You’re never too young to start your music education and you’re never too old to go back to school. Whatever your age, you can discover new ways to connect with music with The Cleveland Orchestra’s Learning@Home resources.
Mindful Music Moments @Home Family Edition (all ages)
The @Home edition of Mindful Music Moments is a great way for parents and kids to start the day with structure, calm, and focus in just four minutes. This version of Mindful Music Moments features a single piece of music each week and different mindfulness prompts each day, to deepen our connection to music, and to ourselves, plus additional guided meditations, coloring pages, and resources for at-home play and learning. Mindfulness and music from The Cleveland Orchestra is free. Click here for more information.
From Franz Welser-Möst and The Cleveland Orchestra comes 
The Cleveland Orchestra is launching its own record label with a major release. Having turned 100 during the 2018-19 season, the ensemble looks ahead with 
On Sunday afternoon, February 16, The Cleveland Orchestra accomplished the seemingly impossible feat of performing two concerts simultaneously at different parts of the Cleveland metropolis. One was the final performance of this week’s subscription concert, the other a free community concert at Lakewood Civic Auditorium.
When Susanna Mälkki made her Cleveland Orchestra debut in April of 2015, the Finnish conductor was well on her way to becoming a star in the international conducting firmament. Since that time Mälkki has clearly established herself as one of the leading conductors of our time.
Sometimes the best thing a young artist can do is to turn down a job offer, no matter how tempting it might be to say yes. “Early in my career I was invited to conduct some major orchestras,” Lorenzo Viotti said during a recent telephone interview from Lisbon, Portugal, where he serves as Music Director of the Gulbenkian Orchestra. “The most important thing I did was to say no to all of them. I had many things to learn before I stood in front of such great institutions, and I wasn’t ready to deal with the pressure.”
“It’s always wonderful when I get to stand up front,” Cleveland Orchestra principal trumpet Michael Sachs said during a telephone conversation. “I’m usually at the back, so I’m hearing all these wonderful sounds in front of me. But to have those sounds converging upon you is a completely different perspective that I’m always amazed and humbled by. I have a renewed respect for the people that I am lucky enough to work with.” 
A new piano concerto is always an occasion, but the premiere of Thomas Adès’ Concerto, performed by pianist Kirill Gerstein and the Boston Symphony under the direction of the composer, has caused critics and audiences to sit up and take note. Following the New York premiere of the work, Anthony Tommasini of 
Film music leaves an impression on many of us at an early age, and Sarah Hicks was no exception. The principal conductor of the Minnesota Orchestra’s “Live at Orchestra Hall” series, Hicks is also known as an in-demand guest conductor, particularly in the genre of in-concert film.