by Daniel Hathaway
A full evening devoted to the music of Joseph Haydn is sure to be filled with sophisticated musical rhetoric, and at least a good handful of surprises. Last Thursday evening at Severance Hall, visiting British conductor Matthew Halls and The Cleveland Orchestra dug deeply into the fabric of an overture and a symphony, and with the help of the fastidiously exciting pianist Marc-André Hamelin, into one of the Austrian master’s piano concertos. Though the fourth work was obviously not by Haydn, its performance by duo hornists Richard King and Jesse McCormick would have deeply impressed whoever actually wrote it. [Read more…]