by Mike Telin
Since its formation in 2010 at the Colburn School in Los Angeles, the Calidore String Quartet has been on a fast-track to success in the competitive world of professional chamber music. In 2016 alone the Quartet won England’s Borletti-Buitoni Trust Fellowship, becoming the first North American ensemble to receive the £20,000 award in the foundation’s history. During May they made their Carnegie Hall debut, and also won the $100,000 grand prize at the inaugural M-Prize Chamber Music Competition.
As a general rule, elevators go up and down, conveying people or goods from one level to another in a given building. The elevator on stage for OLO’s production of Have a Heart, however, goes backwards. It takes the happy audience (plus cast and crew) straight back to early 1917, and the premiere production of Jerome Kern’s then-new musical. It’s a delightful journey, one you won’t want to miss. 
Two Romantic meditations on death comprised the first of this year’s Cleveland Orchestra Summers @Severance programs last Friday evening — Richard Strauss’s Death and Transfiguration and Johannes Brahms’s A German Requiem — both works of ambitious scope and seriousness, led by music director Franz Welser-Möst.
Summer time is a funner time, and what could be more fun than putting together a picnic and heading off to Blossom Music Festival for wonderful weather and music performed by The Cleveland Orchestra under the direction of Franz Welser-Möst?
In celebration of the summer solstice on June 21, Cleveland inaugurated its first Make Music Day. Over 700 cities worldwide participate in this open-to-all festival, launched in 1982 by the French Ministry of Culture. Local venues offered performances throughout the city, including the Cleveland Clinic, the Bop Stop, Edgewater Park, Stone Mad Park, Toast, the Happy Dog, and many others. 
On Wednesday evening, July 6, the Miami String Quartet and pianist Spencer Myer gave a thrilling concert in Ludwig Recital Hall at Kent State University. This installment of the Kent/Blossom Faculty Concert Series showcased two short but fiery string quartets — Ludwig van Beethoven’s “Serioso” in f, Op. 95 and Gabriela Frank’s Milagros (“Miracles”) — as well as Johannes Brahms’s Piano Quartet in g, Op. 25. 
