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Apollo’s Fire’s 2014 Countryside Concerts turn to Appalachian music in “Glory on the Mountain”

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by Mike Telin and Daniel Hautzinger

AF-Countryside-Sorrell“I’m excited because I feel like it might be one of the better things that I’ve put together,” Apollo’s Fire artistic director Jeanette Sorrell exclaimed about her new program during a recent interview. While putting together her previous Appalachian-inspired program, “Come to the River,” Sorrell said, “I was pretty much a newcomer to the field. This time I feel I’m starting from a deeper place.”

Beginning on Thursday, June 12, and continuing through Sunday, June 22, at venues throughout the area (see our concert listings page for times and locations), Apollo’s Fire will present “Glory on the Mountain: An Appalachian Journey.” The concerts will feature the mixture of fiddle tunes, ballads, shape-note hymns, and spirituals that typify Appalachian music. (An extra performance on Saturday, June 14 at 3:00 pm has just been announced.)

“With ‘Come to the River’ I spent two years researching fiddle tunes and ballads from Appalachia and it was a wonderful introduction into that repertoire. I had heard some lovely ballads when I was in the Shenandoah Valley as a teenager, but it was not the music that I was performing and studying as my profession,” Sorrell recalled. [Read more…]

Review: Apollo’s Fire in passionate music (mostly) by Handel and Vivaldi (April 26)

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by Timothy Robson

FORSYTHE-Amanda-greenThis weekend Apollo’s Fire, directed by Jeannette Sorrell, gave four performances of their latest program, The Power of Love: Passions of Handel and Vivaldi. The featured soloist was the brilliant young soprano Amanda Forsythe. I heard the Friday night concert at St. Paul’s Episcopal Church in Cleveland Heights, with its newly renovated acoustics which livened up the sound considerably. The music was mostly Handel and Vivaldi, but Jean-Philippe Rameau made a couple of cameo appearances as well.

One of the hallmarks of Apollo’s Fire’s performances is the naturalness and freedom of their music-making. Although very carefully planned and rehearsed, the musicians always project a sense of spontaneity and improvisation. Also, Jeannette Sorrell is not afraid to make things her own, as exemplified in the program by two of her transcriptions of Vivaldi works that opened and closed the concert. The Allegro from the Concerto in D, RV511, originally for two violins, was arranged as a concerto grosso. It was stylishly done, and had the program not stated it that it was an arrangement, few would have been the wiser. [Read more…]

Preview: Apollo’s Fire: catching up with soprano Amanda Forsythe

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by Daniel Hathaway

FORSYTHE-Amanda-greenJust a year ago, Boston-based soprano Amanda Forsythe dazzled Apollo’s Fire audiences with memorable performances in “Mozart and Papa Haydn”. Writing for this publication about arias she sang from the young Mozart’s Lucio Silla in Finney Chapel at Oberlin, Nicholas Jones said, “Ms. Forsythe gave us a rendition of pyrotechnics…that convinced us of its value, even as we recognized the immaturity of the composer. Staccato arpeggios, long legato lines, a mad scene with its requisite oddities — all were entirely enthralling.”

Not long after that, Forsythe knocked the sox off Boston audiences with her triumphant appearances as Edilia in the 17-year old Handel’s first-ever opera, Almira, at the Boston Early Music Festival in June. The Wall Street Journal critic wrote, “Rage arias steadily gathered steam and exploded: In “Proverai,” she unleashed her fury at the fickle Osman in a torrent of roulades; she reeled him in with her voice and her body, pretending to kiss him, then commandeered his sword and threatened him with it and an even higher and wilder cascade of ornaments.”

We interviewed Amanda Forsythe last year before her Cleveland area performances but wanted to catch up with her again before she returns to sing and record arias by Handel and Rameau with Apollo’s Fire from April 24-27. [Read more…]

Review: Apollo’s Fire Young Artists Concert at St. Paul’s, Cleveland Heights (March 15)

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by Daniel Hathaway

AF-YA

Much of the classical music world still operates on the time-honored apprentice system, which emphasizes hands-on training over degrees and diplomas. Apollo’s Fire showcased four of its young artists in two concerts last weekend. I caught the performance on Saturday evening, March 15 in Tucker Hall at St. Paul’s Episcopal Church in Cleveland Heights. Billed as “Music Collision: Art Meets Folk, 1614,” the hour-and-a-half performance featured soprano Madeline Apple Healey, violinists Augusta McKay Lodge and Cynthia Black, and viola da gambist David Ellis in various solo and ensemble combinations supported by AF artistic director Jeannette Sorrell at the harpsichord and Daniel Shoskes on lute and theorbo.

[Read more…]

Review: Sephardic program takes Apollo’s Fire on a different kind of musical journey (Feb. 21)

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By Daniel Hathaway

AF SJApollo’s Fire has made a name for itself in over twenty years’ worth of vivid and passionate interpretations of early music on period instruments. Now, founder and artistic director Jeannette Sorrell has taken her ensemble in a new direction with a program of Jewish music from Spain and Italy entitled “Sephardic Journey: Wanderings of the Spanish Jews,” which is making the rounds of venues in Akron, Cleveland Heights, Beachwood and Rocky River from February 20-25. I heard the performance on February 21 at St. Paul’s Episcopal Church in Cleveland Heights. [Read more…]

“Sephardic Journey” takes Apollo’s Fire in a new direction

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by Daniel Hathaway

SORRELL-Jeannette“It seemed like this was the next challenge,” said Apollo’s Fire artistic director Jeannette Sorrell. “Our Celtic program in particular made me ready to tackle something new.”

