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Archives for May 2025

ChamberFest Cleveland & Piano Cleveland partnership brings James (Zijian) Wei back to town

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by Mike Telin

Not only did James (Zijian) Wei win First Prize at the 2024 Cleveland International Piano Competition, he also won four special prizes, one of which was the ChamberFest Cleveland Prize. That prize was awarded for the first time during the 2024 CIPC and was the result of a new partnership between Piano Cleveland and ChamberFest Cleveland.

How did that partnership come about? “Yaron Kohlberg is one of my old friends from Israel, and ChamberFest has been wanting to collaborate with the Piano Competition for a long time,” pianist and ChamberFest co-artistic director Roman Rabinovich said during a Zoom conversation.

“We’re always exploring opportunities to bring our winners back to Cleveland and create partnerships with local organizations,” Piano Cleveland artistic director Yaron Kohlberg said by phone, “and ChamberFest is a natural fit.” [Read more…]

Cleveland International Classical Guitar Festival: Armin Kelly reflects on 25 years at the helm

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by Daniel Hathaway with Mike Telin

For a quarter century, the Cleveland International Classical Guitar Festival has brought some of the brightest stars in the classical guitar world to Cleveland for a weekend of concerts, masterclasses, and lectures. We caught up with Festival founder Armin Kelly on Zoom, who reflected on his 25 years as artistic director.

CC.com: Congratulations on 25 years. What inspired you to start a festival in the year 2000?

Armin Kelly: Even though I’m a dealer in fine classical guitars, my musical training was as a performer.  Although I never really pursued that, I certainly studied hard for 10 or 15 years. 

John Holmquist was then head of the Cleveland Institute of Music’s guitar department — he was a friend, and we started talking. He had a little stipend from CIM to bring artists in, and I was thinking that it’d be nice to start my own small series, maybe a couple of concerts a year. John had a graduate student who was interested in helping with something like this, and we decided to merge our efforts. And so we made a proposal to the then administration at CIM, and they were supportive but wary, as they should have been. [Read more…]

Margi Griebling-Haigh’s The Higgler to receive world premiere

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by Mike Telin

When composer Margi Griebling-Haigh happened across English author A.E. Coppard’s The Higgler while in high school, she knew the short story about life’s missed opportunities was fodder for an opera.

On Saturday, June 7 at 7:30 pm at Disciples Christian Church Griebling-Haigh’s tragi-comic chamber opera The Higgler will receive its world premiere, directed by Marla Berg and conducted by Steven Smith.

The cast includes tenor Brian Skoog in the title role, soprano Gabrielle Haigh as Mary Sadgrove, mezzo-soprano Elizabeth Frey as Mrs. Sadgrove, mezzo soprano Denise Milner Howell as Mrs. Witlow, and soprano Lisl Wangerman as Sophy Dawes. The production will be repeated on Sunday, June 8 at 3:30 pm. Tickets are available online.

I caught up with conductor Steven Smith and began by asking him how he prepares to conduct the premiere of a new work.

[Read more…]

DIARY, Weekend, May 30—June 1, 2025

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by Daniel Hathaway

HAPPENING THIS WEEKEND:

“June is busting out all over,” declares one of the opening numbers in Rodgers & Hammerstein’s Carousel, which kicks off the Ohio Light Opera season in Wooster on June 14.

The summer concert season will be similarly exploding with festivals and other events next week, but our weekend events make up an interesting if modest list.

No Exit presents a program of music from The Collective, an international consortium of composers on Friday at 7 at the Bop Stop, and Saturday at 7 at Heights Arts. The program features works by Agata Zubel, Mathew Rosenblum, Douglas Knehans, Spiros Mazis, Amy Kaplan, Constantine Koukias, Edward Smalldone, and Timothy Beyer (pictured).

On Saturday at 7:30 at Severance Music Center, Carl Topilow will lead Cleveland Pops Orchestra in real tunes from the fictitious Great American Songbook, featuring vocalist Capathia Jenkins and the Cleveland Pops Chorus.

On Sunday at 3 at Shore Cultural Center, Euclid Symphony will join conductor Jimmie A. Parker, Sr., and special guests for a program of big band music.

Closing out the weekend, on Sunday at 3, the Omni Quartet will play Beethoven’s string quartets Nos. 8 and 12 in a carriage house in Cleveland Heights. At 5, The Resonance Project will put Baroque instrumentalists together with West African drummer and vocalist Assane M’Baye at Forest Hills Church. And at 7, OPUS 216 will launch their summer Symphony at Sunset series in Voinovich Bicentennial Park on the E. 9th Street Pier.

WEEKEND ALMANAC:

We’ll zero in on one date in music history: May 31, which in 1656 marked the birth of French composer and violist da gamba Marin Marais in Paris. [Read more…]

Resonance Project presents: Songs of Nature

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by Mike Telin

With the mission to make classical music accessible for first-time listeners by engaging with the audience in ways that extend beyond normal concert settings, The Resonance was the first classical music series on Seattle’s Eastside associated with a dedicated performance space, Resonance at Soma Towers.

