by Peter Feher

The concert embraced more than just a general innovative attitude, though. Composer John Adams led the Cleveland musicians in a distinctive all-contemporary bill, in the model of the “Green Umbrella” series he chairs for the LA Phil.
by Peter Feher
by Peter Feher

The concert embraced more than just a general innovative attitude, though. Composer John Adams led the Cleveland musicians in a distinctive all-contemporary bill, in the model of the “Green Umbrella” series he chairs for the LA Phil.
by Mike Telin
by Mike Telin

The program will include chamber works by Zamecnik and his mentor, Antonín Dvořák, performed by violinists Isabel Trautwein, Alicia Koelz, and Katherine Bormann, violist Eric Wong, cellist Tanya Ell, clarinetist Robert Woolfrey, and pianist Rodney Sauer, who is also the director of the Mont Alto Motion Picture Orchestra, and who will deliver remarks on Sunday. Click here for tickets and here to read the previous article in this series, an overview of the Festival. A complete list of events and ticket information can be found at the end of this article.
In addition to selected movements from Zamecnik’s String Quartette in B-flat and Trio for Piano, Violin, and Cello, the concert will include three of the composer’s Photoplay Scenes: Ode to Spring (1923), A Gruesome Tale (1922), and Bon Vivant (1917).

TODAY’S EVENTS:
The noon hour on Wednesday will feature Shaker Heights High School Chamber Orchestra on the Trinity Cathedral Brownbag Series (both in person and online), and Youngstown State faculty pianist Cicilia Yudha at the Butler Institute of Art. This evening, Cleveland Orchestra double bassist Scott Dixon joins pianist Alicja Basinska for a CIM Faculty Recital of music by J.S. Bach and Serge Koussevitzky (himself a bass player), including orchestral excerpts by Mozart, Beethoven, and Britten, and back to Youngstown, the Dana Ensemble will play fourteen selections from the mythical Great American Songbook arranged by Dave Morgan and featuring guest vocalist Evelyn Wright and trumpeter James Suggs. [Read more…]
by Mike Telin
by Mike Telin

Next week, a consortium of area arts organizations will come together to present a festival celebrating some of the major masterworks of silent cinema. To highlight the local connection, the inaugural Cleveland Silent Film Festival and Colloquium will focus on the music of Cleveland native and film music pioneer John Stepan Zamecnik.
The Festival kicks off on Sunday, February 13 at 3:00 pm at the Hermit Club, when violinist Isabel Trautwein and other members of The Cleveland Orchestra will join Rodney Sauer, music director of the Mont Alto Motion Picture Orchestra, in a concert of chamber works by Zamecnik and his mentor, Antonín Dvořák.
by Jarrett Hoffman

At noon, head to the Church of the Covenant in Cleveland or go online to hear a free program by organist Christa Rakich, who will play selections from J.S. Bach’s Art of Fugue (program details here, streaming link here).
The hour of 7:30 pm brings two in-person options. One is in Elyria, where Duo Anime — percussionists Andrew Pongracz and Mell Csicsila, pictured — will be featured on the LCCC Signature Series at Cirigliano Studio Theatre in the Stocker Center for the Arts. It’s free, and you can survey the program here.
The other is in Akron, where violinist Joshua Bell and soprano Larisa Martinez will be joined by pianist Peter Dugan in “Voice and the Violin” on the Tuesday Musical series. Check out the program, read Mike Telin’s preview article, then shop for tickets.

DIARY MOVES TO A DIFFERENT COLUMN:
Since we initiated the Diary near the beginning of the pandemic, this daily feature has become increasingly important as a repository for breaking news, concert updates, links to interesting articles on other classical music sites, anniversaries, and musings on topics of their choice by our writers, who alternate in curating its contents. Today, the Diary moves to the top of the main column of the Front Page, where it will be more immediately visible, and act as a headliner for the day. Click here if you’re interested in sponsoring a day’s worth — or a week’s worth of Diary posts. (Photo: George Crumb) [Read more…]
by Daniel Hathaway
TODAY’S EVENTS:

