by Kevin McLaughlin

Ruiz, a native Puerto Rican, and Diz, Spanish-born, delighted in sharing music from their respective countries, including works by Egúrbida, Gottschalk, Rodrigo, Vide, and Acosta, plus two by Ruiz himself. While other guitarists might have been inclined to flashier repertoire, Ruiz and Diz chose milder stuff, perhaps ambassadors of a gentler sort.



“This next one will have all the homosexuals in the room grabbing a vodka cranberry,” composer Buck McDaniel said winkingly to a packed crowd at Mahall’s last Friday night, March 29. “Including me,” he added. It was perfect commentary for the energetic kickoff event of the Cleveland Chamber Symphony’s 6th NEOSonicFest, an evening that celebrated both cocktails and contemporary music.
Cleveland Chamber Symphony launches its sixth NEOSonicFest on Friday, March 29 at 9:00 pm at Mahall’s in Lakewood with a concert in partnership with Fresh Perspectives. Uno Lady (Christa Ebert), a one-woman choir, will create electronic loops, harpist Stephan Haluska will present his own electro-acoustical compositions, and Buck McDaniel and Jacob Kirkwood will present a concert version of their live electro-acoustic score written for Cleveland Public Theatre’s
When a festival runs for long enough, it becomes interesting to look back and remember that it wasn’t always a staple of the local culture. At one time, it was entirely new.