Now based in Cleveland, The Resonance Project will continue that audience engagement  on Sunday June 1 at 5:00 pm in Forest Hill Church with  “Songs of Nature.” Baroque instrumentalists join West African drummer and vocalist Assane M’Baye for a program combining Vivaldi’s Violin Concerto in g, “Summer,” with Senegalese folk song. Also on the playlist is Davide Perez’s Sinfonía, “La tempestad del Mar,” and Jean-Féry Rebel’s Les Élémens. Pay-what-you-can, tickets are available online.

[Read more…]

BlueWater Chamber Orchestra and Cleveland Chamber Choir: “I Believe!” (May 17)

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by Peter Feher

Trust in a higher purpose is part of what’s sustained BlueWater Chamber Orchestra and Cleveland Chamber Choir for many seasons now.

So it was fitting that the two local ensembles came together in a concert titled “I Believe! Knitted Voices of Justice and Faith” on May 17 at Trinity Cathedral. The evening not only marked major milestones for BlueWater and CCC — their 15th and 10th anniversaries, respectively — but also spoke to a shared mission. Making classical music more accessible is a priority for both organizations, whether through pay-what-you-wish performances or programming that forges new connections.

Saturday’s concert paired Margaret Bonds’ Credo and Mozart’s “Great” Mass in c in a righteous demonstration of belief that swelled to fill the magnificent space of Trinity.

[Read more…]

DIARY, Thursday, May 29, 2025

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 by Daniel Hathaway

INTERESTING READS:

In his Critic’s Notebook in today’s New York Times, Zachary Woolfe asks, “People love Janáček’s music when they hear it. So why isn’t my favorite composer more popular?

“On Sunday, when the Cleveland Orchestra (pictured by Roger Mastroianni) finished an elegant but crushing concert version of Jenůfa, which ends with a vision of forgiveness and reconciliation after extraordinary suffering, I would have happily sat through it again, right then and there.” Read the article and comments by readers here.

And marking the centennial of his birth, German baritone Benjamin Appl remembers his teacher Dietrich Fischer-Dieskau, as one of the 20th century’s greatest singers and a complicated, conflicted man. Read the New York Times article here.

TODAY’S ALMANAC:

Spanish composer Isaac Albéniz was born on this date in Camprodón. Taste just one of his iconic Iberian portraits in a 2010 performance of Sevilla by Jason Vieaux in Kulas Hall at CIM. [Read more…]

Cleveland Orchestra’s “Vox Humana” haunts with a tale of reconciliation (May 23)

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by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — Instructions for a classical programming chatbot: design a full-length program of music that illustrates the theme of Reconciliation, using in any combination a narrator, a full symphony orchestra, a mixed chorus, a vocal monologue and an instrumental quintet.

That’s not how Friday’s Vox Humana concert at the Jack, Joseph and Morton Mandel Opera & Humanities Festival came to be. But such a prompt might help explain how apparently unrelated works by Francis Poulenc, J.S. Bach, Galina Ustvolskaya, and Richard Strauss made it from Franz Welser-Möst’s fertile imagination to the Mandel Concert Hall stage.

Based on Jean Cocteau’s monodrama, Francis Poulenc’s 1958 opera La voix humaine presents the audience with one side of a telephone conversation between a jilted woman (“Elle”) and her former lover. [Read more…]

Akron Symphony concludes season with a grand Verdi’s Requiem (May 10)

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by Peter Feher

The Akron Symphony is ready to stage a full opera in some upcoming season, judging by the spectacular success of the orchestra’s performance of Verdi’s Requiem on May 10 at E.J. Thomas Hall.

All of the elements essential for a winning production were present. A sense of drama, a compelling cast of vocal soloists, and a stage packed with extra choristers and instrumentalists made the evening feel like a thoroughly theatrical event. It was a grand way for the Symphony to conclude its 2024-25 concert year.

That a sacred piece should seem so lavish and entertaining is the glorious crux of Verdi’s Requiem. Classical composers going as far back as the 15th century have set the Latin Mass for the dead with a certain creative flourish and delight in excess, but Verdi’s contribution represents the operatic peak of the tradition.

His realization was always intended for a concertgoing audience. The work was first conceived in 1868 as part of a tribute to the late leading opera composer Gioachino Rossini but only completed in 1873 following the death of Italian writer and politician Alessandro Manzoni.

[Read more…]

Apollo’s Fire to feature flamenco guitarist Jeremy Garcia in ¡HISPANIA! concerts

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by Mike Telin

On Wednesday, May 28 at 7:30 pm in Harkness Chapel, Apollo’s Fire will present a send-off concert of their popular program ¡HISPANIA! before traveling to Puerto Rico to perform at the Casals Festival.

When they return, the ensemble will bring a new version of that program to the Holden Arboretum in Kirtland for five performances from June 5–8 and to Avon Lake United Church of Christ for a single performance on June 9. Tickets are available online.

This all-instrumental version of ¡HISPANIA! led by Jeannette Sorrell features the lively dance rhythms of “tangos and fandangos” from Spain and Argentina. An 11-piece ensemble explores the influence of Arab-infused flamenco dance music on Spanish Baroque composers – including Diego Ortiz, Gaspar Sanz, and Santiago de Murcia.

[Read more…]

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