by Nicholas Jones

by Nicholas Jones

by Daniel Hathaway

Launched in 2003 as a one-day competition for Ohio piano students, the Young Artists Competition has been reorganized this year to follow the multi-round format of its parent competition, which will be held next in the summer of 2016.
The ten-day Young Artists event will run from May 12-21. Opening rounds will be held in Gamble Auditorium at the Baldwin Wallace Conservatory of Music in Berea. The final round with the Canton Symphony Orchestra, Gerhardt Zimmermann, conducting, will take place in Gartner Auditorium at the Cleveland Museum of Art on May 21. [Read more…]
by Mike Telin

This horrifying day in history is the inspiration behind composer Aaron Helgeson’s latest work. [Read more…]
by Mike Telin

On Friday, March 6 at 8:00 pm in the Oberlin Conservatory’s Warner Concert Hall, and on Saturday, March 7 at 2:00 pm in Gartner Auditorium at the Cleveland Museum of Art, Timothy Weiss will lead the Oberlin Contemporary Music Ensemble in Gubaidulina’s haunting Concerto for Bassoon and Low Strings featuring Ben Roidl-Ward. The concerts will also include the world premiere of Aaron Helgeson’s Snow Requiem for solo violin (David Bowlin), solo soprano (Alice Teyssier), 16-voice choir, strings, percussion and harp, and Jonathan Harvey’s Wheel of Emptiness. [Read more…]
by Mike Telin

On Friday, March 6 at 7:30 in Oberlin College’s Fairchild Chapel, Nola Richardson, soprano, Debra Nagy and Kathie Stewart, recorders and flute, Julie Andrijeski and Scott Metcalfe, violins, Beiliang Zhu, viola da gamba and Michael Sponseller, organ, will perform settings of the Lamentations of Jeremiah by François Couperin and Marc-Antoine Charpentier, as well as works by Pierre Du Mage and Marin Marais.
The program will be repeated on Friday, March 7 at 8:00 pm in St. Peter’s Church in downtown Cleveland, and on Sunday, March 8 at 4:00 in Herr Chapel of Plymouth Church in Shaker Heights. A pre-concert lecture will be given by Peter Bennett beginning at 3:00 on Sunday. [Read more…]
by Mike Telin

by Mike Telin

On Wednesday, March 4 at 8:00 pm in CIM’s Kulas Recital Hall, the Cavani Quartet, Annie Fullard and Mari Sato, violins, Kirsten Docter, viola and Merry Peckham, cello, will celebrate thirty years as a quartet in a free concert, when they will be joined by guest artists Donald Weilerstein, viola and Vivian Hornik Weilerstein, piano. The program includes Shostakovich’s Quartet No. 9 in E-flat, op. 117 and Piano Quintet in g, op. 57 as well as Mendelssohn’s String Quintet No. 2 in B-flat, op. 87.
by Mike Telin

At the far corner of the studio sits a large chest of drawers. “Show him what’s in the drawer,” one of them says, laughing. “Let’s see,” Merry Peckham exclaims, producing two umbrellas, a coffee mug, the Annie wig and a bear hat. There’s also a bow case that no one claims, and a couple of folding music stands. “These are coaching accessories,” Peckham tells me, adding, “wait, these are nice stands, why are they in here?” The drawer also houses a number of packages of photographs of family and friends. [Read more…]
by Carlyn Kessler and Mike Telin
The Cavani’s Intensive Quartet Seminar is renowned for preparing well-rounded musicians. The program allows students to constructively track their progress alongside their peers, who, just like faculty members, are valuable resources. The IQS is an incubator for creative ideas, and a “safe place” for improvement, empathy and inspiration. We spoke to current IQS students and alums and asked them about the program’s impact on their education and careers.
“Working with the Cavani Quartet as part of the Intensive Quartet Seminar and Apprentice Quartet Program completely transformed how I thought about music and its relationship to the world,” violist Elizabeth Oaks said in a recent e-mail. “I learned that I could strive to perform the repertoire I loved at the highest possible level while working to bring music to a diverse range of audiences in a creative way.” [Read more…]
by Daniel Hathaway

Welser-Möst is also scheduled to conduct performances of such larger works as Béla Bartók’s Bluebeard’s Castle and The Miraculous Mandarin, and excerpts from Richard Wagner’s Götterdämmerung and Tristan und Isolde.
Distinguished guest conductors returning to the Severance Hall podium will include music director laureate Christoph von Dohnányi, Herbert Blomstedt, Lionel Bringuier, Alan Gilbert, Jane Glover, Gianandrea Noseda, Vladimir Jurowski and Antonio Pappano. Andrés Orozco-Estrada and Antoni Wit will lead the orchestra for the first time. [Read more…]