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Jakub Hrůša returns
to Severance Hall

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by Mike Telin

“There are few steps in the history of music as paramount as was the ‘Eroica’ Symphony,” Czech conductor Jakub Hrůša said during a telephone conversation. “It’s a piece from hundreds of years ago, but it’s still stimulating and sometimes shocking music to hear — it just doesn’t make you tired of listening to it.”

On Thursday, November 7 at 7:30 pm, Jakub Hrůša will return to the Severance Hall stage to lead The Cleveland Orchestra in Beethoven’s monumental Symphony No. 3 (“Eroica”). The evening will also include Shostakovich’s Violin Concerto No. 1 with Sergey Khachatryan as soloist. The program will be repeated on Friday and Saturday at 8:00 pm and Sunday at 3:00 pm. Tickets are available online.

Over the past few years, Hrůša has become a wonderful addition to the Orchestra’s guest conductor roster. He said that he never gets tired of conducting the Beethoven Third. “I used to do it a lot, then I took a break from it. Then I did it again and now I’m coming back to it after another break. In my view, I don’t think it’s played too often — it’s a masterpiece with no equal. Within Beethoven’s oeuvre it’s extraordinarily important. Very few symphonies in the history of music caused such a revolutionary shock as this symphony did.”  [Read more…]

Cleveland Chamber Choir to present “Lux Caelestis” concerts this weekend

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by Daniel Hathaway

To begin its fifth season, the professional singers of Scott MacPherson’s Cleveland Chamber Choir will present identical programs at St. John’s Cathedral in downtown Cleveland on Friday, November 8 at 7:30 pm, and at St. Sebastian Church in Akron on Sunday, November 10 at 5:00 pm.

“Our overall theme this season is ‘Women’s Voices Resounding,’” MacPherson said in a telephone conversation. “A good chunk of the repertoire is by women composers and poets. And the first pair of concerts will be given in memory of my dear friend Helen Tremaine Gregory, who passed away last winter. She was a businesswoman and philanthropist who sang in my town-gown Kent Chorale.”

When MacPherson puts a concert program together, he often begins with a central piece out of which companion works spring. “The centerpiece of these programs is Timothy Kramer’s Lux Caelestis, a piece he wrote for me when I was at Trinity University in San Antonio,” the conductor said. “I asked him for a piece we could sing on tour in Cologne Cathedral — one that was appropriate for a watery acoustic.” [Read more…]

Oberlin Opera Theater: 
A Midsummer Night’s Dream

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by Mike Telin

When Oberon and Tytania, the King and Queen of the Fairies, have a public marital spat, Oberon sets his sights on revenge with the help of his mischievous servant Puck. Chaos ensues for everyone involved: the fairies, the royalty, and the rag-tag theater troupe. And like any good fairy tale, everything gets worked out in the end. It all makes you wonder — is this someone’s dream?   

On Wednesday, November 6 at 8:00 pm in Hall Auditorium, Oberlin Opera Theater will present Benjamin Britten’s A Midsummer Night’s Dream. Jonathon Field directs, and Christopher Larkin conducts the Oberlin Orchestra. Performances continue November 8 and 9 at 8:00 pm and the 10th at 2:00 pm. Tickets are available online.

“An interesting thing about this piece is the way it’s constructed,” Jonathon Field said during a recent interview. “Shakespeare’s play opens and closes in civilization, so you do feel grounded in our world. But in the opera, it opens and closes in the woods, so the fairies have the first and last word. Britten is almost saying that the irrational and mysterious are going to reign. And that’s where the idea of the dream comes in — that vague difference between reality and illusion.”

[Read more…]

Pianist Till Fellner to return to Cleveland Chamber Music Society

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by Jarrett Hoffman

Till Fellner last came to town in 2011 at the invitation of the Cleveland Chamber Music Society. The Austrian pianist returns to the series for a recital next Tuesday, November 12 at 7:30 pm in Mixon Hall at the Cleveland Institute of Music. Roger Klein will give a pre-concert lecture at 6:30 pm. Tickets are available online.

Fellner’s international career was launched when he won first prize at the Clara Haskil International Piano Competition in 1993. Since then, he has been a guest at major orchestras and music centers of Europe, the U.S., and Japan. Last season brought his debut with the London Symphony, and this season includes his second appearance with the Boston Symphony. He teaches at the Zurich Hochschule der Künste.

The pianist’s Chamber Music Society program is one part Schoenberg and two parts Schubert — who is among the composers Fellner admires most. As he told Kyle MacMillan last year in an interview for the Chicago Symphony’s CSO Sounds and Stories, “…it seems to me that Beethoven, Mozart, Schubert and Bach are so important, and it’s the most interesting music for me.”

[Read more…]

Apollo’s Fire: cellist René Schiffer
embarks on his Bach Project

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by Daniel Hathaway

Johann Sebastian Bach wrote his six solo cello suites between 1717 and 1723, when he was employed as Kapellmeister by the Duke of Anhalt-Köthen, but it was only much later that these works became widely known and hailed for their profundity.

Credit Pablo Casals, who bought a second-hand score of the pieces in Barcelona in 1890 at the age of 13, and worked on them for a dozen years before daring to play them in public. He preserved his performances between 1936 and 1939 in a recording that the Library of Congress chose earlier this year for inclusion in the National Recording Registry.

Performances of the six suites have become something of an Everest for cellists. The Cleveland Orchestra’s Dane Johansen hiked the 600-mile Camino de Santiago in 2014, recording the suites in 36 churches along the pilgrimage route. More conventionally but no less impressively, Yo-Yo Ma played all six in one evening at Blossom in August of 2018.

