by Daniel Hathaway
Having paid tribute to Johann Sebastian Bach’s prowess as a composer of orchestral music in its last set of concerts, Apollo’s Fire and Apollo’s Singers presented expertly performed examples of his Leipzig liturgical works at St. Paul’s in Cleveland Heights on Friday, March 24 with guest conductor Joseph Gascho at the helm. [Read more…]
by Daniel Hathaway
Having devoted its most recent concerts to Johann Sebastian Bach’s orchestral music, Apollo’s Fire will dedicate its next set of performances to three categories of works he wrote for the churches of Leipzig, where he served as Cantor from 1723 until his death in 1750.
The programs, which run from March 23-26 in Fairlawn, Cleveland Heights, and Rocky River, will include two Cantatas, a Motet, and a Missa Brevis.
Apollo’s Fire and Apollo’s Singers will be led by guest conductor and harpsichordist Joseph Gascho, who teaches on the faculty at the University of Michigan. [Read more…]
by Robert Rollin
This past week Apollo’s Fire, Cleveland’s Baroque orchestra conducted by Jeannette Sorrell, presented five performances of its “Virtuoso Bach” program. Sunday afternoon’s performance at Rocky River Presbyterian Church benefitted visually from the church’s lovely setting, but the high ceiling and wide space created a rather muddy acoustic that at times affected the clarity of sound. [Read more…]
by Daniel Hathaway
Apollo’s Fire’s next series of concerts from February 16-20 will spotlight members of the ensemble as soloists in orchestral music by Johann Sebastian Bach. Oboist Debra Nagy will be featured in the Oboe Concerto in g, and Nagy will join oboist Kathryn Montoya in the C-Major Orchestral Suite. Completing the program will be Brandenburg Concertos Nos. 3 and 4.
We reached Debra Nagy in Berkeley, California. She was on the West Coast fulfilling one of her many guest gigs with early music ensembles nationally and abroad. In Cleveland, she is artistic director of the French Baroque ensemble Les Délices.
The gift of music is always a wonderful way to say happy holidays to friends and family. The week, the editors and correspondents of ClevelandClassical.com are pleased to suggest nineteen CDs released in 2016 by outstanding musicians, most of whom call Northeast Ohio home.
There’s certainly something on this list for every classical music lover. Click on the links at the end of each paragraph to read complete reviews of each album. [Read more…]
by Daniel Hathaway
When audiences hear performances of Handel’s Messiah, the composer’s engaging melodic lines probably attract the most attention: who hasn’t found themselves humming the tunes to “Every valley shall be exalted,” “He shall feed his flock like a shepherd,” or “I know that my Redeemer liveth” on the way home?
But underpinning all of Handel’s glorious arias and stirring choruses are the composer’s equally fetching bass lines, played by the indefatigable continuo department — cello, bass, and sometimes bassoon, with a keyboard player or two filling in harmonies on harpsichord or organ.
I spoke with Apollo’s Fire principal double bass Sue Yelanjian by telephone, explaining that I wanted to write a preview of Apollo’s Fire’s forthcoming Messiah performances “from the bottom up.” [Read more…]
by Nicholas Jones
Venice can be pretty wet in November, but the music of Apollo’s Fire this weekend took us there and back with shoes dry and hearts warmed. With music director Jeannette Sorrell as tour guide, “Love in Venice: A Multicultural Fiesta” took us not only to palazzi on the Grand Canal, but also ushered us safely through the crowded streets and tiny squares where Jews and Arabs traded and mixed — not always comfortably — with the ruling Christians. I attended the Sunday, November 20 performance at Rocky River Presbyterian Church. [Read more…]
by Nicholas Jones
The short-lived English composer Henry Purcell wrote works that rank among the masterpieces of the Baroque. But, like many artists of the 17th century, he also had to produce a lot on demand. In his position as organist at both the Chapel Royal and Westminster Abbey, he needed to work up music for a number of royal occasions. Necessarily, while some of his music is deeply personal, other works — like his odes for the queen’s birthday — were clearly more routinely produced. [Read more…]
by Daniel Hathaway
“I want Apollo’s Fire’s 25th Anniversary Season to be extra flashy and triumphant,” Jeannette Sorrell exclaimed in a recent telephone conversation. “So we’ll open with a program of music by Henry Purcell, one of the six or seven great composers of all time, and stretch the organization by planning a Beethoven-Schubert mini-festival at the end.”
Most concertgoers would put Beethoven and Schubert in the “greatest of all time category,” but Purcell? Sorrell agrees that his is not a household name, but she’s betting that a program of music the late-17th century composer created to celebrate the joys and soothe the sorrows of the British royal family will increase his fortunes among Clevelanders. [Read more…]
by Timothy Robson
On Thursday evening, June 16 at Baroque Music Barn in Hunting Valley, Apollo’s Fire’s Countryside Concerts presented a new show, “My Island Home: Songs and Stories of Newfoundland,” created by Meredith Hall and Sylvain Bergeron in cooperation with Montréal’s Ensemble La Nef.