by Daniel Hathaway

by Daniel Hathaway

by Daniel Hautzinger

by Robert Rollin

by Daniel Hathaway

One of the most unpretentious and accessible artists on the professional concert circuit, Joshua Bell has been interviewed on many occasions. One of the most recent and engaging looks inside Bell’s life and career was provided by Cleveland pianist Zsolt Bognár in a 44-minute video interview with the violinist in his New York apartment. The sixteenth episode in Bognár’s series, “Living the Classical Life,” you can view that conversation here. [Read more…]
by Mike Telin


One hundred thirty-five students from twenty-one Ohio colleges and universities participated in the Association’s 59th scholarship Competition on March 22 in seven categories: brass, music education, organ, piano, strings, vocal and woodwinds. All first and second place scholarship winners participated in the Winners Recital last Sunday. [Read more…]
by Daniel Hathaway

Béla Fleck has long been known for his experiments in bringing the voice of the banjo into jazz, rock and other genres of music. The impetus for connecting these five outstanding musicians came directly from Fleck’s initial foray into classical composition (it was in the stars apparently, since his parents named him Béla Anton Leoš— after Bartók, Webern and Janáček, respectively). After premiering his banjo concerto, The Imposter, with the Nashville Symphony in September of 2011 (he also played it last season with The Cleveland Orchestra), Fleck had the opportunity to record the work for Deutsche Grammophon, but needed something else to fill out the album. [Read more…]
by Nicholas Jones

The Silk Road Ensemble, founded by American cellist Yo-Yo Ma over a decade ago, takes that East-West route as a metaphor for cultural exchange today, bringing western and non-western musicians into a vibrant, innovative, and deeply collaborative musical experience. The result is an evening of strange and wonderful sounds that might have delighted Marco Polo or Genghis Khan. [Read more…]
by Mike Telin
When cellist
Two years later, The Silk Road Project spawned The Silk Road Ensemble, a collective of some sixty performers and composers from more than twenty countries. Fifteen musicians from eight of those countries, including Yo-Yo Ma, are currently on tour to six cities in the United States, and will perform on the Tuesday Musical Association Series at E.J. Thomas Hall in Akron on Thursday, March 14 at 7:30 pm. We spoke with three of them, pipa (Chinese lute) player Yang Wei, violinist Johnny Gandelsman and gaita (Galician bagpipes) player Christina Pato (who will also play piano) to ask how they first became involved in the Silk Road Ensemble and to glean some of their insights into what makes it tick. [Read more…]
by Mike Telin

Mike Telin: What can the Akron audience expect to hear next Thursday? Will this be your Klezmer Madness project?
David Krakauer: For this concert, I will be bringing what I call my Klezmer Madness Acoustic Quartet. It’s the same Klezmer Madness repertoire, only performed acoustically. Klezmer Madness normally includes an electric guitar, and a sample player so that we can bring in the sounds of folk, rock, and jazz, those kinds of influences that need electronics. Because this is an acoustic project, we have a drummer, although he is treating everything more like percussion. He has this rule of one drum at a time. This way he is not overwhelming in an acoustic setting. There will also be bass and accordion players.
We will be playing a mixture of my compositions along with traditional Klezmer songs. It does have the new Klezmer approach, but it is acoustic. It’s kind of on the chamber music side. I’ve been offering this group to smaller venues or venues that are acoustically suited for a string quartet. When you start bringing in things like a full drum set, electric guitar, samples and everybody amplified, it’s just too much. [Read more…]