by David Kulma

by David Kulma
by David Kulma

by Timothy Robson

by Delaney Meyers

The unconventional program will include music by virtuoso fiddler and composer Mark O’Connor, a diverse set of old folk songs played by Farrington and clarinetist Franklin Cohen, Dvořák’s folk-inspired Songs My Mother Taught Me with soprano Amanda Powell. In a phone conversation, Farrington said he is most looking forward to playing one of the lesser known pieces on the program: Krzysztof Penderecki’s Duo Concertante for violin and bass, written in 2010 and inspired by the composer’s long-term friendship with violinist Anne-Sophie Mutter.
[Read more…]
by Alice Koeninger

Guest instructors include Randall Hawes, bass trombone for the Detroit Symphony and professor at Northwestern University; Stephen Lange, second trombone for the Boston Symphony and New England Conservatory faculty; and Craig Knox, tubist for the Pittsburgh Symphony and faculty at Carnegie Mellon. Tickets can be purchased at the door for all concerts and recitals. Ticket pricing and parking info are available here. [Read more…]
by Delaney Meyers

by David Kulma
by David Kulma

by Jarrett Hoffman

Faun and a Pan Flute is a band of cello, alto saxophone, guitar, bass guitar, marimba, percussion, and tuba (Benjamin Shirley, Peter Webb, David Gray, Dan Bailey, Chris Childs, John Gregg, and Julian Hinshaw). They draw on rock, impressionistic jazz, and modern classical music, and over the years have ranged in size from four to twelve members.
Collectively they lead, and collectively they compose.
I recently spoke with John Gregg, the group’s friendly, laid-back percussionist, who had just been watering some of his herbs when he picked up the phone. [Read more…]
by David Kulma
by David Kulma

The Orchestra ended its 100th season celebrating two revolutionaries: Prometheus and Ludwig van Beethoven. Music director Franz Welser-Möst’s goal for The Prometheus Project was to link the light-giving Titan to the powerful Enlightenment composer, and through them connect to “the idea of fighting for good.” This celebration of revolutions past is noble, but it also points out how the Cleveland institution appears more like his backward-looking sibling than Prometheus himself.
In a way, TCO’s festival of Beethoven symphonies and overtures makes all the sense in the world. [Read more…]
by David Kulma
by David Kulma

by Jarrett Hoffman

Combining Chinese traditional music with contemporary repertoire, their upcoming concert — presented by No Exit on Friday, June 15 at 7:00 pm at Appletree Books — will include three duets (one of them by Hong-Da), six solo works, and six instruments (the two likely suspects, in addition to four Chinese flutes).
Let’s start with the bookends of the program. Giacinto Scelsi’s Ko-Lho and David Liptak’s Duo meld together the sounds of the clarinet and Western flute to fascinating effect, treating the instruments almost like conjoined twins.
Hearing an all-Scelsi program at Bowling Green State University is what first drew Hirthe to that composer. “I was really struck by how simple and powerful his music is,” the No Exit clarinetist, Flint Institute of Music faculty member, and BGSU doctoral candidate said during a recent telephone conversation. [Read more…]