by Daniel Hathaway

The catalyst for this particular concert was a visit by British composer Cecilia McDowall, several of whose works were programmed, including the premiere of her On the Air (Dear Vaccine), and culminating in a massed choir performance of her 2016 piece The Presence. Along the way, we also heard McDowall’s Brightest Star, De Profundis (Night Raid), Regina coeli, and When Time is Broke: Three Shakespeare Songs. [Read more…]




Cleveland Chamber Music Society has recently had to deal with more than its fair share of postponements and cancellations, but when Cuarteto Casals cut short their U.S. Tour last month due to a medical emergency, the Society was lucky to be able to field a replacement.
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“It takes so many people to put on a production, especially a new one,” Oberlin Opera professor and director Christopher Mirto said in a recent interview with this publication. And lots of time as well, especially when the gestation period for a new work coincides with a pandemic.
A long line at the Will Call window at Severance on Saturday evening, February 19 meant that a number of Cleveland Orchestra patrons missed hearing Guillaume Connesson’s Flammenschrift, the first item on Stéphane Denève’s program.
Featured today: Noonday concerts in Cleveland and Youngstown, CIM’s Music for Food Benefit, one in a string of Oberlin faculty concerts to open a new semester, and replays of ChamberFest performances. Also, links to articles about a Grammy nomination controversy, the future of international orchestra tours, and the legacy of conductor Michael Gielen. And a nod to the birthday of Handel and the passing of Elgar.
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