by Mike Telin

This weekend they will present their most recent project, “Silence, Space & Sound,” on Friday, November 3 at St. John’s Episcopal Church in Ohio City and on Saturday, November 4 at Zygote Press. Both performances begin at 8:00 pm. The program includes modern works by Piazzolla and Bogdanovic, as well as a world premiere by Jeremy Allen, alongside Baroque works by Böddecker, Mealli, and Stradella. Click here to reserve a seat.
“The project is designed to emulate an art installation,” Joshua Stauffer said during a telephone conversation. [Read more…]








A concert of “new music” conjures up for some listeners the works of the atonal and twelve-tone works of the likes of Arnold Schoenberg and his disciples, the austere works of Pierre Boulez, or the dense modernist Harrison Birtwistle. But these days composers of contemporary “classical” music are no longer bound by such musico-political considerations. There is no “accepted” modern style. Instead composers now draw upon a wide variety of inspiration: old works, pop and rock music, jazz and world music, among other influences.
“We’re an ensemble that usually forgoes performing in churches in favor of the less traditional warehouse settings,” FiveOne Experimental Orchestra executive director Jeremy Allen told us during a recent telephone conversation. “When we’re looking for a reverberant Cathedral, we usually look for a post-industrial one like the Screw Factory. But when the opportunity came about to perform this concert, it was a no brainer.” On Friday, November 13 at 8:00 pm at Disciples Christian Church in Cleveland Heights, FiveOne Experimental Orchestra (51XO) will present Sacrum Silentium.
Since May of 2008, the Cleveland-based FiveOne Experimental Orchestra (51XO) has presented concerts featuring an eclectic mix of repertoire that bridges the gap between pop and art music at out of the ordinary venues such as the Sculpture Garden and the East Cleveland Cemetery. On Saturday, September 26 at 8:00 pm,
Since performing its inaugural concert in 2013, the Cleveland-based new music ensemble Ars Futura has quickly established itself as a dynamic force in the area’s burgeoning contemporary classical music scene. Judging from their engaging BOP STOP performance on Monday, March 23rd as part of NEOSonicFest, the ensemble is not only a collective of six accomplished players, but flutist Madeline Lucas Tolliver, clarinetist Drew Sullivan, violinist Tara Lynn Ramsey, cellist Daniel Pereira, pianist Shuai Wang and percussionist Luke Rinderknecht also know how to present the music in a way that leaves you wanting more.