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No Exit presents Rob Kovacs in 88bit at Appletree Books (June 19)

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by David Kulma

No Exit’s summer offerings took a surprising, yet delightful turn on Friday, July 19  — to classic video game music. Rob Kovacs is from the generation of musicians who grew up playing video games on the Nintendo Entertainment System (NES) in the late 80s. Last year, he began an ambitious project dedicated to arranging this music for solo piano. 88bit, Kovacs’s alter ego, now has about an hour’s worth of music from eight games in his memorized repertoire. He played with passion and panache on his electronic keyboard at the intermission-less concert in the cozy atmosphere of Appletree Books in Cleveland Heights. [Read more…]

Ohio Light Opera: Perchance to Dream (July 24)

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by Kelly Ferjutz
Special to ClevelandClassical.com

It’s not often that one encounters a musical theater piece with book, lyrics and score all written by the same person. The Welsh genius Ivor Novello (nom de plume for David Ivor Davies) is one example of such a super-talented creator. Just the concept of such a thing is almost overwhelming, until you see his Perchance to Dream brought to life as the final production of Ohio Light Opera’s 2019 season. It sparkles and glitters and will not easily be banished from your memory bank. Yet another oddity about this production: the story line is very close to a time-travel romance. However, Londoners do know good theater when they see it. This one ran for 1,020 performances, roughly 2½ years after opening on April 21, 1945. [Read more…]

Musical Upcoming Stars in the Classics: 23rd Classical Cabaret (July 18)

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by Rory O’Donoghue

“It’s always inspirational to hear vocalists, because that’s really how music is supposed to sound,” Cleveland Orchestra cellist Brian Thornton said as he got settled on stage at Orange Village Hall on July 18. He performed as part of M. U. S. i. C.’s (Musical Upcoming Stars in the Classics) 23rd Classical Cabaret, A Midsummer Night’s Dream, which featured a lovely lineup of vocal and instrumental music by both professional and emerging musicians. [Read more…]

Cooper Violin Competition: six play 30-minute recitals (July 24)

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by Daniel Hathaway

Having survived Tuesday’s concerto rounds, the six remaining violinists in the Cooper International Competition returned to their solo repertoire, playing half-hour long recitals in Oberlin’s Warner Concert Hall on Wednesday evening, July 24. The lucky three who prevailed would move on to play concertos with The Cleveland Orchestra under the baton of Gemma New on Friday evening at Severance Hall. [Read more…]

Conrad Tao with The Cleveland Orchestra: Barefoot is better (July 13)

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by Rory O’Donoghue

New research published in The New York Times last week touts the benefits of going barefoot, based on case studies in Kenya, but the scientists could have simply attended a Conrad Tao performance instead, and reached the same conclusion. The pianist bounded onstage with unshod feet at Blossom on July 13 to play Prokofiev’s Piano Concerto No. 3 with The Cleveland Orchestra conducted by Jahja Ling — and it was miraculous. [Read more…]

Cooper International Competition: Then there were ten

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by Mike Telin

The 2019 Thomas and Evon Cooper International Competition got underway on Saturday afternoon, July 20, when 24 young violinists representing seven U.S. States and eight countries played their Semifinal Rounds in Warner Concert Hall at the Oberlin Conservatory. On Monday evening the field was narrowed to ten. On Tuesday, July 23, those competitors played full concertos, and each of the musicians brought solid technique and musical flair to their performances. [Read more…]

Cleveland Orchestra at Blossom: debuts for Mäkelä & Lozakovich (July 20)

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by Daniel Hathaway

As Scandinavians, Finnish conductor Klaus Mäkelä and Swedish violinist Daniel Lozakovich should be well-accustomed to the intentional high temperatures and humidity of saunas, though they probably don’t expect to encounter those while plying their craft on the concert stage. On Saturday, July 20, they rose above miserable weather conditions to make impressive joint debuts with The Cleveland Orchestra at Blossom. [Read more…]

Credo Music joint faculty/student concert in Oberlin (July 19)

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by Nicholas Stevens

Much of the magic of summer festivals remains forever hidden from the outside world. The masterclass that permanently rewires a student’s artistic circuitry, the rehearsal that converts a passing interest into a lifelong specialty, the practice-room collaboration that sows the seeds of a friendship or ensemble: these all elude public view. However, communities do have one point of access: concerts. If the recent Faculty Concert on the 2019 Credo Festival is any indication, then this Oberlin institution has maintained a steady rhythm over its twenty years in operation. [Read more…]

Kent Blossom Faculty Concert showcases Cleveland Orchestra musicians (July 17)

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by Nicholas Stevens

Amid the recent heat wave, the Kent Blossom Music Festival offered refuge with events in cool, tranquil spaces. Rarities, favorites, and unexpected delights packed one concert last week, a showcase for members of The Cleveland Orchestra who also serve as Festival Faculty. The music on Wednesday, July 17 filled Kent State University’s Ludwig Recital Hall without overwhelming it. This may seem unexceptional for a space purpose-built for duos, quartets, and the like, but the program included both whisper-soft moments for cello and a spirited duet for piccolos — noted for their carrying power, but perfectly balanced in this room. [Read more…]

Summers@Severance: Pepe Romero & Thierry Fischer (July 19)

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by Timothy Robson

There were unexpected changes in  July 19th’s Summers@Severance concert due to the illness of previously announced conductor Pablo Heras-Casado and the substitution of Swiss conductor Thierry Fischer, who is currently music director of the Utah Symphony. This necessitated a change in program as well: Debussy’s La Mer was played instead of the same composer’s Iberia. [Read more…]

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