by David Kulma

by David Kulma
by David Kulma

by Daniel Hathaway

by Nicholas Jones

by Daniel Hathaway

by Daniel Hathaway

Set in the context of a day in the Bach family quarters in Leipzig, the comedic cantata had — and will have — some connections to real life. One of Bach’s daughters answered to the nickname of Lieschen, and Madeline Apple Healey, the soprano who will play that role this weekend, actually works as a barista at Phoenix Coffee in Ohio City. And she does love the beverage she dispenses, she said in a telephone conversation. “I’m a coffee purist. Usually I just make a pourover of single origin coffee — Ethiopians are my favorite, though occasionally I’ll have a cappuccino.”
Bach penned his Kaffee-Kantate to be performed by the Leipzig Collegium Musicum at a Leipzig coffee emporium, possibly Zimmerman’s, where the composer’s student ensemble was a regular fixture. After the patrons are called to order by a narrator, Herr Schlendrian storms in, roaring like a bear over his daughter’s fascination with the caffeinated brew, which is all the rage among the younger set in Leipzig. Lieschen responds with an elaborate ode to coffee, and the conversation, or shall we say family argument, continues from that point. Artistic Director Jeannette Sorrell, who has provided a new English translation, will direct the mini-drama with tenor Corey Shotwell as narrator and bass-baritone Jeffrey Strauss as Schlendrian. [Read more…]
by Daniel Hathaway

by Daniel Hathaway
Much of the classical music world still operates on the time-honored apprentice system, which emphasizes hands-on training over degrees and diplomas. Apollo’s Fire showcased four of its young artists in two concerts last weekend. I caught the performance on Saturday evening, March 15 in Tucker Hall at St. Paul’s Episcopal Church in Cleveland Heights. Billed as “Music Collision: Art Meets Folk, 1614,” the hour-and-a-half performance featured soprano Madeline Apple Healey, violinists Augusta McKay Lodge and Cynthia Black, and viola da gambist David Ellis in various solo and ensemble combinations supported by AF artistic director Jeannette Sorrell at the harpsichord and Daniel Shoskes on lute and theorbo.