by Daniel Hathaway

by Daniel Hathaway

by Neil McCalmont

by Daniel Hathaway

Last April, the three musicians played the first and third trios from Op. 1 and the “Archduke,” Op. 97. On October 27, they’ll finish the cycle with the G-Major Trio (Op. 1, No. 2), the D-Major Trio (Op. 70, No. 1), and the “Ghost” Trio in E-flat (Op. 70, No. 2). (Read a review of their March performance here.) [Read more…]
by Daniel Hathaway

by Daniel Hathaway

Daniel Hathaway: I’m guessing from the calendar on your website that you must be somewhere between Georgia and California.
Wu Han: (Laughs) Right now, I’m in downtown San Francisco driving towards the Napa Valley vineyard country.
DH: You have quite a travel schedule. Are you ever home?
WH: Good question! The answer is no.
DH: How do you manage such a busy musical life?
WH: I have a lot of help — people taking care of schedules and reservations for hotels, airlines and cars. All I have to think about is music, music, music, and thank God for that. You have to manage your life. I don’t get bogged down by the details. So you miss your flight? Wow, what’s the big deal? Let’s go have a coffee. Let’s listen to some Spotify.
by Daniel Hathaway

by Daniel Hathaway

by Daniel Hathaway
The trio with no name, but made up of three eminent musicians (violinist Philip Setzer, cellist David Finckel and pianist Wu Han) plays Schubert Trios on the Cleveland Chamber Music Society series on Tuesday, March 23 at Fairmount Temple Auditorium. Finckel and Setzer play in the Emerson Quartet; Finkel and Wu Han are husband and wife, owners of the recording company ArtistLed and co-artistic directors both of Chamber Music at Lincoln Center and Music at Menlo in California. Their Schubert tour derived from an ArtistLed recording project. Due to their busy schedules, we spoke with the trio in three different conversations. We reached David Finckel in Vienna, Wu Han in New York between rehearsals, and spoke with Philip Setzer soon after he returned from Europe.
DAVID FINCKEL
DH: I just read the interview the three of you had with Classical Archives’ artistic director Nolan Gasser in February, and you touched on every subject I could possibly think to ask you about!
DF: That was quite some interview, wasn’t it.
DH: It must have taken some time to do, but I’ll try to find some interesting questions for you. First off, congratulations on the 13th anniversary of ArtistLed. How is the company doing in the current economic climate?
DF: Fine, because our decimal point is in another place. We manage to make ends meet because we have a loyal following. We keep our costs low without having it affect quality at all and we always manage to recoup our expenses through the sales of the recordings, which I think is the golden rule. So as long as we can do that, we can just keep going ahead and making more recordings.
[Read more…]