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Archives for May 2024

Conductor shines in Severance Music Center debut with Cleveland Orchestra in Rachmaninoff’s Second Piano Concerto (Apr. 26)

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By Kevin McLaughlin  |  Cleveland Classical

This article was originally published on Cleveland.com

CLEVELAND, Ohio — Conductor David Afkham made everything look easy in his Severance Music Center debut with The Cleveland Orchestra on Friday evening, April 26. He committed to lead works by Unsuk Chin, Rachmaninoff, and Bartók in March when Lahav Shani asked to be away for the birth of his first child.

That program would be a heavy lift for any conductor, but the Orchestra responded to Afkham’s remarkable assurance and clarity and delivered some of the most exhilarating performances of the season to date.

[Read more…]

Apollo’s Fire: festive, virtuosic Bach (Apr. 26)

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by Peter Feher

Apollo’s Fire resurrected its take on J.S. Bach’s Easter Oratorio over the weekend, returning to this choral masterpiece that the ensemble last presented almost two decades ago.

Performances of the Easter Oratorio don’t exactly abound every year, and the reason is less than straightforward. Staging the work is something of a production, approaching the monumental scale of similar Bach compositions — the Passions, the B-Minor Mass, the Christmas Oratorio — but nowhere near as imposing. This contrast has meant that a great piece of music has sometimes been treated as not quite great enough.

Which is a shame because the Easter Oratorio is one of Bach’s most consistently uplifting scores. [Read more…]

Les Délices: Debra Nagy’s singular, ambitious Four Seasons (Apr. 13)

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by Peter Feher

Most Clevelanders spend at least part of the year wishing they could change the seasons here. But oboist Debra Nagy has actually done it with her ambitious rearrangement of Antonio Vivaldi’s The Four Seasons.

In adapting these familiar violin concertos to the strengths and tastes of Les Délices — her period-instrument ensemble that continues to push historical performance in unexpected directions — Nagy has achieved something singular. [Read more…]

BlueWater Chamber Orchestra: Jason Vieaux plays Vivaldi & Dorman

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by Mike Telin

“I’m really looking forward to this concert because the last time I played with BlueWater was around ten years ago, when I played Rodrigo’s Concierto Aranjuez with them,” guitarist Jason Vieaux said during a telephone conversation. “The Vivaldi concerto is very popular and well-known to audiences, and I think it will pair well with Avner Dorman’s concerto.”

On Saturday, May 4 at 7:30 pm at the Church of the Covenant, Vieaux will join the BlueWater Chamber Orchestra in performances of Vivaldi’s Concerto in D, RV 93 and Avner Dorman’s How to Love. Under the direction of Daniel Meyer, the program also includes Beethoven’s Symphony No. 7. The concert is presented in partnership with the Cleveland Classical Guitar Society. Pay-what-you-wish tickets are available online. [Read more…]

DIARY: Thursday, May 2, 2024

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by Daniel Hathaway

HAPPENING TODAY: 

Pianist Lang Lang joins Franz Welser-Möst and The Cleveland Orchestra for Camille Saint-Saëns’ Second Piano Concerto, and the Orchestra adds another French classic: Hector Berlioz’ Symphonie Fantastique (7:30 at Severance Music Center).

At the same hour, Timothy Weiss leads the Oberlin Sinfonietta in music by Stephen Hartke, and in world premieres of works by Wesley Horner (with faculty baritone Timothy LeFebvre), Graham Lazorchak, and Jesse Jones (Warner Concert Hall).

For details of these and other performances, visit our Concert Listings. [Read more…]

Cleveland Chamber Collective: Ty Alan Emerson’s Oath Breaker (Apr. 28)

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by Kevin McLaughlin

It is one of Cleveland’s persistently good things that outlets for fresh new music — played by some of the area’s best musicians — continue to thrive. On Sunday, April 28, we were reminded of this again at Cleveland Chamber Collective’s presentation of Ty Alan Emerson’s Oath Breaker, a Requiem for chamber ensemble and digital playback at the Pivot Center.

Emerson conducted a distinguished ensemble comprising Linda White, flute, Emily Cornelius, violin, Brian Slawta, viola, Trevor Kazarian, cello, Eric Charnofsky, piano, and Dylan Moffitt, percussion.

Oath Breaker takes the audience on a 60-minute journey of anger, grief, and hope, as a kind of collective PTSD therapy session about the events of January 6 and its subsequent aftermath. The mixture of recorded electronics, live performances, and poetic and prosaic texts helped to conjure in real time the horror of that day.

[Read more…]

Cleveland Orchestra Youth Orchestra: Concerto Competition winner Elena Ziegler

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by Mike Telin

For a young musician, winning a concerto competition is always an honor. And performing that concerto with an orchestra is a moment to cherish. “I’ve played many concertos before with piano, but this is my first time with an orchestra and I’m enjoying it a lot,” Elena Ziegler said.

On Friday, May 3 at 8:00 pm at Severance Music Center, Ziegler will perform Lalo’s Cello Concerto with the Cleveland Orchestra Youth Orchestra. Under the direction of Daniel Reith, the program also includes Valerie Coleman’s Umoja and Tchaikovsky’s Symphony No. 4. Tickets are available online.

I reached the Copley High School junior by telephone and began our conversation by congratulating her on winning the competition and asking how she came to choose the Lalo.

[Read more…]

DIARY: Wednesday, May 1, 2024

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by Jarrett Hoffman

IN THIS EDITION:

•Today: cellist John Walz and friends at Trinity Cathedral, Cleveland Orchestra musicians and Karamu Artists in a program curated by Allison Loggins-Hull (pictured), singer-songwriter Alex Cuba at Transformer Station, Oberlin Contemporary Music Ensemble with trombonist/composer Alex Paxton

•Announcements: Cleveland Orchestra Youth Chorus to hold Tenor and Bass Camp, Kaboom Studio Orchestra taking auditions, Welser-Möst receives honorary membership with Vienna Phil

•Almanac: Leo Sowerby

[Read more…]

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