique.