by Mike Telin

“We’re very excited about this concert because it is our Cleveland Museum of Art debut,” No Exit’s artistic director Timothy Beyer said during a telephone conversation.
The program will include five works for solo piano performed by Shuai Wang — Francis Picabia’s La Nourrice Américaine (fast) and La Nourrice Américaine (slow), Darius Milhaud’s Caramel Mou, Georges Auric’s Adieu, New York!, and E.L.T. Mesens’ Drie Composities Voor Klavier — as well as a video of Tristan Tzara’s Dadaist Anthem.
Beyer noted that with the exception of Milhaud, Picabia, Auric, Mesens and Tzara were not composers per se. “They were artists. But these are great pieces that represent the beginning of avant-garde conceptualized music, which is prevalent today — John Cage took his cues from the Dadist’s playbook.” [Read more…]









It’s always fun to ask someone how it feels to be making their debut performance with The Cleveland Orchestra. And while all the responses come with excitement, there was a bit of extra enthusiasm in the voice of Amaryn Olmeda.
“I can’t count the number of holiday programs I have conducted in my life,” Greg Ristow said during a telephone conversation. “But I think I’m more excited about this one than any I’ve ever conducted because the music is all so fun — there’s no other way to put it.”
Imagine that it’s Christmas night in Ireland, 1849. Families and friends gather for an evening of singing, storytelling, and due to the Potato Famine, tearful farewells. 
