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Apollo’s Fire: Alan Choo and colleagues to take on more of Biber’s Rosary Sonatas

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by Daniel Hathaway

Apollo’s Fire has recently been fascinated by 17th-century Bohemian composer Heinrich Ignaz Franz Biber’s Rosary Sonatas — musical meditations on the five Joyful Mysteries, the five Sorrowful Mysteries, and the five Glorious Mysteries of the life of Christ.

Probably written in the 1670s, but unknown to modern ears until first published in 1905, the devotional work is preserved in a beautiful manuscript held in the Bavarian State Library in Munich.

Four Apollo’s Fire violinists presented eight of the sonatas on programs in January 2019. And Alan Choo soloed in a pair of them on a set of programs in January 2023 as part of a multi-season project to record all fifteen sonatas plus the Passacaglia that concludes the meditations. The resulting CD, Biber’s Sacred Mysteries, has just been released, and will be available for purchase at Apollo’s Fire’s four concerts this week, when Choo will be featured in seven of the sonatas. [Read more…]

Apollo’s Fire at Lakewood Methodist — “Fire & Joy: from Bach & Vivaldi” (Nov. 17)

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by Daniel Hathaway

Baroque music reaches some of its loftiest heights in concertos, and those by Antonio Vivaldi (who left us some 500) and Johann Sebastian Bach (who seeded his cantatas with concerto-like movements, wrote a collection of six famous concertos, and rearranged — or lost — goodness knows how many others) are among the most popular with ensembles like Apollo’s Fire.

On Friday, November 17, the ensemble brought its program “Fire & Joy: from Bach & Vivaldi” to Lakewood Methodist Church as a stop on its local tour that included performances in Akron, Cleveland Heights, and University Circle. Artistic Director Jeannette Sorrell chose concertos by Vivaldi and Bach, pairing them with brief Bach cantata sinfonias.

The concert began with Vivaldi’s D-minor Double Violin Concerto — which Bach arranged for organ during his time at Weimar, when Italian orchestra concertos were all the rage. [Read more…]

Apollo’s Fire begins new season: a conversation with Jeannette Sorrell

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by Mike Telin

Apollo’s Fire is moving full steam ahead into their 2023-24 season, which opens this week with four Northeast Ohio performances of their program “Splendour in London.” The concerts also mark the beginning of a busy fall for the musicians and for the ensemble’s founder and artistic director, Jeannette Sorrell. In fact, with all the forward motion that Apollo’s Fire has experienced over the past couple of years, Sorrell can certainly be described as a person on the go.

I caught up with her via Zoom in Chicago while she was literally in transit and began our wide-ranging conversation by asking her to reflect on Apollo’s Fire’s recent European tour.

Jeannette Sorrell: It was a wonderful experience. That was our Exile program, which we first took to Chicago, New York City, and San Francisco. The New York concert was especially fun — it was at the Met Museum and we were sold out two weeks in advance. When you have an audience that really wants to be there, there’s always a special energy.

[Read more…]

Apollo’s Fire: Music of the Jewish & African Diasporas (Mar. 8)

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by Kevin McLaughlin

Who doesn’t love an Apollo’s Fire concert? Jeannette Sorrell and troupe always seem to offer a festival for the eye and ear — thoughtful thematic programs, all-out committed musicianship, and infectious exuberance. Wednesday’s program at Bath Church UCC was all this and more.

The third in a triptych of Jewish-themed programs titled “Exile and Resilience,” this one — thoughtfully conceived and researched program by Sorrell — offered seven perspectives on Jewish and African exile.

[Read more…]

Alan Choo & Apollo’s Fire:  “Muse of Fire” (Feb. 3)

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by Peter Feher

Longtime fans of Apollo’s Fire might think they’ve heard everything possible from Cleveland’s Baroque Orchestra, but they should have another listen. A fresh lineup of musicians and a largely unfamiliar set of composers were featured in the group’s concerts this month, making for an exciting evening with just a hint of trial and error.

Spearheading the experiment was violinist Alan Choo, a regular standout performer with Apollo’s Fire and, as of this season, the ensemble’s Assistant Artistic Director. With “Muse of Fire,” the first program he’s led here entirely solo, Choo played up the idea of coming to the fore. He chose a handful of small-scale works by lesser-known composers of the 17th century and then let much of this music speak brilliantly for itself.

