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SalonEra gives a fascinating look into “The Phoenix of Mexico”

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by Stephanie Manning

Poet, composer, and protofeminist — these are all accurate labels, but they only begin to describe the incredible Sor Juana Inés de la Cruz. Known as “The Phoenix of Mexico” and “The Tenth Muse,” de la Cruz led a fascinating life and left behind a legacy that artists of all kinds continue to explore today.

In Episode 2.3 of Les Délices’ SalonEra, bassoonist Catalina Guevara Víquez Klein, violinist Karin Cuellar Rendon, and mezzo-soprano Raquel Winnica Young utilized one of de la Cruz’s most famous poems, Primero sueño, as a narrative arc to examine the Mexican nun’s views of the world. The result is a captivating portrait of de la Cruz told through both music and discussion.

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SalonEra: “The Phoenix of Mexico” premieres Monday, Oct. 18

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by Mike Telin

In Greek mythology the nine Muses were the source of knowledge and inspiration for poets, musicians, and philosophers. “They inspired everybody,” bassoonist Catalina Guevara Víquez Klein, said during a telephone interview. “That’s the reason Sor Juana Inés de la Cruz is called the 10th Muse, because she too inspired everybody.”

In the next episode of Les Délices’ SalonEra, Catalina Klein will be joined by violinist Karin Cuellar Rendon, and mezzo-soprano Raquel Winnica Young, who delve into their personal connections to Sor Juana Inés de la Cruz and explore her legacy as a poet, composer, and protofeminist. “The Phoenix of Mexico,” premieres on Monday, October 18 at 7:30 pm, and will be available on-demand afterwards. Click here to register.

Born Doña Inés de Asuaje y Ramírez de Santillana in 1648 in San Miguel Nepantla, Mexico, she was an enthusiastic reader as a child. She composed her first poem at eight years old and by age thirteen had studied Greek logic, and taught Latin to young children. She also spoke and wrote in the Aztec language of Nahuatl. As a young woman who was not interested in marriage, only in furthering her studies, she entered the Convent of the Discalced Carmelites of St. Joseph, but soon moved to the more liberal Convent of the Order of St. Jérôme, where she would remain until her death. [Read more…]

Sneak Preview: Les Délices’ Song of Orpheus (debut Oct. 7)

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by Daniel Hathaway

Les Délices has allowed us an advance look at the first full video program of its new season, Song of Orpheus, which will debut online Thursday, October 7 and remain available on demand through November 6.

The Orpheus myth inspired French Baroque composers Jean-Philippe Rameau and Philippe Courbois to write expressive solo cantatas about the famous Greek musician-poet and his futile attempts — because of his own impatience — to rescue his beloved Eurydice from the grasp of Pluto in the Underworld. These are beautifully performed by the clear-voiced soprano Hannah De Priest and the velvet-throated baritone Jonathan Woody (who makes a walk-on appearance in the Rameau). [Read more…]

Les Délices to premiere Jonathan Woody’s Much Love Betray’d on Orpheus program

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by Mike Telin

No mythological character has inspired musicians more than Orpheus. Legend has it that his music was so powerful that trees and mountains bowed in his presence — his song so beautiful that he convinced the ruler of the underworld to allow him to bring his love Eurydice back from the underworld.  

The legend will be brought to life on Thursday, October 7, when Les Délices debuts “Song of Orpheus” on Marquee TV. The program features rarely-heard cantatas by Jean-Philippe Rameau and Philippe Courbois performed by Hannah De Priest, soprano, Jonathan Woody, baritone, Shelby Yamin, violin, Debra Nagy, oboe, Rebecca Reed, gamba and cello, and Mark Edwards, harpsichord. The program will also include the premiere of Woody’s cantata Much Love Betray’d. The online-only event will remain available on demand through November 6. Click here for tickets.

Woody’s performance resumé includes two national tours with Apollo’s Fire, and appearances as soloist with period groups including the Boston Early Music Festival, Tafelmusik, Trinity Wall Street, New York Polyphony, Bach Collegium San Diego, and New York Baroque Incorporated. But he is also a leader in the historical performance performer/composer movement.

During a recent telephone conversation, Woody said that his dedication to keeping the early music canon alive can be traced back to when he was a student of musicologist and historical performance pioneer Bruce Haynes. “I was lucky enough to have him as a professor at McGill University, and he definitely engendered the mentality that the canon of early music could remain alive, and that we had the power to continue to add to it and make it something that wasn’t just stuck in the past.”

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Les Délices’ SalonEra is back and better than ever for second season

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by Stephanie Manning

Last year, Cleveland’s period ensemble Les Délices dared to be different with their contribution to the world of online concerts: SalonEra. Billed as a “variety show for early music,” the web series’ unique format made it a hit among audience members, director Debra Nagy said in a recent interview.

“One thing we heard over and over again was, ‘regardless of the state of the pandemic, please continue SalonEra.’” The series’ second season, which premieres on September 13, aims to be even more ambitious and exciting than what came before it.

