ClevelandClassical.com Header
Ad
Ad
Ad

BlueWater Chamber Orchestra with guitarist Jason Vieaux at the Covenant (May 4)

by

by Daniel Hathaway

Saturday evening, May 4 found the excellent Blue Water Chamber Orchestra wrapping up their 14th season with guitarist Jason Vieaux playing Vivaldi and Avner Dorman, and the orchestra finishing up with Beethoven 7 at the Church of the Covenant under Daniel Meyer.

Blue Water comprises musicians and features soloists who live in Northeast Ohio, asks its audiences to “Pay what you wish,” and has committed itself to straight-through programs that normally run less than 90 minutes.

Grammy-winner Jason Vieaux, the featured soloist in a collaboration between BlueWater and the Cleveland Classical Guitar Society, is both an international touring artist and a local hero, who treated the capacity audience to an elegant performance of Vivaldi’s D-major concerto — originally for lute — with a fine sense of pacing and crisp articulations. [Read more…]

BlueWater Chamber Orchestra: flutist Jessica Sindell plays Mozart

by

by Mike Telin

Flutist Jessica Sindell has the distinction of being one of the few members of The Cleveland Orchestra who are native Clevelanders. A graduate of Western Reserve Academy, she was a member of the Cleveland Orchestra Youth Orchestra from 2005 to 2007. Since 2018 Sindell has served as the Orchestra’s assistant principal flute, a position she calls “her dream job.”

In that position, she often finds herself playing the principal part on concertos featuring the week’s soloist. On Saturday, May 7 at 7:30 pm at Church of the Covenant, Sindell will move to the front of the stage when she performs Mozart’s Flute Concerto in D with BlueWater Chamber Orchestra under the direction of Daniel Meyer.

The program, “Taking Flight,” also includes Hilary Tann’s With the Heather and Small Birds and Beethoven’s Symphony No. 2. At 7:00 pm George Leggiero will play a prelude on the McGaffin Carillon. Pay what you wish. Click here to reserve tickets. [Read more…]

BlueWater and Amitai Vardi celebrate Jewish music in season opener

by

by Jarrett Hoffman

There’s something poetic about the way BlueWater Chamber Orchestra will open its tenth anniversary season next week. Israeli-American clarinetist Amitai Vardi, a member of BlueWater since the ensemble’s beginning, will solo in Srul Irving Glick’s The Klezmer’s Wedding on Sunday, September 15 at The Temple-Tifereth Israel. That’s part of a 3:00 pm program led by Daniel Meyer that will celebrate Jewish music.

The Klezmer’s Wedding is an important work for Vardi: he gave the North American premiere of the concerto version in 2004 at the Pittsburgh Jewish Music Festival with members of the Pittsburgh Symphony.

Glick, who has been celebrated for his contributions to Jewish music, passed away in 2002 in his native Toronto. “The way that he captures klezmer music in the concert hall, as opposed to within a klezmer band, is unique, beautiful, and a lot of fun,” Vardi said. He also pointed out the composer’s authentic handling of Jewish music, saying that this concerto could easily be part of a Jewish wedding. “When I’m playing it, I definitely imagine walking around though the guests and wailing a klezmer tune.” [Read more…]

Iron Composer returns to Baldwin Wallace: a conversation with director Joe Drew

by

by Mike Telin

Joe-Drew-2On Friday, September 4 at Baldwin Wallace Conservatory, the creativity of five composers will be tested when they have five hours to write a brand new piece of music in order to win the coveted titled of Iron Composer. Competition director Joe Drew said that this years contestants are all accomplished composers and college-level teachers whose musical styles are quite varied. “We try to select as diverse a group as possible. We are putting on a show, and it wouldn’t work if we had a group of composers who all write in similar styles, or who would all have a similar response to the stimulus of the challenge.”

What is that challenge? On Friday at 9:00 am in the Chamber Hall, the five finalists will be assigned an instrumentation and a secret musical ingredient that must be incorporated into their work. Past challenges have paired piano trio with a Monet painting, pipe organ with 19th-century music boxes, and brass trio with audience participation. After five hours, the composers must submit a score and parts for their finished piece. Their work will be performed and judged during a free public concert at 8 pm in Gamble Auditorium. Following the performance, prizes will be awarded, and the title of Iron Composer will be bestowed.

[Read more…]

Review: Blue Water Chamber Orchestra with pianist Zsolt Bognár at The Breen (September 6)

by

by Daniel Hathaway

Zsolt BognarWhat could be more delightful than two sparkling early Beethoven works featuring a riveting young pianist and a fine chamber orchestra, all wrapped up in a 75-minute concert format and presented without intermission? That was the recipe for success as the Blue Water Chamber Orchestra opened its latest season on Saturday evening, September 6 at the Breen Center in Ohio City. The program consisted of Beethoven’s first symphony and first piano concerto, with Cleveland pianist Zsolt Bognár at the Steinway and music director Carlton Woods on the podium.

