by Timothy Robson

by Timothy Robson

by Daniel Hathaway

by David Kulma
by David Kulma

by David Kulma
by David Kulma

by Jarrett Hoffman

Ruffing has also written songs inspired by the TV show The Good Place, and he’s working on a musical about YouTube celebrity Jenna Marbles — whose name graces an upcoming show of Ruffing’s music. “He’s Lost His Marbles” takes place on Sunday, February 23 at 7:00 pm at Baldwin Wallace’s Gamble Auditorium, presented by the University’s Arts Management Association. Tickets are available online.
Among the selections on that program will be one of Ruffing’s biggest hits: the hilarious, wacky, and adult-language-heavy I Want To Be Tall. One verse goes like this:
by Mike Telin
by Mike Telin

On Sunday, February 16 at 3:00 pm in Umstattd Hall, members of the Canton Youth Symphony will have that opportunity when they join with the Canton Symphony for side-by-side performances of Sibelius’ Finlandia and Walton’s Crown Imperial Coronation March, under the direction of Matthew Jenkins Jaroszewicz. The program will also include Nicolai’s Overture to The Merry Wives of Windsor and Beethoven’s Symphony No. 6 (“Pastoral”) performed by the Canton Symphony. A concert prelude with Jaroszewicz begins at 2:00 pm. Tickets are available online.
“I am very excited about this opportunity,” CYS concertmaster Karl Helmuth said in a conference call during his morning study hall at Hoover High School, where he is a junior. [Read more…]
by Nicholas Stevens

by Nicholas Stevens

by Mike Telin
by Mike Telin

“We’re looking forward to being back in Cleveland,” Meng Su said by telephone from Knoxville, Tennessee, the sixth stop on their month-long, twelve-city tour. I began our conversation by asking her about their eclectic program.
Mike Telin: You and Yameng are getting down to business from the beginning with Bach’s “Chaconne.”
Meng Su: Yes. This arrangement is after the Busoni arrangement for piano — he added a lot of harmonies and made it more Romantic, but kept the essence of Bach’s writing. The arrangement we’re playing is by the German guitarist Ulrich Stracke. It works very well. We’ve been playing it for many years. The “Chaconne” is such a big task but as you get older you begin to understand it more. Now that Yameng has become a mother — she has a two-month old daughter — and I have started teaching in Hong Kong at the Academy for the Performing Arts, I think we have a deeper understanding of it. I’m sure we will be playing it for the rest of our lives.
by Timothy Robson