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Les Délices: Machaut’s Lai of the Fountain

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by Daniel Hathaway

Les Délices has once again joined forces with Boston’s Blue Heron, this time to produce the impressive video “Machaut’s Lai of the Fountain,” which debuted on Vimeo on April 8, and remains available on-demand until April 19.

LD’s artistic director Debra Nagy introduces the hour-long program with a discourse on the importance of the garden and its centerpiece, the fountain, for artists and musicians of the 14th century. Later in the program, Blue Heron artistic director Scott Metcalfe expands on the subject by exploring the Trinitarian metaphor behind that bubbling source of water in the Medieval mind. [Read more…]

Les Délices mesmerizes with Machaut’s Lai of the Fountain

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by Mike Telin

Now that the cold and dreary winter is behind us, our thoughts turn to spring. And with trees beginning to blossom and flowers blooming we can begin to think about cultivating the garden. On April 8 at 7:30 pm, Les Délices will celebrate the Medieval garden and it’s centerpiece — the fountain — with the debut of Machaut’s Lai of the Fountain. The program is presented in collaboration with Boston’s Blue Heron and features video art design by Camilla Tassi. Click here for ticket information.

While devotees of Les Délices will recognize the name Guillaume de Machaut, why has the ensemble returned to his music so frequently? “The practical reason is that there is so much of it,” artistic director Debra Nagy said during a telephone conversation.

“He created six copies of his own complete works that are full of compelling story-telling, which is something I’m always interested in when it comes to programming. Once you’ve invested a certain amount of time in learning the language — not just the 14th century French but the style and rhythmic language — it’s hard not to want to spend more time there.” [Read more…]

Women of Genius: Another winner from Les Délices

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by Mike Telin

Once again Les Délices scores a winner with the latest installment of the French Baroque ensemble’s online subscription series. Debuting on Thursday, March 18 at 7:30 pm, “Women of Genius” takes a historically thoughtful and musically fascinating look into the music of female composers who influenced French musical culture. After its debut, the video will be available on-demand through March 29. Read our preview article here. To purchase tickets and view connection details, click here.

The 70-minute program features music and poetry by Louis-Nicolas Clérambault, Mme. Duval, Julie Pinel, Élisabeth Jacquet de la Guerre, and François and Louis Couperin. [Read more…]

Les Délices “Women of Genius” — a conversation with Clara Rottsolk

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by Daniel Hathaway

Les Délices, Cleveland’s French Baroque ensemble, continues its all-online subscription series on Thursday, March 18 at 7:30 pm with “Women of Genius,” featuring soprano Clara Rottsolk in music and poetry by Louis-Nicolas Clérambault, Mme. Duval, Julie Pinel, Élisabeth Jacquet de la Guerre, and François and Louis Couperin. After its debut, the video will be available on-demand through March 29. Purchase tickets and view connection details here.

The program, curated by Les Délices’ artistic director and oboist Debra Nagy, sets out to present its female composers not as isolated phenomena, but as composers who exerted a strong influence on French musical culture.

These were the daughters, the nieces, and the cousins of musical families like the Couperins. They were poets, translators, and librettists for airs, cantatas, and operas. They were brilliant improvisers and arrangers whose celebrated performances were attested to but whose works were never published. They were singers, keyboard, and theorbo players whose intimate work impressed and delighted. They were Women of Genius.

Rottsolk, a native of Seattle now based in Philadelphia, said in a Zoom conversation that Nagy’s idea of moving from presenting live concerts to forming a production company to produce high-quality video and audio shows was a wise and creative solution to the vagaries of the pandemic. [Read more…]

SalonEra: “Women in Music” — a conversation with Michele Kennedy

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by Jarrett Hoffman

Both the music and the history of women composers are very much underexplored. So it’s fitting that Les Délices will begin its celebration of Women’s History Month with a new entry in their SalonEra series of performances and conversations — there will be plenty to hear, and plenty to learn.

Premiering online on Monday, March 15 at 7:30 pm, and remaining available for another 48 hours, “Women in Music” will feature instrumental and vocal works from the 17th-19th centuries by Francesca Caccini, Barbara Strozzi, Isabella Leonarda, Élisabeth Jacquet de la Guerre, Maddalena Sirmen, and Clara Schumann. See the full program and register here. It’s free to watch, but a donation is suggested.

Les Délices artistic director Debra Nagy, who is also the host of SalonEra, will be joined by harpsichordist Byron Schenkman, violinist Shelby Yamin, and soprano Michele Kennedy (above), who share a commitment to researching, performing, and recording music by women composers.

I reached Kennedy by telephone in Oakland, California to talk about the selections by three 17th-century Italian composers: Caccini, Strozzi, and Leonarda. We also discussed the societal restrictions on women of that era, and in some cases, the connections that helped these composers establish their careers. And we closed our phone call on the topics of equity and representation in classical music — particularly, Kennedy’s efforts to further that work while sheltering at home.

[Read more…]

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