Now, Apollo’s Fire principal cello René Schiffer has decided to take the suites on, but in a different format and from a special point of view. He’ll perform and record them two at a time beginning this weekend. [Read more…]

CIM Opera Theater to begin The Juniper Tree on Halloween

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by Jarrett Hoffman

Murder, cannibalism, a return from the dead, and revenge — basically everything you could want from an evening out. You get all of that in Philip Glass’ and Robert Moran’s The Juniper Tree, presented by CIM Opera Theater beginning on Halloween night, October 31.

Arthur Yorinks’ libretto is based on the Brothers Grimm story, which begins where else but with a stepmother. She worries that her stepson reminds her husband of his own late wife. Her solution? We might call it unique. She kills the kid — gruesomely — then feeds him to her unsuspecting husband in the form of a stew. The boy later returns as a bird, seeking vengeance.

In a phone call, director Dean Southern (above) said he’s long been drawn to the realms of fantasy and horror. “As a kid, I was probably a vampire for Halloween more than anything else.”

[Read more…]

Tuesday Musical:
marriage and an octopus

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by Mike Telin 

What do marriage and an octopus have in common? They both served as inspirations for Gregg Kallor’s new work for string octet. On Wednesday, October 30 at 7:30 pm at E.J. Thomas Hall, Tuesday Musical will present “October Octets” featuring the Dover and Escher String Quartets. The program will include the premiere of Kallor’s String Octet as well as Shostakovich’s Two Pieces for String Octet, Op. 11, and Enescu’s Octet for Strings in C, Op. 7. A conversation with the musicians will be held in the Flying Balcony Club beginning at 6:30 pm. Tickets are available online.

First, the marriages. Kallor’s new work will bring together two brilliant string quartets. That’s a marriage of a sort. But there’s more — Dover violist Milena Pajaro-van de Stadt and Escher cellist Brook Speltz are in fact married. And when composing his String Octet, marriage was at the forefront of Kallor’s thoughts. “I started writing it in the late winter of last year,” the composer said during a recent interview. “But I had proposed to my wife in November, so marriage was very much on my mind.” That marriage took place in September. 

Second, the octopus. “My wife has this thing for octopuses, and we’re dealing with eight musicians. It wasn’t a conscious decision but this was all floating around in my head when I was writing the piece.” 

[Read more…]

English clarinetist Colin Lawson to join Les Délices in Mozart and Beethoven

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by Jarrett Hoffman

You might expect that someone who’s a leader in their field was hooked from their initial encounter with it. Colin Lawson, described as “the doyen of period clarinettists” by BBC Magazine, had a different first impression of early music performance.

“I was rather put off because some of the musical results were not that fantastic,” Lawson said by telephone from the Royal College of Music in London, where he directs the school, chairs its historical performance program, and teaches classical clarinet. “I was very interested in the academic side of early music, but it took me a bit of time to get ‘round to playing it.”

Audiences are certainly happy that he did get around to it. His credentials as a player include performances with Britain’s leading period orchestras, solo appearances in Wigmore and Carnegie Halls, and recordings of an array of concertos and chamber music.

Lawson’s latest project falls in the category of things that are always exciting and often challenging: meeting new musicians — some from another continent, no less — and playing chamber music with them. Next weekend, under the umbrella of Les Délices, he will join oboist Debra Nagy, bassoonist Wouter Verschuren, hornist Todd Williams, and fortepianist Sylvia Berry in three concerts of music by Mozart and Beethoven.

[Read more…]

Frady to guest direct BW’s
Dido and Aeneas at Red Space

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by Daniel Hathaway

Baldwin Wallace Opera Theater will stage Henry Purcell’s Dido and Aeneas at Red Space in downtown Cleveland on Wednesday and Thursday, October 23 and 24 at 7:00 pm, in a production directed by Kathryn Frady of Knoxville’s Marble City Opera.

Frady returns to BW at the invitation of opera studies director Scott Skiba, after having directed scenes and sung in a premiere during Cleveland Opera Theater’s {New Opera Works} Festival two years ago. “I love contemporary opera,” she said in a recent telephone conversation. “This season, Marble City Opera is producing the world premiere of Shadowlight by Larry Delinger and Emily Anderson. It’s about Beauford Delaney, a famous artist who grew up in Knoxville. We’re building a whole festival around the opera from January through May.

Dido and Aeneas, on the other hand, is a very old theater piece, perhaps having been first performed in London at a dancing school in the late 1680s. “Dido was Scott’s idea,” Frady said. “Originally, we were to have staged Menotti’s The Medium, but casting issues made a switch necessary. But Dido is a great piece.” [Read more…]

Cleveland Uncommon Sound Project to present Alia Musica Pittsburgh

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by Jarrett Hoffman

Composer and conductor Federico Garcia-De Castro was 12, living in his native Colombia, when a left-leaning politician named Bernardo Jaramillo Ossa was shot and killed at an airport in Bogotá.

“He was part of a whole political party that was exterminated one by one,” Castro said during a recent interview. “Estimates range from 3,000 to 5,000 people.”

Among all the killings, that one in March of 1990 left the biggest mark on Castro. “He was a very charismatic leader who was picking up more and more steam,” the musician said of Jaramillo. “I remember that I was very shocked and disturbed.” Years later, after seeing a documentary, he decided to write a piece in homage to that leader.

The new music ensemble Alia Musica Pittsburgh, which Castro directs and conducts, will perform his Memoria for soprano, violin, cello, guitar, and percussion this Sunday, October 27 at 7:00 pm at the Bop Stop. The free program also includes works by John Arrigo-Nelson, James Ogburn, Kerrith Livengood, and Bowling Green faculty composer Marilyn Shrude, and will serve as the season opener and kickstarter launch for the Cleveland Uncommon Sound Project.

[Read more…]

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