[Read more…]

Blue Water Chamber Orchestra to open season with Beethoven and piano soloist Zsolt Bognár

by

by Daniel Hathaway

BOGNAR-ZsoltUnder its music director Carlton Woods, Blue Water Chamber Orchestra will play two “firsts” in its season opener at the Breen Center in Ohio City on Saturday, September 6 at 7:30 pm. Not premieres, mind you, but rather the Number One entries in Ludwig van Beethoven’s opus list in the categories of symphonies and piano concertos.

It’s also turning out to be something of a first for Cleveland pianist Zsolt Bognár, who will be the soloist in Beethoven’s First Concerto. Though he has performed in Los Angeles, New York, Chicago, Munich, Brussels, Vienna, and in Tokyo, he hasn’t really appeared all that much in Northeast Ohio. “I think this is my first, full public performance in Cleveland since 2007 when I played my master’s graduation recital,” he told me in a telephone conversation. That performance took place at the Cleveland Institute of Music, where he studied for over a decade with Sergei Babayan. [Read more…]

Review: Blue Water Chamber Orchestra at Plymouth Church (May 10)

by

by Guytano Parks

JOHNSTON-KenBlue Water Chamber Orchestra concluded its 2013/2014 season on Saturday evening at Plymouth Church in Shaker Hts. with a concert billed as “Iron Composer and Iron Violinist”. Conducted by Carlton R. Woods, the program featured BWCO concertmaster Kenneth Johnston as soloist in Beethoven’s Violin Concerto and included Two Pieces for Small Orchestra by Delius and Around the Blue-S by 2013 Iron Composer Competition winner Jakub Polaczyk.

Iron Composer is an instant composition contest held at Baldwin Wallace. Five composers are invited to compete in person. On the morning of the event, the finalists are assigned an instrumentation and a secret musical ingredient. They have just five hours to write a piece of music that incorporates those two elements. Their work is then performed and judged on a public concert that same evening. Blue Water Chamber Orchestra and the Iron Composer Competition have a collaborative venture in which works by competition winners are given a performance on its regular concert series. [Read more…]

Review: Blue Water Chamber Orchestra at Plymouth Church (March 1)

by

by J.D. Goddard

Bluewater-BarberOn Saturday evening, March 1 at Plymouth Church UCC, conductor Carlton Woods and the Blue Water Chamber Orchestra strings presented a program of works by Elgar, Barber and Tchaikovsky joined by wind soloists Sean Gabriel, flute, Neil Mueller, trumpet, and Martin Neubert, oboe. The program was performed without intermission.

Woods opened the program with Edward Elgar’s Introduction and Allegro, op. 47 for solo string quartet and strings, showcasing Blue Water violinists Kenneth Johnston and Emily Cornelius, violist Laura Shuster, and cellist Kent Collier.

The opening statement from the strings immediately grabbed one’s attention with its dramatic clarity before melting into magnificent sonorities that played the quartet off against the full string compliment. Rallentandos, rubatos and ritards were abundant and splendidly romantic in style. [Read more…]

Preview: Blue Water Chamber Orchestra — “Lake Winds Bring Spring Strings”

by

by Mike Telin

Bluewater-BarberOn Saturday, March 1 beginning at 7:30 in Plymouth Church, Blue Water Chamber Orchestra continues its fourth season with a concert titled “Lake Winds Bring Spring Strings”. The concert, performed without intermission, includes Barber’s Capricorn Concerto featuring orchestra principals Sean Gabriel, flute, Martin Neubert, oboe and Neil Mueller, trumpet.
BWOC Artistic Director Carlton Woods will also lead performances of Barber’s Adagio for Strings, Elgar’s Introduction & Allegro and Tchaikovsky’s Serenade for Strings. A pre-concert Meet & Greet for children 12 and under begins at 6:45 pm.
During a recent telephone conversation Carlton Woods gave us his insights into Saturday’s intriguing program.

Carlton Woods: Well, the Capricorn came about because Neil is somewhat of a champion of the piece and he’s never had the opportunity to do it. [Read more…]

Review: Blue Water Chamber Orchestra with Jane Eaglen at Plymouth Church (March 2)

by

by J.D. Goddard

 

On SaturdayEaglen-Jane evening, March 2 at Plymouth Church in Shaker Heights, conductor Carlton Woods and the Blue Water Chamber Orchestra presented a program entitled “Jane and Ludwig.” (i.e. Wagnerian soprano Jane Eaglen and composer Ludwig van Beethoven), a somewhat misleading title because Ms. Eaglen was performing Wagner and not Beethoven.

 

The orchestra opened with a crisp and efficient “teaser,” Beethoven’s Egmont Overture, which immediately set the tone for the evening’s fare.

 

The Egmont Overture was a commissioned work intended as incidental music for Goethe’s play of the same name. The Overture has survived as an independent concert piece and is now mostly performed without the rest of the incidental music. [Read more…]

Follow ClevelandClassical.com

Contact us