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Oberlin’s Sonny Rollins Ensemble wows at the ‘Sco (Jan. 13)

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by Max Newman

If you’re looking for a display of collegiate jazz brilliance, look no further than Oberlin Conservatory’s Sonny Rollins Jazz Ensemble. Selected through an extremely competitive audition process, this premier ensemble was formed in 2018 after a generous donation from its namesake. The group often tours the nation, wowing audiences with their remarkable performances and showcasing the next generation set to make their mark on jazz.

On January 13, the ensemble, led by jazz guitar professor Bobby Ferrazza, performed at Oberlin’s Dionysus Club (known as the ‘Sco), previewing ten pieces for their upcoming tour to San Francisco. The group transfixed the audience with performances that were at times lively, at times sultry, at times laid back, and always supremely impressive.

[Read more…]

Joshua Redman Group & Gabrielle Cavassa bring
soulful & exhilarating journey to CMA (Jan. 10)

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by Kevin McLaughlin

The pantheon of jazz saxophone gods surely must look down with approval whenever Joshua Redman performs. With a formidable technique and a saxophone voice that glows with innate lyricism, Redman appeals to listeners of every stripe — those with the flame of tradition in mind and those who couldn’t care less about that.

Recently, with the addition of Gabrielle Cavassa, he has broadened his expressive palette to include the human voice. Cavassa joined the Joshua Redman Group at the Cleveland Museum of Art’s Gartner Auditorium for a superb display of talent on Wednesday, January 10. And though Redman’s expressive and technically astounding tenor sax dominated the evening, what lingered in the heart were Cavassa’s superb interpretations of the songs.

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Apollo’s Fire — “Wassail! an Irish Appalachian Christmas” at CMA (Dec. 17)

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by Daniel Hathaway

Apollo’s Fire’s 2023 Christmas Show, “Wassail! an Irish Appalachian Christmas,” was a reworking of its earlier crossover shows, “Christmas on Sugarloaf Mountain” and “Sugarloaf Mountain: an Appalachian Gathering” — attractive programs of folk music wrapped around the narrative of immigrants from the British Isles who brought their tunes with them to the New World. I saw the most recent version in its final performance in Gartner Auditorium at the Cleveland Museum of Art on Sunday, December 17.

The narrative, delivered by Derdriu Ring (also credited with theatrical direction) opens in an Irish village on Christmas Eve of 1849 during the Great Famine, then fast forwards to immigrants’ new homes in Appalachia on Christmas Day of the following year. A Wassailing segment captures the tradition of boozy, door-to-door caroling, followed by Winter by the Hearth, a celebration of coziness in the face of winter, then a segue into a telling of the Christmas story and preparations for the sea journey to America. [Read more…]

Boar’s Head and Yule Log Festival at Trinity Cathedral (Dec. 30)

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by Kevin McLaughlin

Goats and donkeys and camels — oh my. Add Elizabethan music, costumes, the noble company of Beefeaters and attendants processing under the magnificent arches of Trinity Cathedral, and you have yourself a merry little Christmas pageant.

A celebration that dates to the Roman Empire and Norman times in England, the Boar’s Head and Yule Log Festival has been a Cleveland tradition since 1960. The festival is typically held on December 30th, as it was this year, with shows at 2:00 and 4:30 pm — I saw the latter —  and the promise of a ham-and-mincemeat feast after the second performance.

The principal task of the volunteer cast of troubadours, shepherds, and sprites, besides singing, parading, and cavorting, was to present the titular giant boar’s head and lighting of the yule log — offering symbolic import for the Christian, and theatrical whimsy for everyone. Soloists, choirs, and audience sing-alongs were accompanied by Todd Wilson at the organ.

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Les Délices: Noel, Noel at Holy Trinity, Akron (Dec. 20)

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by Kevin McLaughlin

Giving hope and joy at the darkest time of the year is one reason, maybe the reason, for the timing of holiday celebrations in December, and music and poetry are good ways to ward off the cold and gloom.

Les Délices’ Christmas-themed program, this year titled “Noel, Noel,” offered many glimmers of cheer on Wednesday evening, December 20 at Holy Trinity Lutheran in Akron. But on their journey from the contemplative toward the celebratory, this serious band seemed more comfortable with the former than the latter.

