by Daniel Hathaway
NEOSonicFest planned a big agenda for its fourth concert at CSU’s Waetjen Auditorium on Tuesday, March 24. The Cleveland Chamber Symphony brought works by five “Young and Emerging Composers” to life under music director Steven Smith; Liza Grossman and the Contemporary Youth Orchestra reprised Stefan Podell’s Concerto for Two Violas and Orchestra with Lynne Ramsey and Jeffrey Irvine; and the two orchestras played side-by-side under Smith’s direction in a performance of Bernard Rands’ London Serenade to honor the memory of CCS founder Edwin London. [Read more…]
Read Daniel Hathaway’s review of the Boston Symphony Orchestra’s premiere of Michael Gandolfi’s Ascending light with organist Olivier Latry and Gustav Mahler’s Symphony No. 6, Andris Nelsons, conducting, on 
In curating the 2014-2015 Tri-C Classical Piano Series, Emanuela Friscioni chose to showcase three young pianists from three different countries. This season’s performers have ranged in age from 11 (Gavin George of Granville, OH) to 23 (Beatrice Rana of Italy). The last of the three was 19-year-old Israeli pianist Adi Neuhaus, who played Bach, Beethoven, Chopin, Scriabin and Liszt for a large audience in Gartner Auditorium of the Cleveland Museum of Art on Sunday afternoon, March 22. 
Last Saturday evening, March 21, the Youngstown Symphony presented the second program of its Powers Auditorium classical series, City Lights, an interesting concert intermingling Mozart and film music by Charlie Chaplin. Conductor Randall Craig Fleisher gave a short prelude, astutely pointing out that both Mozart and Chaplin shared an ability to include humor, while at the same time imbuing their outputs with pathos. 
During its more than three decades as an ensemble, the Los Angeles Guitar Quartet has generated a huge and loyal following. LAGQ’s local fans supplied the group with a large, enthusiastic audience on Saturday evening, March 21 at Plymouth Church in Shaker Heights for a two-hour show that touched nearly every possible corner of the repertoire with the group’s forty magic fingers. 
If you didn’t catch one of last weekend’s Cleveland Orchestra concerts, you missed an extraordinary experience. Pianist Daniil Trifonov, making his Severance Hall debut on Thursday evening, March 19, was simply breathtaking in Shostakovich’s first concerto — in cahoots with principal trumpet Michael Sachs and guest conductor Jahja Ling. And Ling’s interpretation of Rachmaninoff’s second symphony — the only other work on the program — was as sonorously thrilling as it was expertly paced. 
They should do this more often. Making only their second group appearance, the Cleveland Wind Octet — including members of The Cleveland Orchestra and a couple of esteemed local friends — brought the crowd to its feet at Chagrin Falls’ United Methodist Church last Friday. Performances of a classic, an arrangement, and a new piece composed by one of the group’s own were sublime. 
The a cappella vocal group Roomful of Teeth made a big roomful of noise at the Cleveland Museum of Art’s Gartner Auditorium on Friday, March 20 before a large, enthusiastic audience. This remarkable group, founded in 2009, has won a Grammy for their 2012 eponymous first album, and one of the major works on the program, Partita for 8 voices by member Caroline Shaw, won the 2013 Pulitzer Prize for music. 
An inspiring moment in our travels prompts many of us to write in our journals, or for the more ambitious, to create a travelogue. For Swiss flutist Matthias Ziegler, it resulted in the reinventing of his flute, enabling him to perform the sounds that he heard on an exotic instrument in a foreign place. His brainchildren were on display in a concert of original works at Transformer Station on Thursday, March 12 as part of the Cleveland Museum of Art’s Performing Arts Series. 
The Cleveland Chamber Symphony’s second annual NEOSonicFest opened on a very informal note with a performance by reVoice on Friday Evening, March 20 at Survival Kit Gallery in the sprawling complex of old warehouses called the 78th Street Studios on Cleveland’s West Side. The event, featuring mezzo-soprano Megan Elk, sopranos Susan Fletcher & Rachel Morrison and pianist Lorenzo Salvagni, seemed as improvisatory as some of the numbers on the playlist.