by Daniel Hathaway

Imaginative staging by Stephanie Havey, skillful pacing by conductor James Feddeck, beautiful set design and costuming by Laura Carlson-Tarantowski and Chris Flaharty, respectively, plus dramatic and — for the fairies — enchanting lighting by Jeremy K. Benjamin provided a supportive environment for splendid singing by the cast and brilliant playing by the Oberlin Chamber Orchestra.
Literally thousands of versions of the Cinderella tale exist in cultures around the globe, but many of the details of Massenet’s opera date back to Charles Perrault’s 1697 Cendrillon ou la petite pantoufle de verre, which adds what have now become essential elements to the tale: a young girl mistreated by her stepmother and stepsisters, who temporarily attracts the attention of a handsome prince at a royal ball and is eventually reunited with him to become a princess herself. [Read more…]






Before Seraph Brass arrived in Ohio on November 11, the group’s fall touring season had taken them on the road to Missouri, Florida, New York, and even Peru. And at the Rocky River Chamber Music Society, they gave the audience a taste of the traveling life right from the first piece.
The Meridian Arts Ensemble specialize in the avant garde, but they’re dextrous enough to flip between all kinds of genres. So, what was Joseph Haydn’s Feldpartie — written in 1780 — doing on the program next to George Lewis’ uber-contemporary Tightrope? Quite a lot, as it turns out.
“This moment is full of wonders.” Composer Anna Clyne meditated on those words — written by Buddhist monk and peace activist Thich Nhat Hanh — as she wrote her orchestral work This Moment. That theme, of learning to cherish life more by reflecting on death, underscored most of the music chosen for the Cleveland Repertory Orchestra’s program on November 2.