The program grouped beloved carols, seasonal hymns, and seventeenth century instrumental variations into six sets, like stages on a Christmas journey, from “Darkness” through “Hope,” “Peace,” “Joy” and “Love,”  to “Light,” with poetry readings in between. But the musicians’ devotion to skill and restraint came through the loudest.

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Cleveland Chamber Choir: “Holidays from the Iberian Peninsula” (Dec. 16)

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by Kevin McLaughlin

A gorgeous and frequently surprising offering of Christmas and Hanukkah music from Renaissance Spain and Portugal was the focus of Cleveland Chamber Choir’s program “Holidays from the Iberian Peninsula” on Saturday, December 16 in First Baptist Church of Greater Cleveland.

Voices and instruments resonated in this grand space without losing focus. For people who wonder why the Renaissance cultivated an unadorned vocal style that did not favor thick vibrato, this concert offered an explanation: the music of the era was conceived for spaces like this one, where voices resound naturally, and words come through clearly. Under the direction of Artistic Director Gregory Ristow, tempos took on a certain speech-like freedom that gave rightful primacy to the words. The projection and translation of texts above the stage also helped to convey meaning.

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CD Review — Sutte & Fuoco’s
“SonataPalooza” continues with Vol. II

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by Jarrett Hoffman

Two players, twelve sonatas, four recitals, eleven days. That was the formula for Mettle: SonataPalooza I, a project from trumpeter Jack Sutte and pianist Christine Fuoco that was first heard in January 2019 at Baldwin Wallace Conservatory, where they both teach — and that continues to be heard in the recordings that came from those recitals.

The halfway point of this ambitious endeavor came last year with the release of Volume II, another rewarding listen whether you’re looking to bone up on trumpet sonatas or just here to enjoy a finely tuned duo.

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Cleveland Orchestra kicks off 2023 holiday series with festive Severance concert (Dec. 13)

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by Daniel Hathaway

Originally posted on Cleveland.com

The Cleveland Orchestra will perform a series of heartwarming holiday concerts for the whole family through Dec. 23. (Photo by Roger Mastroianni). Roger Mastroianni

Dear Predictive Chatbot (or Siri, or Cortana, or other AI digital assistant),

How long should I wait before asking you to play me holiday music in December?

Dear Consumer,

It depends. It used to be proper to wait until the Thanksgiving dishes had been washed and put away (for the mercantile launch date, ask me about Black Friday). But for some chain stores, Christmas goods begin appearing soon after the Fourth of July, when letters to the editor decrying the commercialization of the holidays also begin to proliferate.

Now I see from my GPS that you’re writing from Cleveland. It’s a safe bet to hold off on the Noëls and Fa-la-la-la-las until The Cleveland Orchestra and Chorus launch their Holiday Concerts. This year there are 14 of them, and my data suggest that these events are regarded by the local population as the true beginning of the Holiday season. Let the celebrations begin!

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Cleveland Orchestra Youth Orchestra features Beethoven 5 at Severance (Nov. 12)

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by Daniel Hathaway

Sooner or later, every orchestra has to come to terms with the Most Famous Symphony of Them All — Beethoven’s Fifth — and for Daniel Reith and the Cleveland Orchestra Youth Orchestra, that moment arrived at Severance Music Center on Sunday afternoon, November 12.

The challenges begin right at the beginning with the famous four-note motive that sounds so straightforward, but getting a stage full of musicians to play it together with the precise stops and starts that the composer writes into the score is anything but easy. “Just make any gesture at the beginning,” one conductor counseled a student, advice that works like magic the first time around, but then things get complicated. [Read more…]

Accent at the Cleveland Museum of Art (Dec. 8)

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by Peter Feher

Accent’s holiday concert at the Cleveland Museum of Art on December 8 was a hometown affair, even if the six members of this all-male a cappella ensemble had collectively traveled thousands of miles to be there.

The audience in Gartner Auditorium on Friday night cheered on bass Evan Sanders, a South Euclid native who, as the group’s lowest voice, has grounded this far-flung collaboration for more than a decade now.

[Read more…]

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