NEWS BRIEFS:
The Cleveland Museum of Art has released dates and details of its performing arts events for the spring. Events include the Philadelphia-based chamber choir The Crossing with guest organist Scott Dettra, Indian classical music by tabla virtuoso Zakir Hussain, contemporary African music by Fatoumata Diawara, a concert by Chinese sheng virtuoso Wu Wei and a recital on the organ in Gartner Auditorium by Nicole Keller. There’s also a performance in the Atrium of an elaborate work by Serbian composer Aleksandra Vrebalov inspired by the museum’s 15th century Icon of the Mother of God and Infant Christ (Virgin Eleousa). Read the press release here.
Cleveland Chamber Choir, Scott MacPherson, artistic director, has sent details about its February concerts, Cecilia and Her World: Music of Cecilia McDowall, which will bring the British composer to town for two free performances on February 26 (Amasa Stone Chapel at CWRU) & 27 (Waetjen Auditorium at CSU). Download the press release here.
The Cleveland Institute of Music has announced that violinist Jennifer Koh will receive an honorary doctorate and speak at its 94th Commencement Ceremony on May 14. Read more here.
On Friday, The Catalyst Quartet and pianist Michelle Cann released the second CD in its UNCOVERED series on the Azica label, featuring four premiere recordings of the half-dozen known chamber works by Florence B. Price. Read the press release here.
WEEKEND ALMANAC:
We’ll choose two anniversaries to call out this weekend: the debut of Giuseppi Verdi’s Otello at La Scala in Milan on February 5, 1887, and the passing of German-American musicologist, radio host, and pianist Karl Haas in Royal Oak, Michigan on February 6, 2005. [Read more…]
by Daniel Hathaway

Before the megastorm arrived, eleven events were scheduled for Friday.
Most of them have now either been cancelled or postponed, with the exception of The Cleveland Orchestra’s performance with guest conductor John Adams and pianist Jeremy Denk (pictured)— already rescheduled from Thursday to today.
There may be more changes! Keep an eye on this space and on our Concert Listings for further updates.
ONLINE TODAY:
The second season of The Cleveland Orchestra’s In Focus series begins on the ensemble’s Adella streaming platform tonight at 7. Aftersilence features conductor Franz Welser-Möst, and pianist Igor Levit in the premiere recording of Hans Abrahamsen’s Vers le Silence, along with Brahms’ Piano Concerto No. 2 in B-flat. The episode includes interviews with Welser-Möst, principal horn Nathaniel Silberschlag and tracks Abrahamsen from his composing base in Denmark through the first performance in Cleveland.
ALMANAC FOR FEBRUARY 4:
One anniversary today comes with interesting archival recordings.
On this date in 1912, conductor Erich Leinsdorf was born in Vienna. The vicissitudes of history took him to New York’s Metropolitan Opera in November, 1937, a few months before Hitler’s Anschluss made a return to Austria impossible. Freshman U.S. Representative Lyndon B Johnson took Leinsdorf under his wing and he eventually became a naturalized U.S. Citizen in 1942. (Read the oral history transcript of an interview where Leinsdorf recalls his experiences with Johnson and the federal government.)
He became the third conductor of the Cleveland Orchestra in 1943 by vote of the board of directors (who chose him over another candidate, Georg Szell). But Leinsdorf received and decided not to challenge a draft notice in October of that year, and joined the U.S. Army for barely a year. By the time he was discharged in September, 1944, sentiments in Cleveland had changed, and Szell had made an impressive debut with the Orchestra. Leinsdorf, still under contract, submitted his resignation. After Szell died, Leinsdorf began appearing frequently as guest conductor in the 1980s. He died
Here are three live Cleveland Orchestra performances led by Erich Leinsdorf: Beethoven’s Seventh Symphony, Schumann’s Third Symphony, and the conductor’s own suite from Debussy’s opera, Pelleas et Melisande.
I can’t resist telling a Leinsdorf story. When I was in college in the 60s, the Harvard Glee Club and Radcliffe Choral Society frequently sang with the Boston Symphony under his direction. One memorable performance was Schumann’s Scenes from Goethe’s ‘Faust’ in 1966 with the New England Conservatory Chorus and a starry cast of soloists: Hermann Prey, Beverly Sills, Charles Bressler, Thomas Paul, Veronica Tyler, Tatiana Troyanos, Florence Kopleff, and Batyah Godfrey. [Read more…]
by Mike Telin
by Mike Telin

The evening is also one of the first stops on their debut tour as a married couple. And remember that Valentine’s Day is right around the corner. Click here for tickets.
The concept for their program — “Voice and the Violin” — began to take shape during the pandemic. “It actually worked in our favor,” Larisa Martinez said during a telephone interview. “We didn’t have a honeymoon because I had my Carnegie Hall debut four days after the wedding. Then we were both so hectic and in different countries, so the pandemic was almost a silver lining — which is how this program was born.”
In a separate interview, Joshua Bell said that creating a program for the two of them was inevitable. “We both respect each other’s musicianship. We’re married to each other so we were together in the house and somehow the lockdown helped give it a kick-start. It was a chance to work on some new arrangements and to look for little gems for voice and violin. And now it’s finally coming to fruition.” [Read more…]