Heinrich Ignaz Franz Biber’s Rosary Sonatas are the perfect vehicle for a violinist looking to make a splash. Choo has been putting all his energy into polishing these pieces, recording the complete set for an album he’s headlining with Apollo’s Fire (due out next year) and highlighting two of the fifteen sonatas here. The mastery and deliberation that come from knowing a score so well shone through in his performance on Friday, February 3 at St. Paul’s Episcopal Church in Cleveland Heights. [Read more…]

Apollo’s Fire: early Baroque treasures feature the bow of violinist Alan Choo

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by Daniel Hathaway

Most people who work multiple jobs have to factor commuting time into their schedules, but Apollo’s Fire concertmaster Alan Choo, recently also appointed assistant artistic director of the ensemble, doesn’t reckon his travel in hours. Home is in Singapore, where Choo founded Red Dot Baroque in 2018, and that’s 9,465 air miles from Cleveland.

Choo is in town for a few weeks this time to be featured in Apollo’s Fire’s “Muse of Fire” programs that begin on Thursday, February 2, in Akron and end on Sunday, February 5 in Rocky River, with two nights at St. Paul’s in Cleveland Heights in between.

His main assignment is the solo violin role in two of 17th-century Bohemian composer Heinrich Ignaz Franz Biber’s Rosary Sonatas — musical meditations on the five Joyful Mysteries, the five Sorrowful Mysteries, and the five Glorious Mysteries of the life of Christ.

Probably written in the 1670s, but unknown to modern ears until first published in 1905, the devotional work is preserved in a beautiful manuscript held in the Bavarian State Library. [Read more…]

Apollo’s Fire: a dark and 
stormy afternoon (Nov. 13)

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by Stephanie Manning

On a recent chilly Sunday in Cleveland Heights, waves of sleet skittered down from the heavens, ricocheting off anything that stood in their way. But the real storm was brewing inside St. Paul’s Episcopal Church, where Apollo’s Fire and director Jeannette Sorrell took the stage for their latest program. “Storms and Tempests” entertained a packed house on November 13, as the Baroque orchestra played up the drama of both nature and love.

The passionate mood of the afternoon was equally matched by its soloists, both familiar faces to the ensemble. The first was Alan Choo, concertmaster and Assistant Artistic Director, who brought a crackling intensity to Vivaldi’s Violin Concerto in E-flat, Op. 8, No. 5. The whirling arpeggios and devilish technical passages lived up to the piece’s name: “Tempesta di Mare,” or “Storm at Sea.”

[Read more…]

Apollo’s Fire: Monteverdi’s Vespers of 1610 (Oct. 8)

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by Peter Feher

Apollo’s Fire can’t help returning to the music of Claudio Monteverdi. Cleveland’s period orchestra revived its thrilling take on the composer’s Vespers of 1610 to start the season, and you couldn’t ask for a better beginning. The 40-odd singers and instrumentalists who filled First Baptist Church in Shaker Heights on Saturday, October 8 had musical riches to spare, and a distinctive creative vision united it all.

The unifying thread wasn’t Monteverdi, however, but artistic director Jeannette Sorrell, who’s made a focused project out of this sometimes sprawling piece. Part of the challenge lies in the work’s sheer scope, which is emblematic of the composer’s career. The music looks back on older Renaissance and Medieval styles while also anticipating the innovations of the Baroque era.

[Read more…]

Apollo’s Fire: “Violin Fantasy” at St. Paul’s, Cleveland Hts. (Nov. 14)

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by Daniel Hathaway

It’s fun and illuminating to trace outside influences on composers’ changing styles as they make their way through life, standing on the shoulders of their predecessors to see a clearer view of the future.

Sometimes it’s easier to document those influences than others. The subtitle of Apollo’s Fire’s recent program set, “Tracing the Path from Biber to Bach,” implied that the music of Johann Sebastian Bach marked the end point of a stylistic era that more or less developed in a straight line from late-17th century violinist-composers like Heinrich Ignaz Franz Biber through Dietrich Buxtehude and Johann Adam Reinken to the Cantor of Leipzig. [Read more…]

Apollo’s Fire Violin Fantasy to explore influences on Bach

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by Daniel Hathaway

Where did Johann Sebastian Bach come from? What influenced the mature musical style of one of the greatest composers of the Baroque period? Or to put it as co-director and violin soloist Alan Choo does in his recorded introduction to Apollo’s Fire’s Violin Fantasy programs, “Who were Bach’s role models?”

Cleveland’s Baroque Orchestra will set out on a musical journey this weekend to document some of those influences, introducing the Hapsburg composer Johann Schmeltzer (1623-1680), touching base with Heinrich Ignaz Franz Biber (1644-1704) and Johann Pachelbel (1653-1706), investigating the expressive techniques of late 17th-century German composers like Johann Adam Reinken (1643-1722) and Dieterich Buxtehude (1637-1707), and ending with a curious vocal work by a composer half Bach’s age that the Leipzig master thought highly enough of to copy out and slightly alter in 1746. [Read more…]

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