by Mike Telin

During a recent telephone conversation, Harvey gave full credit to the success of the tour to the founder of the Afghanistan National Institute of Music. [Read more…]
by Mike Telin

During a recent telephone conversation, Harvey gave full credit to the success of the tour to the founder of the Afghanistan National Institute of Music. [Read more…]
by Daniel Hautzinger & Mike Telin
—Oberlin, January 7, by Daniel Hautzinger
It’s difficult to meaningfully describe a concert of contemporary music like the one presented by Chartreuse + in Oberlin’s Clonick Hall on January 7. If you’ve never experienced the aural worlds dreamed up by composers who expand the palette of sounds available on traditional instruments, it’s unlikely that you’ll be able to imagine the concert even with the aid of the finest written depiction. [Read more…]
by Daniel Hathaway
If the Oberlin Conservatory of Music kept a trophy case in its entrance lobby, it would need a new shelf to show off the awards that Oberlin organ students Katelyn Emerson, Parker Ramsay and Dexter (“Tripp”) Kennedy have recently won at competitions in France, Russia and the Netherlands.
Though not so familiar to the general public as the big piano competitions, the Mikael Tarierdiev, the Pierre de Manchicourt, the Sweelinck and the Chartres contests command an imposing reputation in the world of international organ playing. The recent awards underline Oberlin’s continued prominence in the training of young organists. All three of the winners are students of James David Christie. [Read more…]
by Mike Telin

On Wednesday, January 6 at 8:00 in Kulas Recital Hall, the Wasmuth Quartet (above), Brendan Shea and Jonathan Ong, violins, Abigail Rojansky, viola, and Warren Hagerty, cello, will present the first concert of the Oberlin Chamber Music Festival. The program includes Joseph Haydn’s Quartet in C, op. 74, no. 1, Anton Webern’s Langsamer Satz in E-flat and Györgi Ligeti’s Quartet No. 1, “Métamorphoses nocturnes.” [Read more…]
by Jeremy Reynolds, guest contributor
courtesy of The Oberlin Review
There is perhaps only one commonality between the 2008 Summer Olympics, Harry Potter, the much-anticipated 2012 apocalypse and Georges Bizet’s beloved opera Carmen. It is true that two of these incidents feature music composed by John Williams and that two of these tales speak of great catastrophe. It is true that three of these four phenomena have occurred during the new millennium. But the only event that truly binds these disparate happenings together will take place on Thursday, December 11 at 12:30 pm, in the Conservatory Lounge. Immediately following Pizza with the Deans, Professor of Bassoon George Sakakeeny will celebrate his 25th anniversary of coordinating and conducting that jovial holiday tradition, Bassoon Christmas.
Sakakeeny began teaching at the Conservatory in 1989. His predecessor, Ken Moore, oversaw the first run of Bassoon Christmas. One of Moore’s former students, Mike Telin, OC ’84, recounted how one of his fellow bassoonists came up with the idea for a Christmas concert to blow off some steam during reading period.
“Ken was all for the idea,” he said. “We did the first one in flash mob style; we took over the lounge and started playing.” [Read more…]
by Jarrett Hoffman

by Jarrett Hoffman

by Daniel Hathaway


Here is the Recital Finals program for Wednesday evening (performance order to be announced):
by Daniel Hathaway

That somewhere is the special world of Maurice Ravel, charmingly miniaturized in the Oberlin Music release, Ravel: Intimate Masterpieces, a world Kondonassis first discovered through an LP of his music as a child in Oklahoma.
Joined by her fellow Oberlin Conservatory faculty members Alexa Still, flute and Richard Hawkins, clarinet; Oberlin alumni Ellie Dehn, soprano and Spencer Myer, piano; and Oberlin’s most recent ensemble in residence, the Jupiter String Quartet, Kondonassis explores four of Ravel’s exotic chamber works in performances vividly captured by recording engineer Paul Eachus. Sessions were held in Oberlin’s shining new Clonick Hall studio, expertly co-produced and edited by Erica Brenner. [Read more…]