by David Kulma

by David Kulma
by David Kulma

by Alexandra A. Vago

by Mike Telin

by Daniel Hathaway

by Timothy Robson

After some introductory remarks by Frank Cohen and Diana Cohen, the festival directors, the concert opened with a Baroque musical curiosity, Heinrich Ignaz Franz von Biber’s Battalia for ten string instruments and harpsichord continuo (3 violins, 4 violas, 2 double basses and harpsichord). In eight short movements, Biber depicts scenes of an army preparing for battle, fighting, and finally lamenting the lost and wounded soldiers. There are many “advanced” instrumental techniques: various kinds of plucking and bowing the strings, including the double bass wrapping a piece of paper around the strings and then bouncing his bow to create a sound that simulates that of a snare drum. [Read more…]
by Mike Telin

Although Cabezas has already amassed an impressive list of performances with orchestras including the New York Philharmonic, The Cleveland Orchestra, the Chicago Symphony, the National Symphony of Costa Rica, the Pittsburgh Symphony, the New World Symphony, and the Nashville Symphony, he says that he equally enjoys playing chamber music, “I really look forward to working with Orion and all of the musicians who will be part of ChamberFest.” In addition to Thursday’s recital Cabezas will also be part of the performances at the Transformer Station on June 21 andin Harkness Chapel on June 23. [Read more…]