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Dröhnen/Dröna — Re:Sound Festival of New and Experimental Music (June 11)

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by Mike Telin

My experience with sound installations is that you never know what to expect. Sometimes the sound adds ambience to — perhaps a walk through an enchanted garden. Other times it’s simply made me feel anxious.

But what is a sound installation? Basically it’s placing a sound system in a room. Yet describing a sound installation becomes a bit more complicated — is it visual art? Is it experimental music? Or is it a combination of both? In the end, does it need to fit into any category? After all, it is about the experience — aural and physical.

By far the most interesting experience I have had with sound was standing inside an organ case while the pipes were being tuned. To feel the dissonances and hear the beats gradually move into a perfect unison is something everyone should experience.

So it was a wonderful surprise to walk into the Pivot Center on June 11 at 11:30 am to be greeted by sound artist Bob Drake, whose installation Dröhnen/Dröna was featured as part of this month’s Re:Sound Festival of New and Experimental Music. Drake showed my colleague and me into a large room bathed in soft shades of blue. On the floor, along the left wall, were two ranks of organ pipes and a traditional pipe organ windchest.

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Re:Sound New and Experimental Music Festival (June 11)

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by Kevin McLaughlin

The Cleveland Uncommon Sound Project hosted its annual Re:Sound New and Experimental Music Festival June 8-11 at various Cleveland venues. I was lucky enough to catch the final two performances on Sunday afternoon at the Convivium 33 Art Gallery.

Pakistani-born Zeerak Ahmed, who performs under the name SLOWSPIN, and trumpeter Theresa May each held the audience in thrall in programs of live music interacting with pre-recorded sounds.

Ahmed’s music is mesmerizing. She sings with devotional yearning, eyes closed, left arm raised, and in perpetual movement, dancing out meanings of the words. Her songs are in English but also Urdu, Farsi, and Purbi. Whether or not words are understood, deeply felt emotion always cuts through. [Read more…]

RE:Sound 2022— “New Music” for everyone

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by Mike Telin

Since its founding, Cleveland Uncommon Sound Project (CUSP) has engaged the Northeast Ohio community by championing the creation and performance of new music. One of the ways it does that is through its annual Re:Sound Festival of New and Experimental Music.

Judging from the stellar lineup of musicians the organizers have assembled, the 2022 edition of Re:Sound — which runs from June 9 through June 12 — promises to once again deliver a musically adventurous experience.

“More than ever the phrase ‘new music’ is becoming a broad umbrella term that encapsulates all kinds of styles. So we wanted this year’s festival to reflect that as best as we could.” CUSP’s managing director Stephen Haluska (above) said during a recent Zoom call. [Read more…]

Re:Sound Festival at Praxis Fiber Workshop and Bop Stop (June 8)

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by Jarrett Hoffman

June 8 was the busiest day for the Re:Sound Festival, with three concerts around the city. I heard the first two, beginning in the afternoon at Praxis Fiber Workshop, where the duo Dykes & Young set a high bar for the acts that would follow over the course of the day. Bassist Laura Dykes and violinist Jeffrey Young performed three original works that had their genesis in joint improvisation, but which have solidified over the years into fixed structures. In particular, the second of the three was riveting. [Read more…]

Re:Sound Festival of New and Experimental Music — concerts one & six

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by Mike Telin

It’s hard to believe that it was only a year and a half ago that area audiences were introduced to the Cleveland Uncommon Sound Project (CUSP). With all of the high-quality programs they have produced since that time, the organization already feels like a trusted friend. Founded by saxophonist Noa Even and cellist Sophie Benn, CUSP’s engaging programming brings together the new music enthusiast and the new music curious. One way that is accomplished is through the annual Re:Sound Festival of New and Experimental Music, which ran from June 6 through June 9 and included six concerts featuring fourteen soloists and ensembles from across the United States at venues around the city. I attended the opening and closing events. [Read more…]

Re:Sound 2019 presents ~Nois

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by Mike Telin

What do ‘Rollicking Monkeys Landing on Mars’ sound like? The answer to this and other curious musical prompts proposed by Pauline Oliveros can be heard on Thursday, June 6 when the Chicago-based saxophone quartet ~Nois performs her Thirteen Changes at 7:30 pm at Negative Space Gallery.

The concert kicks off the 2019 edition of the Re:Sound Festival of New and Experimental Music. The evening’s lineup also includes Cleveland’s Miralia/Stranahan Duo, and Detroit’s art-rock quartet saajtak. Click here to purchase tickets.

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Re:Sound Festival — drummer & improviser Leo Suarez

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by Jarrett Hoffman

Two main ideas make up the improvisational language of drummer Leo Suarez on his solo album Marbles On Tile. Slowly-decaying or “soft” sounds form his base, and quickly-decaying or “hard” sounds are layered overtop.

But describing what that actually sounds like is more difficult. During a telephone conversation last week, Suarez brought up a helpful comparison: the Bauhaus paintings of Kandinsky. Clouds of color make up the background, “but on top there’s this highly complex construction of very defined shapes and lines,” Suarez said. “Even though that wasn’t exactly my inspiration, I was reading about his work at about the same time, and it all kind of made sense to me.”

Suarez will bring that musical language to CODA on Saturday, June 8 during a 9:00 pm concert as part of the Re:Sound Festival. Joining Suarez on the double-bill will be a fellow Philadelphian: madam data (Ada Adhiyatma), whose main tools of music-making are alto clarinet, handmade computer programs, field recordings, and old samplers. madam data’s set includes their Biological Time 1, described as “a structured improvisation that engages with the body’s sense of ‘waiting’ by framing durations of silence.”

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A look at the 2019 edition of the Re:Sound Festival of New and Experimental Music

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by Mike Telin

In summing up last year’s inaugural Re:Sound Festival of New and Experimental Music, ClevelandClassical.com critic David Kulma wrote that “[the] Festival was an ear-opening experience for the musically adventurous …this intense weekend of staggering, high-quality performances showed the virtues of a performer- oriented festival where each act is fully invested in its own chosen music.”

Judging from the stellar lineup of musicians the organizers have assembled, the sophomore edition of Re:Sound — which runs from June 6 through June 9 — promises to once again deliver a musically adventurous experience.   

The 2019 edition will include six concerts featuring fourteen soloists and ensembles from across the United States. And once again the concerts will take place in venues that will allow players and audiences to relax and spend time together. In addition to purchasing single tickets, Festival passes are also available.

Here’s a run-down of this year’s offerings.

[Read more…]

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