by Daniel Hathaway

Credit Pablo Casals, who bought a second-hand score of the pieces in Barcelona in 1890 at the age of 13, and worked on them for a dozen years before daring to play them in public. He preserved his performances between 1936 and 1939 in a recording that the Library of Congress chose earlier this year for inclusion in the National Recording Registry.
Performances of the six suites have become something of an Everest for cellists. The Cleveland Orchestra’s Dane Johansen hiked the 600-mile Camino de Santiago in 2014, recording the suites in 36 churches along the pilgrimage route. More conventionally but no less impressively, Yo-Yo Ma played all six in one evening at Blossom in August of 2018.
Now, Apollo’s Fire principal cello René Schiffer has decided to take the suites on, but in a different format and from a special point of view. He’ll perform and record them two at a time beginning this weekend. [Read more…]




Murder, cannibalism, a return from the dead, and revenge — basically everything you could want from an evening out. You get all of that in Philip Glass’ and Robert Moran’s
What do marriage and an octopus have in common? They both served as inspirations for Gregg Kallor’s new work for string octet. On Wednesday, October 30 at 7:30 pm at E.J. Thomas Hall, Tuesday Musical will present “October Octets” featuring the Dover and Escher String Quartets. The program will include the premiere of Kallor’s
You might expect that someone who’s a leader in their field was hooked from their initial encounter with it. Colin Lawson, described as 
Composer and conductor Federico Garcia-De Castro was 12, living in his native Colombia, when a left-leaning politician named Bernardo Jaramillo Ossa was shot and killed at an airport in Bogotá.


