by Jarrett Hoffman
The first concert in season four of Franklin and Diana Cohen’s ChamberFest Cleveland begins on Wednesday, June 17 at 8:00 pm in SPACES Gallery. This year’s theme is “Crossing Borders” — borders including those of geography, culture, style, mood, and career path. We caught up with violinist/violist Yura Lee, a veteran of the festival, who will be performing on the first five concerts (June 17, 18, 19, 21, 23) as well as the tenth and final concert on July 1. See our interview with the Cohens for details about each concert.
Yura Lee is the winner of the only first prize awarded across the four categories in the 2013 ARD Music Competition in Munich. The recipient of the prestigious Avery Fisher Career Grant, she is also currently a member of the Chamber Music Society of Lincoln Center as both violinist and violist.
ClevelandClassical’s Young Writer Fellow, Daniel Hautzinger, has wrapped up ChamberFest Cleveland’s third season in an article for the national website of the Music Critics Association of North America. Read his piece, “Cleveland ChamberFest in 3rd year has convivial vibe” on 
Three has been the magic number throughout ChamberFest 2014, and nowhere more than in its closing concert in CIM’s Mixon Hall on Sunday afternoon. The music was rich and, as usual with ChamberFest, the musicianship masterful. This very enjoyable program, titled “3X,” included three works, each featuring instruments in multiples of three.
Intelligent programming at its best not only uncovers interesting musical connections, but can also lend insight into the world beyond music. The repertoire for ChamberFest’s eighth concert, at Fairmount Presbyterian Church, is a fine example. The juxtaposition of three works from a 35-year period by “Three Bouncing Czechs” provided a glimpse into different historical moods, revealing the drastic psychological damage wrought by World War I.
“I would write to you only by means of music,” said Robert Schumann in a letter to his wife, the composer and pianist Clara Schumann. Theirs is a storied coupling, beginning against the wishes of Clara’s father, ending with Robert’s mental breakdown and early death, and complicated by their close relationships with Johannes Brahms. All three being heart-on-their-sleeve Romantic composers, and with Robert’s letter in mind, it makes sense to explore this “Love Triangle” through their music.