by Kelly Ferjutz, Special to ClevelandClassical

by Kelly Ferjutz, Special to ClevelandClassical

by Kelly Ferjutz, Special to ClevelandClassical

by Kelly Ferjutz, Special to ClevelandClassical

I sat down with Daigle, associate director Julie Wright Costa, principal guest director Ted Christopher, and Jacob Allen — all four of whom are teachers specializing in the lyric theater tradition — to ask questions about their careers and their lives at OLO.
Kelly Ferjutz: Could you each share your thoughts about shows you’re directing this season?
Steven Daigle: I’m directing four of the seven productions. Our repertory is shifting in the direction of a musical theater, which has a different emphasis than operetta. They all have their difficulties, but the biggest one is time constraints — there’s a lot to do after choosing a piece before you present it to the audience. Building sets is time-consuming and expensive. We’re trying to economize where possible, without hurting our quality. Maybe we build less complex sets at times. [Read more…]
by Kelly Ferjutz, Special to ClevelandClassical

by Daniel Hathaway

Founder James Stuart originally had a summer Gilbert & Sullivan festival in mind in 1979, but since its inaugural season in Wooster, OLO has evolved to embrace a wider range of light opera, including European operetta and American musical theater. OLO is now under the leadership of artistic director Steven A. Daigle and general director Julie Wright Costa.
The mix of operettas and Broadway shows to be performed in 2015 by the 40 members of the vocal ensemble includes Cole Porter & Abe Burrows’ Can-Can, Ogden Nash & Kurt Weill’s One Touch of Venus, George & Ira Gershwin’s Oh, Kay!, Gilbert & Sullivan’s Ruddigore and Yeoman of the Guard, and Franz Lehár’s Friederike. [Read more…]
by J.D. Goddard

The Ohio Light Opera premiere of The Little King. (Photo by Matt Dilyard)
On Wednesday, July 23, in the College of Wooster’s Freedlander Hall, Ohio Light Opera presented the opening performance of its seventh and final work of the summer season, Emmerich Kálmán’s The Little King (Der kleine König) with libretto by Karl von Bakonyi, Franz Martos and Robert Bodanzky. This was OLO’s premiere performance of the rarely performed 1912 work and its eleventh Kálmán operetta.
The convoluted plot deals with a boyish monarch who falls in love with a famous visiting opera singer. She also happens to be the daughter of a revolutionary plotting his assassination. [Read more…]
by Kelly Ferjutz, Special to ClevelandClassical
“The majesty and grandeur of the English language,” as Henry Higgins put it to Eliza Doolittle, is on glorious display in My Fair Lady, currently on the boards at Ohio Light Opera in Wooster. In a word, this production is magnificent. I’d say perfect, but someone would be sure to quibble. But still, it must be more difficult to produce a stellar version of what is arguably the ‘world’s most popular musical’ than to do a fabulous version of something that no one has ever seen or heard until that very moment. (One can easily confirm this popularity by the number of audience members singing or humming along, under their breath, so to speak, right along with the performers.) [Read more…]
By J.D. Goddard

The Pirates of Penzance tells the story of Frederic, a young apprentice who was mistakenly indentured to a band of pirates in his youth. At the end of his servitude, Frederic decides to leave the pirates and devote his life to their extermination. He meets a bevy of beautiful maidens, instantly falling in love with one of them, Mabel. Unfortunately, the pirates reappear and take the maidens captive, leading to a series of increasingly ridiculous plot twists. [Read more…]
by Nicholas Jones

In this blissful concatenation of dance and melody, a marital comedy is played out in a fantasy world of masquerade. A chambermaid becomes an actress for the evening; a transvestite Russian prince staves off boredom by throwing a lavish ball; a prison is transformed into a party; a squabbling bourgeois couple seems to learn how to fall in love again. [Read more…]
by J.D. Goddard

Call me Madam (book by Howard Lindsay and Russell Krouse) is a satire that spoofs America’s habit of showering money on foreign countries, and is based on the life of Washington D.C. super-hostess and Democratic Party fundraiser Perle Mesta, who was named Ambassador to Luxembourg in 1949.
In the musical, Mesta becomes Sally Adams, a well-meaning but ill-informed socialite widow who is appointed U.S. Ambassador to the fictional and “penniless” European country of Lichtenburg. While there, she charms the local aristocracy, especially Cosmo Constantine, and her press attaché Kenneth Gibson falls in love with Princess Maria. [Read more…]