That something new will reveal itself this week as Apollo’s Fire presents five performances of “Sephardic Journey: Wanderings of the Spanish Jews” beginning on Thursday, February 20 at Fairlawn Lutheran Church, with subsequent concerts at St. Paul’s Episcopal Church in Cleveland Heights (February 21), The Temple-Tifereth Israel in Beachwood (February 22 & 25) and Rocky River Presbyterian Church (February 23). [Read more…]

Review: Apollo’s Fire Fireside Concert at Rocky River Presbyterian (January 26)

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by Daniel Hathaway

McFarlane-HallDuring the first of her amusing asides to an audience who had just slogged through snowdrifts on Sunday afternoon, soprano Meredith Hall noted that the subtitle of this year’s Apollo’s Fire’s Fireside Concerts was “Drive the Cold Winter Away.” “We have failed!” she added, ruefully.

Well, maybe the Polar Vortex and its aftermath had chilled patrons to the bone on the way to Rocky River Presbyterian Church, but the English music from the 16th and 17th centuries that awaited them inside warmed the cockles of the soul, even with no fireplace in sight.

Hall was joined by lutenists Ronn McFarlane and William Sims (who doubled on theorbo) and flutist Kathie Stewart (who also played recorder) in an engaging, two-hour journey through the ballad repertory which supplied house music for the well-to-do and lyrics for Everyman to sing to familiar tunes during the flowering of poetry and music in Renaissance England. [Read more…]

Preview: Apollo’s Fire — Fireside Concerts to feature lutenist Ronn McFarlane and soprano Meredith Hall

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by Daniel Hathaway and Mike Telin

McFarlane-Hall“Now winter nights enlarge / The number of their hours; / And clouds their storms discharge / Upon the airy towers. / Let now the chimneys blaze / And cups o’erflow with wine, / Let well-tuned words amaze / With harmony divine.”

Soprano Meredith Hall will begin this week’s Apollo’s Fire Fireside Concerts, “Drive the Cold Winter Away,” with those sentiments by sixteenth-century poet, composer and lutenist Thomas Campion from his song of the same name. “Given the way the winter has been — power outages and such — this theme is a fairly easy one to latch onto,” Hall said in a phone conversation. “What we’re doing is banding together and having an evening celebrating something warm!”

“Campion’s song inspired the program,” said Grammy-nominated lutenist and guest music director Ronn McFarlane, also in a phone conversation. “It’s an Elizabethan and post-Elizabethan show focusing on the English ballad repertoire featuring works by Dowland, Purcell and my favorite composer, Anonymous. Billy [William] Sims will join us on lute and theorbo and Kathie Stewart will play flute and recorder.”

Ballads were the popular music of the Elizabethan period, often circulated as “broadsides” or printed sheets of lyrics that could be fitted to tunes — or families of tunes — that everybody knew and which may have originated as improvisations over bass patterns like the Romanesca. [Read more…]

Review: Apollo’s Fire — Praetorius Christmas Vespers at Trinity Cathedral (December 14)

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by Daniel Hathaway

Michael Praetorius

Michael Praetorius

Well before the more pietistic style of Lutheran church music that Johann Sebastian Bach wrote at Leipzig in the second quarter of the eighteenth century came the Italian-influenced, Renaissance style of Michael Praetorius, the subject of Jeannette Sorrell’s well-crafted and expertly performed Christmas Vespers with Apollo’s Fire, which began a four-concert run at Trinity Cathedral on Friday evening before moving on to three different venues around town.

You could hear the difference in approach in Philip Nicolai’s Wachet auf! Everyone knows the glorious, equal-note setting that ends Bach’s cantata of the same name. Not so familiar is the early form of the chorale tune with its dancelike, uneven rhythms, nor its delightful and ornate elaboration by Praetorius from his 1619 collection Polyhymnia caduceatrix. The latter, already bursting at its seams with exuberance, was decorated even further by Apollo’s Fire’s violinists and cornetto players (Olivier Brault, Johanna Novom, Kiri Tollaksen and Nathaniel Cox), who could barely force themselves to arrive at the final chord at several cadences. [Read more…]

Preview: Apollo’s Fire Praetorius Christmas Vespers — reflections from soprano soloists Nell Snaidas and Teresa Wakim

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by Mike Telin

AF-Praetorius-VespersIn her program notes for this week’s concerts Apollo’s Fire artistic director Jeannette Sorrell writes, “Martin Luther had many students and disciples. One of them was named Praetorius, and that student had a son named Michael. Michael became – along with J.S. Bach – one of the two greatest composers in the history of Protestant church music.” Beginning on Friday, December 13 with performances continuing through the 16th at locations in Cleveland and Akron, Apollo’s Fire presents Praetorius Christmas Vespers: A Dramatic Holiday Celebration.

Compiled by Jeannette Sorrell and premiered in December 2005, the Christmas Vespers features the splendor of trumpets, sackbuts, virtuoso cornettos, antiphonal choirs, lutes, strings and recorders. The concerts also feature the Apollo’s Singers and the Apollo’s Fire Musettes, youth who have been chosen by Sorrell to perform Praetorius’s music intended for children’s voices. Returning to Cleveland and the Apollo’s Fire stage are three renowned soloists, sopranos Nell Snaidas, Teresa Wakim, and Amanda Powell.

“I’m in love with the German music of this time period, and there’s something about this Christmas Vespers that Praetorius wrote and Jeannette put together. [Read more…]

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