by Daniel Hathaway

. A decade of “not necessarily standard repertoire” on WRUW
. In the Almanac: interesting dates to note in the lives of Dvořák, MacDowell, Ellington, John Luther Adams, Paul Robeson, Mason Bates & Samuel Barber, including a Barber premiere that drew Mike Telin deep into the Cleveland Orchestra archives
HAPPENING TODAY:
Today from 2 to 4pm, WRUW celebrates the 10th anniversary of Eric Charnofsky’s Not Your Grandmother’s Classical Music, with a selection of some of the programmer’s favorite works that are “not necessarily standard repertoire.” Featured music includes Paul Hindemith’s The Four Temperaments (piano and orchestra), Samuel Barber’s Excursions (solo piano), Igor Stravinsky’s Agon (orchestra), Aaron Copland’s Piano Variations, plus music by Lukas Foss and André Jolivet. Click here to listen to the internet feed or tune in to 91.1 FM in the greater Cleveland area
ALMANAC FOR JANUARY 23:
This date in 1894 saw the first performance of Antonin Dvorák’s own arrangement of Stephen Foster’s Old Folks at Home with vocal soloists Sissierette Jones and Harry T. Burleigh at a concert of African American choral music at Madison Square Concert Hall in NYC. [Read more…]




IN THIS EDITION:
IN THIS EDITION:
Perhaps Franz Schubert’s Symphony No. 8 is more complete than its “Unfinished” moniker implies. After all, the composer wrote and orchestrated two full movements, creating a kind of standalone half-symphony. But Severance Music Center audiences heard this work in a new way on January 13, when The Cleveland Orchestra and Franz Welser-Möst interlaced Schubert’s two memorable movements with an unexpected partner: Alban Berg’s Three Pieces from Lyric Suite.
The Akron Symphony Orchestra was particularly well represented by its string section on Saturday, January 14, as it continued to put on display both the strength of its players and its capacity for varied and engaging programming.
IN THIS EDITION:

IN THIS EDITION:
Many musicians can only dream of performing at Carnegie Hall. But next week students at the Oberlin Conservatory will have had the opportunity to perform at the famed venue not once, but twice in as many months.
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